Gian Domenico Partenio () was a Venetian composer of operas during the

Baroque period The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including t ...

. He served as vice ''

maestro Maestro (; from the Italian ''wikt:maestro#Italian, maestro'' , meaning "wikt:master, master" or "teacher") is an honorific title of respect (plural: maestros or maestri). The term is most commonly used in the context of Western classical music ...

'' of

St Mark's Basilica The Patriarchal Cathedral Basilica of Saint Mark ( it, Basilica Cattedrale Patriarcale di San Marco), commonly known as St Mark's Basilica ( it, Basilica di San Marco; vec, Baxéłega de San Marco), is the cathedral church of the Catholic Chu ...

's Cappella Marciana from 1685, before succeeding

Giovanni Battista Volpe Giovanni Battista Volpe (–1691) was a Venetian composer for operas during the Baroque period. He was also known as Rovetta and Rovettino. Volpe was an organist at St Mark's Basilica, and succeeded Giovanni Legrenzi as ''maestro di capella'' of ...

as from 1692 until 1701. In 1672, he composed the music for

Cristoforo Ivanovich Cristoforo Ivanovich (1628–1689) was the first historian of Venetian opera, who also wrote several librettos of his own. Biography Ivanovich was born in Budua (Budva), at the time part of Venetian Albania (now southeastern Montenegro). Accordin ...

's ''La costanza trionfante'', which premiered at Venice's San Moisè church. Partenio collaborated frequently with the

librettist A libretto (Italian for "booklet") is the text used in, or intended for, an extended musical work such as an opera, operetta, masque, oratorio, cantata or musical. The term ''libretto'' is also sometimes used to refer to the text of major litu ...

Matteo Noris NGOs are an effective source of change and could be much more effective than governmental plans alone. Non federal government institutions typically take initiatives for delivering social adjustment in our society. Our agency is actually one-stop re ...

. In November 1681, their opera ''Flavio Cuniberto'' was performed for the first time in the

Teatro San Giovanni Grisostomo The Teatro Malibran, known over its lifetime by a variety of names, beginning with the Teatro San Giovanni Grisostomo (or Crisostomo) after the nearby church,Lynn 2005, pp. 101—103 is an opera house in Venice which was inaugurated in 1678 with a ...

. A revised version of the opera premiered in the same theatre in 1687, with a new

aria In music, an aria (Italian: ; plural: ''arie'' , or ''arias'' in common usage, diminutive form arietta , plural ariette, or in English simply air) is a self-contained piece for one voice, with or without instrumental or orchestral accompanime ...

for the role of Theodata. In the same year, he composed the music for the second and third acts of Noris' ''Dionisio'', which was performed in the

Teatro Santi Giovanni e Paolo The Teatro Santi Giovanni e Paolo (often written as Teatro SS. Giovanni e Paolo) was a theatre and opera house in Venice located on the Calle della Testa, and takes its name from the nearby Basilica of Santi Giovanni e Paolo, Venice. Built by the ...

. In 1682, he composed music for the first act of

Nicolò Minato Count Nicolò Minato (b. Bergamo, ca. 1627; d. Vienna, 28 February 1698) was an Italian poet, librettist and impresario. His career can be divided into two parts: the years he spent at Venice, from 1650 to 1669, and the years at Vienna, from 1669 un ...

's ''La bugia regnante'', which was performed at a theatre in the

Cannaregio Cannaregio () is the northernmost of the six historic ''sestieri'' (districts) of Venice. It is the second largest ''sestiere'' by land area and the largest by population, with 13,169 people . Isola di San Michele, the historic cemetery island, ...

district of Venice. He is also believed to have composed music for

Nicolò Beregan Count Nicolò Beregan (also ''Berengani'' and ''Bergani''; 1627-1713) was an Italian nobleman, lawyer and amateur opera librettist. His ''Giustino'' was first set to music in 1683 by composer Giovanni Legrenzi for '' Il Giustino'', and later reused ...

's ''Il Genserico''. It premiered in 1669 at the Santi Giovanni e Paolo church, and has music also attributed to

Antonio Cesti Pietro Marc'Antonio Cesti () (baptism 5 August 162314 October 1669), known today primarily as an Italian composer of the Baroque era, was also a singer (tenor), and organist. He was "the most celebrated Italian musician of his generation". Biogra ...

Compositions

*''Il Genserico'', libretto by

(premiered 1669; attributed) *''La costanza trionfante'', libretto by

(premiered 1672) *''Flavio Cuniberto'', libretto by

(premiered 1681; revised in 1687) *''Dionisio'', libretto by Matteo Noris (premiered 1681; acts 2 & 3) *''La bugia regnante'', libretto by

(premiered 1682; act 1)

References

{{DEFAULTSORT:Partenio, Gian Domenico 1710 deaths Italian opera composers Cappella Marciana maestri