Giovanni Maria Cecchi
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Giovanni Maria Cecchi (1518–1587) was an Italian poet, playwright, writer and notary, devoted to the
Medici family The House of Medici ( , ) was an Italian banking family and political dynasty that first began to gather prominence under Cosimo de' Medici, in the Republic of Florence during the first half of the 15th century. The family originated in the Muge ...
. His plays were often classically inspired, although some were derived from current events. “Cecchi left in his comedies a treasure of spoken language, which nowadays enables us in a wonderful way to make ourselves acquainted with that age.”


Biography

Giovan Maria Cecchi was born in Florence in 1518, to Ser Bartolomeo Cecchi and Ginevra Sannini. He was the rival of Bibbiena, Machiavelli, and Ariosto in portraiture of character and in liveliness of dialogue. A
notary A notary is a person authorised to perform acts in legal affairs, in particular witnessing signatures on documents. The form that the notarial profession takes varies with local legal systems. A notary, while a legal professional, is disti ...
by profession, Cecchi completed twenty-one full-length erudite
comedies Comedy is a genre of fiction that consists of discourses or works intended to be humorous or amusing by inducing laughter, especially in theatre, film, stand-up comedy, television, radio, books, or any other entertainment medium. The term o ...
, numerous secular farces, religious dramas, and
intermezzi In music, an intermezzo (, , plural form: intermezzi), in the most general sense, is a composition which fits between other musical or dramatic entities, such as acts of a play or movements of a larger musical work. In music history, the term ha ...
. Of his plays, 95 in number, but few have been printed. They are for the most part imitations of Plautus and Terence; the best of them are: ''Il Martello'', ''La Stiava'', and (the most famous of all) ''L'Assiuolo''. He wrote also religious dramas; among them ''L'Esaltazione della Croce'' (1589), written in verse, derived from the '' Golden Legend'', with a setting in
Jerusalem Jerusalem (; he, יְרוּשָׁלַיִם ; ar, القُدس ) (combining the Biblical and common usage Arabic names); grc, Ἱερουσαλήμ/Ἰεροσόλυμα, Hierousalḗm/Hierosóluma; hy, Երուսաղեմ, Erusałēm. i ...
at the time of warfare between Christians and infidel Persians, and accompanied by six elaborate intermezzi to express the drama's grandiosity. According to Ernest Hatch Wilkins Cecchi “may fairly be called the first Italian playwright, in the sense that he was the first Italian writer whose literary activity was busily and almost exclusively dramatic. He wrote about twenty regular comedies, the earlier ones quite in the spirit of his Florentine predecessors, the later ones restrained by the influence of the
Counter-Reformation The Counter-Reformation (), also called the Catholic Reformation () or the Catholic Revival, was the period of Catholic resurgence that was initiated in response to the Protestant Reformation. It began with the Council of Trent (1545–1563) a ...
. Some are free adaptations from
Plautus Titus Maccius Plautus (; c. 254 – 184 BC), commonly known as Plautus, was a Roman playwright of the Old Latin period. His comedies are the earliest Latin literary works to have survived in their entirety. He wrote Palliata comoedia, the gen ...
or
Terence Publius Terentius Afer (; – ), better known in English as Terence (), was a Roman African playwright during the Roman Republic. His comedies were performed for the first time around 166–160 BC. Terentius Lucanus, a Roman senator, brought ...
; some are based on
novelle A novella is a narrative prose fiction whose length is shorter than most novels, but longer than most short stories. The English word ''novella'' derives from the Italian ''novella'' meaning a short story related to true (or apparently so) facts ...
; and some reflect current Florentine incident.” Cecchi wrote among other things, the Contents of "Magistrates of Florence" (1562) and an institutional history of the Florentine State, a treatise on local history. He also composed farces and other comedies on religious subjects. Giovan Maria Cecchi died at the age of 69 in Gangalandi in 1587, and was buried in the church of Santa Lucia.


Works

* ''La Dote'' * ''La Moglie'' * ''Il Corredo'' * ''La Stiava'' * ''Il Donzello'' * ''Gli Incantesimi'' * ''Lo Spirito'' * ''L'ammalata'' * ''Il Servigiale'' * ''La Macaria'' * ''I Dissimili'' * ''I Rivali'' * ''L'Assiuolo''. ''L'Assiuolo'' Eisenbichler summarises the plot: “The two youths, Giulio and Rinuccio, seduce and win the permanent affection of the two married ladies, Oretta and Violante, while Oretta's old husband tries without success to seduce the virtuous widow Anfrosina (Rinuccio's mother). When the servant Giorgetto notices that his machinations have been successful and that sexual encounters have either occurred or have been foiled as planned, he himself goes off to a brothel to gratify his senses, thus underscoring the nature of the other incidents.”Giovanni Maria Cecchi, The Horned Owl (L'Assiuolo). Translated with an introduction and notes by Konrad Eisenbichler. Waterloo, Ont.: Wilfrid Laurier University Press, 1981. (Carleton Renaissance plays in translation; 3). * ''Il Medico'', reprinted 1585 as ''Il Diamante'' * ''Le Pellegrine'' * ''Le Cedole'' * ''Gli Sciamiti'' * ''Le Maschere'' * ''I Contrassegni'' * ''Il Debito''


Notes


Bibliography

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External links

* {{DEFAULTSORT:Cecchi, Jean-Marie Italian Renaissance writers 1518 births 1587 deaths Italian male dramatists and playwrights Italian notaries Italian dramatists and playwrights Italian male poets Writers from Florence 16th-century Italian poets 16th-century Italian writers 16th-century male writers