Giovanni Antonio Amato or Amati (c. 1475–1555) was an Italian painter of the

Renaissance The Renaissance ( , ) , from , with the same meanings. is a period in European history marking the transition from the Middle Ages to modernity and covering the 15th and 16th centuries, characterized by an effort to revive and surpass ideas ...

period. Born in

Naples Naples (; it, Napoli ; nap, Napule ), from grc, Νεάπολις, Neápolis, lit=new city. is the regional capital of Campania and the third-largest city of Italy, after Rome and Milan, with a population of 909,048 within the city's adminis ...

, he copied the style of

Pietro Perugino Pietro Perugino (, ; – 1523), born Pietro Vannucci, was an Italian Renaissance Painting, painter of the Umbrian school, who developed some of the qualities that found classic expression in the High Renaissance. Raphael was his most famous pup ...

. He was also called ''il Vecchio''. He followed the style of

, and among his pupils were Giovanni Vincenzo Corso,

Giovanni Bernardo Lama Giovanni Bernardo Lama (1508–1579) was an Italian painter of the Renaissance period, active mainly in Naples. He was the son of a generally unknown artist, Matteo Lama. He was the apprentice of Giovanni Antonio D’Amato, then Polidoro da Car ...

, Battista Loca,

Pietro Negroni Pietro Negroni, also called Il Giovane Zingaro (''the young gypsy'') and Lo zingarello di Cosenza (''the little gypsy from Cosenza'')Marisa Reale, Pietro Negroni - Lo zingarello di Cosenza, , FPE Franco Pangallo Editore, 2011 ( – 1565), was a ...

, Simone il Giovane Papa, and Cesare Turco. His nephew, Giovanni Antonio di Amato the younger married the painter Mariangiola Criscuolo. Another painter named Giovanni Antonio D’Amato was active in

Baroque The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including t ...

Naples. He painted a ''Vergine Lauretana'' for the church of Santa Maria del Popolo agli Incurabili and the ''Vision of San Romualdo'' for the ceiling of the choir of the Eremo dei Camaldoli. He painted a ''Santi Nicola, Domenico e Gennaro'', now in the museo civico. He also painted a Deposition and Holy family in the church of the Gerolamini. The relationship of these two painters is unclear.

References

* * 1475 births 1555 deaths 15th-century Italian painters Italian male painters 16th-century Italian painters Painters from Naples Renaissance painters {{Italy-painter-15thC-stub