Giammateo Asola (also spelled Gian Matteo, Giovanni Matteo; Asula, Asulae; 1532 or earlier – 1 October 1609) was an Italian composer of the late

Renaissance The Renaissance ( , ) , from , with the same meanings. is a period in European history marking the transition from the Middle Ages to modernity and covering the 15th and 16th centuries, characterized by an effort to revive and surpass ideas ...

. He was a prolific composer of sacred music, mostly in a conservative style, although he may have been one of the first composers to write a part for

basso continuo Basso continuo parts, almost universal in the Baroque era (1600–1750), provided the harmonic structure of the music by supplying a bassline and a chord progression. The phrase is often shortened to continuo, and the instrumentalists playing th ...

Life

He was born in

Verona Verona ( , ; vec, Verona or ) is a city on the Adige River in Veneto, Northern Italy, Italy, with 258,031 inhabitants. It is one of the seven provincial capitals of the region. It is the largest city Comune, municipality in the region and the ...

, and began studying at

San Giorgio in Alga San Giorgio in Alga (English: "St. George in the seaweed") is an island of the Venetian lagoon, northern Italy, lying between the Giudecca and Fusina (a ''frazione'' of Venice on the coast, near Marghera). History After a Benedictine monastery ...

in 1546 in the congregation of secular canons. While in Verona he most likely studied with

Vincenzo Ruffo Vincenzo Ruffo (c. 1508 – 9 February 1587) was an Italian composer of the Renaissance. He was one of the composers most responsive to the musical reforms suggested by the Council of Trent, especially in his composition of masses, and as suc ...

. In 1569 he became a secular parish priest, and in 1577 became ''maestro di cappella'' at

Treviso Treviso ( , ; vec, Trevixo) is a city and ''comune'' in the Veneto region of northern Italy. It is the capital of the province of Treviso and the municipality has 84,669 inhabitants (as of September 2017). Some 3,000 live within the Veneti ...

Cathedral; however, in 1578 he went to

Vicenza Vicenza ( , ; ) is a city in northeastern Italy. It is in the Veneto region at the northern base of the ''Monte Berico'', where it straddles the Bacchiglione River. Vicenza is approximately west of Venice and east of Milan. Vicenza is a th ...

Cathedral to take the equivalent job there, where the pay and musical opportunities were greater. He only stayed there four years, going to

Venice Venice ( ; it, Venezia ; vec, Venesia or ) is a city in northeastern Italy and the capital of the Veneto Regions of Italy, region. It is built on a group of 118 small islands that are separated by canals and linked by over 400 ...

in 1582, which was the center of activity in northern Italy for sacred music. Except for a short return to Verona c. 1590–1591, he lived in Venice until his death, working at the church of S Severo, as one of four chaplains; apparently he was never associated with St. Mark's.

Music and influence

Asola was a rare case of a composer working in Venice who showed almost no stylistic influence from the Venetian school; indeed most of his works are in the

Palestrina Palestrina (ancient ''Praeneste''; grc, Πραίνεστος, ''Prainestos'') is a modern Italian city and ''comune'' (municipality) with a population of about 22,000, in Lazio, about east of Rome. It is connected to the latter by the Via Pren ...

style, the idiom of the

Roman School In music history, the Roman School was a group of composers of predominantly church music, in Rome, during the 16th and 17th centuries, therefore spanning the late Renaissance and early Baroque eras. The term also refers to the music they produ ...

of composers. In his later works he began using a

, and he may have been one of the first composers to do so. The only musical feature he borrowed from the Venetian composers elsewhere in his adopted city was the idea of ''

cori spezzati The Venetian polychoral style was a type of music of the late Renaissance and early Baroque eras which involved spatially separate choirs singing in alternation. It represented a major stylistic shift from the prevailing polyphonic writing of t ...

'', spatially separated groups of singers; however, this musical style was widespread in northern Italy by the time he was writing, and by no means unique to Venice. ''Cori spezzati'' techniques appear in particular in his 1588 publication of masses for eight voices. Among his copious works are many masses, including a

Requiem A Requiem or Requiem Mass, also known as Mass for the dead ( la, Missa pro defunctis) or Mass of the dead ( la, Missa defunctorum), is a Mass of the Catholic Church offered for the repose of the soul or souls of one or more deceased persons, ...

mass;

psalm The Book of Psalms ( or ; he, תְּהִלִּים, , lit. "praises"), also known as the Psalms, or the Psalter, is the first book of the ("Writings"), the third section of the Tanakh, and a book of the Old Testament. The title is derived ...

settings,

lamentations The Book of Lamentations ( he, אֵיכָה, , from its incipit meaning "how") is a collection of poetic laments for the destruction of Jerusalem in 586 BCE. In the Hebrew Bible it appears in the Ketuvim ("Writings") as one of the Five Megillot ...

vespers Vespers is a service of evening prayer, one of the canonical hours in Eastern Orthodox, Oriental Orthodox, Catholic Church, Catholic (both Latin liturgical rites, Latin and Eastern Catholic Churches, Eastern), Lutheranism, Lutheran, and Anglican ...

antiphon An antiphon (Greek ἀντίφωνον, ἀντί "opposite" and φωνή "voice") is a short chant in Christian ritual, sung as a refrain. The texts of antiphons are the Psalms. Their form was favored by St Ambrose and they feature prominently ...

s, ''sacrae cantiones'', and numerous other sacred works. He also composed secular music, including several books of

madrigals A madrigal is a form of secular vocal music most typical of the Renaissance (15th–16th c.) and early Baroque (1600–1750) periods, although revisited by some later European composers. The polyphonic madrigal is unaccompanied, and the number ...

, as well as one book of ''

madrigali spirituali A madrigale spirituale (Italian; pl. ''madrigali spirituali'') is a madrigal, or madrigal-like piece of music, with a sacred rather than a secular text. Most examples of the form date from the late Renaissance and early Baroque eras, and principal ...

'', which is lost. One of his books of madrigals is unusual in that it consists of canons for two voices only; most madrigals of the time were for at least four voices, and rarely used strict

counterpoint In music, counterpoint is the relationship between two or more musical lines (or voices) which are harmonically interdependent yet independent in rhythm and melodic contour. It has been most commonly identified in the European classical tradi ...

.Reese, p. 426

References and further reading

* * Fouse, Donald. "Asola, Giammateo", ''

Grove Music Online ''The New Grove Dictionary of Music and Musicians'' is an encyclopedic dictionary of music and musicians. Along with the German-language ''Die Musik in Geschichte und Gegenwart'', it is one of the largest reference works on the history and theo ...

'', ed. L. Macy (accessed January 15, 2005)
grovemusic.com
(subscription access). *

Gustave Reese Gustave Reese ( ; 29 November 1899 – 7 September 1977) was an American musicologist and teacher. Reese is known mainly for his work on medieval and Renaissance music, particularly with his two publications ''Music in the Middle Ages'' (1940) ...

, ''Music in the Renaissance''. New York, W.W. Norton & Co., 1954. .

Notes

External links

* *
Free scores by G. Asola
fro
VistaMare Musica
early music site * Listen t

in th

{{DEFAULTSORT:Asola, Giammateo 16th-century births 1609 deaths 16th-century Italian composers 17th-century Italian composers Italian classical composers Italian male classical composers Musicians from Verona Renaissance composers 17th-century male musicians