Gibbon's Tennis Court
   HOME

TheInfoList



OR:

Gibbon's Tennis Court was a building off Vere Street and
Clare Market Clare Market is a historic area in central London located within the parish of St Clement Danes to the west of Lincoln's Inn Fields, between the Strand and Drury Lane, with Vere Street adjoining its western side. It was named after the food mark ...
, near
Lincoln's Inn Fields Lincoln's Inn Fields is the largest public square in London. It was laid out in the 1630s under the initiative of the speculative builder and contractor William Newton, "the first in a long series of entrepreneurs who took a hand in develo ...
in
London London is the capital and largest city of England and the United Kingdom, with a population of just under 9 million. It stands on the River Thames in south-east England at the head of a estuary down to the North Sea, and has been a majo ...
,
England England is a country that is part of the United Kingdom. It shares land borders with Wales to its west and Scotland to its north. The Irish Sea lies northwest and the Celtic Sea to the southwest. It is separated from continental Europe b ...
. Originally built as a
real tennis Real tennis – one of several games sometimes called "the sport of kings" – is the original racquet sport from which the modern game of tennis (also called "lawn tennis") is derived. It is also known as court tennis in the United Sta ...
court, it was used as a playhouse from 1660 to 1663, shortly after the
English Restoration The Restoration of the Stuart monarchy in the kingdoms of England, Scotland and Ireland took place in 1660 when King Charles II returned from exile in continental Europe. The preceding period of the Protectorate and the civil wars came to be ...
. As a theatre, it has been variously called the "Theatre Royal, Vere Street", the "Vere Street Theatre", or (as in
Samuel Pepys Samuel Pepys (; 23 February 1633 – 26 May 1703) was an English diarist and naval administrator. He served as administrator of the Royal Navy and Member of Parliament and is most famous for the diary he kept for a decade. Pepys had no mariti ...
' diary) simply "The Theatre". It was the first permanent home for
Thomas Killigrew Thomas Killigrew (7 February 1612 – 19 March 1683) was an English dramatist and theatre manager. He was a witty, dissolute figure at the court of King Charles II of England. Life Killigrew was one of twelve children of Sir Robert Killigrew ...
's
King's Company The King's Company was one of two enterprises granted the rights to mount theatrical productions in London, after the London theatre closure had been lifted at the start of the English Restoration. It existed from 1660 to 1682, when it merged wit ...
and was the stage for some of the earliest appearances by professional
actress An actor or actress is a person who portrays a Character (arts), character in a performance. The actor performs "in the flesh" in the traditional medium of the theatre or in modern media such as film, radio, and television. The analogous Greek ...
es. The theatre was destroyed by fire in 1809. The
London School of Economics , mottoeng = To understand the causes of things , established = , type = Public research university , endowment = £240.8 million (2021) , budget = £391.1 millio ...
, which covers most of Clare Market nowadays, retains some squash and real tennis courts in its older buildings.


Tennis-court theatres

Tudor-style Tudor Revival architecture (also known as mock Tudor in the UK) first manifested itself in domestic architecture in the United Kingdom in the latter half of the 19th century. Based on revival of aspects that were perceived as Tudor architecture ...
real tennis courts were long, high-ceiling buildings, with galleries for spectators; their dimensions — about 75 by 30 feet — are similar to the earlier theatres, and much larger than a modern tennis court. The tennis courts were not used exclusively for tennis. In 1653, seven years before it saw lawful use as a theatre, an underground production of Killigrew's ''Claricilla'' was planned for Gibbon's court. The production was broken up before it debuted, reportedly betrayed to the army by one of the actors. After the
English Restoration The Restoration of the Stuart monarchy in the kingdoms of England, Scotland and Ireland took place in 1660 when King Charles II returned from exile in continental Europe. The preceding period of the Protectorate and the civil wars came to be ...
in 1660, Charles II granted
Letters Patent Letters patent ( la, litterae patentes) ( always in the plural) are a type of legal instrument in the form of a published written order issued by a monarch, president or other head of state, generally granting an office, right, monopoly, titl ...
to two companies to perform "legitimate drama" in London: the
Duke's Company The Duke's Company was a theatre company chartered by King Charles II at the start of the Restoration era, 1660. Sir William Davenant was manager of the company under the patronage of Prince James, Duke of York. During hats period, theatres b ...
under the patronage of the
Duke of York Duke of York is a title of nobility in the Peerage of the United Kingdom. Since the 15th century, it has, when granted, usually been given to the second son of English (later British) monarchs. The equivalent title in the Scottish peerage was Du ...
, led by
William Davenant Sir William Davenant (baptised 3 March 1606 – 7 April 1668), also spelled D'Avenant, was an English poet and playwright. Along with Thomas Killigrew, Davenant was one of the rare figures in English Renaissance theatre whose career spanned bot ...
, and the
King's Company The King's Company was one of two enterprises granted the rights to mount theatrical productions in London, after the London theatre closure had been lifted at the start of the English Restoration. It existed from 1660 to 1682, when it merged wit ...
, led by
Thomas Killigrew Thomas Killigrew (7 February 1612 – 19 March 1683) was an English dramatist and theatre manager. He was a witty, dissolute figure at the court of King Charles II of England. Life Killigrew was one of twelve children of Sir Robert Killigrew ...
. Both companies briefly performed in the theatrical spaces that had survived the
interregnum An interregnum (plural interregna or interregnums) is a period of discontinuity or "gap" in a government, organization, or social order. Archetypally, it was the period of time between the reign of one monarch and the next (coming from Latin '' ...
and
civil war A civil war or intrastate war is a war between organized groups within the same state (or country). The aim of one side may be to take control of the country or a region, to achieve independence for a region, or to change government policies ...
(including the
Cockpit A cockpit or flight deck is the area, usually near the front of an aircraft or spacecraft, from which a Pilot in command, pilot controls the aircraft. The cockpit of an aircraft contains flight instruments on an instrument panel, and the ...
and the
Red Bull Red Bull is a brand of energy drinks of Austria, Austrian company Red Bull GmbH. With 38% market share, it is the most popular energy drink brand as of 2019. Since its launch in 1987, more than 100 billion cans of Red Bull have been sold worldwid ...
), but scrambled to quickly acquire facilities that were more to current tastes. Killigrew and Davenant both chose a solution that had been used in France: converting tennis courts into theatres. Killigrew's remodelled Gibbon's Tennis Court opened first, on 8 November 1660, just two months after being given permission by the Crown.Langhans, Edward (2000). "The theatre". Fisk, Deborah ''The Cambridge Companion to English Restoration Theatre''. Cambridge University Press. p. 2. The design was similar to the earlier
Elizabethan The Elizabethan era is the epoch in the Tudor period of the history of England during the reign of Queen Elizabeth I (1558–1603). Historians often depict it as the golden age in English history. The symbol of Britannia (a female personifi ...
-era "private" theatres, such as the theatre in Blackfriars: a stage devoid of scenery facing a bench-filled pit on the auditorium floor and surrounded by one or two levels of U-shaped galleries.


Competition

Not long after the opening, on 20 November, avid theatre-goer
Samuel Pepys Samuel Pepys (; 23 February 1633 – 26 May 1703) was an English diarist and naval administrator. He served as administrator of the Royal Navy and Member of Parliament and is most famous for the diary he kept for a decade. Pepys had no mariti ...
attended his first performance at Vere Street:
…Mr. Shepley and I to the new Play-house near Lincoln’s-Inn-Fields (which was formerly Gibbon’s tennis-court), where the play of ''Beggar’s Bush'' was newly begun; and so we went in and saw it, it was well acted: and here I saw the first time one Moone, who is said to be the best actor in the world, lately come over with the King, and indeed it is the finest play-house, I believe, that ever was in England.
Pepys' high praise for the theatre is often taken to reflect his excitement regarding London's burgeoning theatrical scene rather than as commentary than on the quality of the tennis-court theatre itself. John Styan says it "seems a questionable statement about so makeshift a theatre." Killigrew's competition, Davenant, would take another seven months to open his new theatre in nearby
Lisle's Tennis Court Lisle's Tennis Court was a building off Portugal Street in Lincoln's Inn Fields in London. Originally built as a real tennis court, it was used as a playhouse during two periods, 1661–1674 and 1695–1705. During the early period, ...
; working more from the model of
court masque The masque was a form of festive Noble court, courtly entertainment that flourished in 16th- and early 17th-century Europe, though it was developed earlier in Italy, in forms including the intermedio (a public version of the masque was the medie ...
venues such as
Inigo Jones Inigo Jones (; 15 July 1573 – 21 June 1652) was the first significant architect in England and Wales in the early modern period, and the first to employ Vitruvian rules of proportion and symmetry in his buildings. As the most notable archit ...
Cockpit-in-Court The Cockpit-in-Court (also known as the Royal Cockpit) was an early theatre in London, located at the Palace of Whitehall, next to St. James's Park, now the site of 70 Whitehall, in Westminster. The structure was originally built by Henry VIII ...
, he equipped it with a stage complete with a
proscenium arch A proscenium ( grc-gre, προσκήνιον, ) is the metaphorical vertical plane of space in a theatre, usually surrounded on the top and sides by a physical proscenium arch (whether or not truly "arched") and on the bottom by the stage floor ...
and moveable scenery, painted onto a series of sliding panels. Opening in late June, 1661, Davenant's theatre would steal much of Vere Street's thunder. Before then, though, Killigrew would generate some more excitement of his own, by being the first to stage plays with actresses, instead of actors, playing female roles. The first occasion, based on its newly-written prologue, is thought to have been a performance of ''
Othello ''Othello'' (full title: ''The Tragedy of Othello, the Moor of Venice'') is a tragedy written by William Shakespeare, probably in 1603, set in the contemporary Ottoman–Venetian War (1570–1573) fought for the control of the Island of Cypru ...
'' on 8 December 1660; authorities differ as to the name of the actress who played
Desdemona Desdemona () is a character in William Shakespeare's play ''Othello'' (c. 1601–1604). Shakespeare's Desdemona is a Venetian beauty who enrages and disappoints her father, a Venetian senator, when she elopes with Othello, a Moorish Venetian ...
. Pepys records a 3 January 1661 restaging of ''Beggar’s Bush'' as "the first time that ever I saw women come upon the stage." After Davenant’s theatre in Lisle’s Tennis Court opened, Vere Street’s popularity waned. Pepys, 4 July 1661: "I went to the theatre
n Vere Street N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
and there I saw '' Claracilla'' (the first time I ever saw it), well acted. But strange to see this house, that use to be so thronged, now empty since the opera begun—and so will continue for a while I believe." To remain competitive, Killigrew decided to construct a purpose-built theatre more to modern tastes. On 7 May 1663, just two-and-a-half years after the theatre in Lisle's Tennis Court opened, the King's Company moved to the new Theatre Royal in Bridges Street. According to an 1811 Robert Wilkinson image, Gibbon's Tennis Court was destroyed by fire on 17 September 1809. In the 20th century, the
Stoll Theatre Stoll is a surname. Notable people with the surname include: * Barbara J. Stoll, American pediatrician and professor * Cal Stoll, American football coach * Caspar Stoll, entomologist * Clifford Stoll, American astronomer * David Stoll, American an ...
and the
Peacock Theatre The Peacock Theatre (previously the Royalty Theatre) is a West End theatre in the City of Westminster, located in Portugal Street, near Aldwych. The 999-seat house is owned by, and comprises part of the London School of Economics and Politica ...
would be built at the same site.The Peacock Theatre - A brief history
. Sadler's Wells. Retrieved 21 August 2006.


Notes and references

{{coord, 51.514444, N, 0.118056, W, type:landmark_region:GB, display=title, format=dms Former theatres in London Former buildings and structures in the City of Westminster Theatres completed in 1660 1660 establishments in England