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Giovanni Maria Ruggieri or Ruggeri was a
Baroque The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including t ...
composer A composer is a person who writes music. The term is especially used to indicate composers of Western classical music, or those who are composers by occupation. Many composers are, or were, also skilled performers of music. Etymology and Defi ...
from
Italy Italy ( it, Italia ), officially the Italian Republic, ) or the Republic of Italy, is a country in Southern Europe. It is located in the middle of the Mediterranean Sea, and its territory largely coincides with the homonymous geographical re ...
. His dates of birth and death are uncertain, but he may have been born about 1665 in
Verona Verona ( , ; vec, Verona or ) is a city on the Adige River in Veneto, Northern Italy, Italy, with 258,031 inhabitants. It is one of the seven provincial capitals of the region. It is the largest city Comune, municipality in the region and the ...
and died around 1725. He is known to have flourished from 1689–1720.


Life

His major works were apparently composed in
Venice Venice ( ; it, Venezia ; vec, Venesia or ) is a city in northeastern Italy and the capital of the Veneto Regions of Italy, region. It is built on a group of 118 small islands that are separated by canals and linked by over 400  ...
. His first work, '' La Clotilde'', is extant, and on its title page he described himself as an amateur; the librettist for the same work described him as being distinguished among amateurs and the peer of the most celebrated scholars of music. Other than these fragments, very little is known about his personal life. Archives in the
Museo Correr The Museo Correr () is a museum in Venice, northern Italy. Located in St. Mark's Square, Venice, it is one of the 11 civic museums run by the Fondazione Musei Civici di Venezia. The museum extends along the southside of the square on the upper ...
in Venice indicate that he owned several properties and he may have been in the service of the noble
Contarini family The House of Contarini is one of the founding families of Republic of Venice, Venicehttps://archive.org/details/teatroaraldicose02tett, Leone Tettoni. ''Teatro araldico ovvero raccolta generale delle armi ed insegne gentilizie delle piu illu ...
, to whom he wrote a letter in 1695. His early musical career comprises four collections of trio sonatas, both ''da camera'' and ''da chiesa'', published at some time between 1689 and 1697, but these have since been lost. His surviving sonatas display considerable invention and ability with
counterpoint In music, counterpoint is the relationship between two or more musical lines (or voices) which are harmonically interdependent yet independent in rhythm and melodic contour. It has been most commonly identified in the European classical tradi ...
. In 1696 Ruggieri began working full-time as a composer and presumably encountered considerable success, because his operas were often revived: ''Armida abbandonata'' was produced at least five times between 1707 and 1715. His Elisa (1711) was regarded by critics as a success, and it was the first ever ''
opera buffa ''Opera buffa'' (; "comic opera", plural: ''opere buffe'') is a genre of opera. It was first used as an informal description of Italian comic operas variously classified by their authors as ''commedia in musica'', ''commedia per musica'', ''dramm ...
'' to be produced in the Republic of Venice. As a composer of sacred music, he is an important influence on
Vivaldi Antonio Lucio Vivaldi (4 March 1678 – 28 July 1741) was an Italian composer, virtuoso violinist and impresario of Baroque music. Regarded as one of the greatest Baroque composers, Vivaldi's influence during his lifetime was widespread a ...
, who would later borrow extensively from Ruggieri's
Gloria Gloria may refer to: Arts and entertainment Music Christian liturgy and music * Gloria in excelsis Deo, the Greater Doxology, a hymn of praise * Gloria Patri, the Lesser Doxology, a short hymn of praise ** Gloria (Handel) ** Gloria (Jenkins) ...
in D for his own two Glorias. Vivaldi is also saidT. Wiel, ''I teatri musicali veneziani del settecento'' (Venice, 1897) to have revised a work by Ruggieri (''L'inganno trionfante in amore''); this may well be, but there is no documentary proof of it.


Work

Operas * ''Drammi per musica'' in three acts, first performed in Venice, unless otherwise stated: * ''La Clotilde'' (libretto by Neri), given at San Cassiano during carnival, 1696; revived as ''Amar per vendetta'' at San Moisè in November 1702; * ''La Mariamme'' (libretto by Burlini), first performed at Santi Giovanni e Paolo in autumn 1696, only a few arias remain; * ''La saggia pazzia di Giunio Bruto'' (libretto by Lotti), première at Santi Giovanni e Paolo on 26 November 1698; * ''Milziade'' (libretto by Lotti), Santi Giovanni e Paolo, carnival 1699, only a few arias remain; * ''Armida abbandonata'' (libretto by Silvani, after
Tasso TASSO (Two Arm Spectrometer SOlenoid) was a particle detector at the PETRA particle accelerator at the German national laboratory DESY. The TASSO collaboration is best known for having discovered the gluon, the mediator of the strong interaction an ...
), given at Sant'Angelo, 10 November 1707; * ''Arrenione'' (libretto by Silvani), given at Sant'Angelo at some time during the week before 10 November 1708. May involve work by other composers; * ''Arato in Sparta'' (libretto by Minato), Sant'Angelo, week before 11 January 1710; * ''L’ingannator ingannato'' (libretto by Marchi), San Samuele, autumn 1710; * ''Le gare di politica e d’amore'' (libretto by Salvi), San Samuele, week before 31 January 1711; * ''Elisa'' (a comedy, lyrics by Lalli), given at Sant'Angelo in autumn 1711; * ''Arsinoe vendicata'' (libretto by Braccioli), Sant'Angelo, carnival 1712; Sacred and vocal * Twelve cantatas op.5, 1706; * 'Laudate Dominum'', motet, 8 verses, date illegible; * ''Jesu dulcis memoria'', Rome, 1689; * Gloria for soli et chorus Instrumental (All published in Venice) * ''Bizzarie armoniche esposte in dieci suonate da camera a due'' for violin, lute/theorbo, viola/harpsichord op.1 (1689); * ''Scherzi geniali ridotti a regola armonica in dieci suonate da camera a tre op.2, 1690 (lost); * ''Suonate da chiesa'' for two violins, viola/theorbo, organ op.3, 1693; * ''Suonate da chiesa'' for two violins, violoncello, and organ op.4, 1697


External links

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References

{{DEFAULTSORT:Ruggieri, Giovanni Maria Musicians from Venice Italian male classical composers Italian Baroque composers Italian opera composers Male opera composers Year of death unknown Year of birth unknown