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Getulio Alviani (5 September 1939 in
Udine Udine ( , ; fur, Udin; la, Utinum) is a city and ''comune'' in north-eastern Italy, in the middle of the Friuli Venezia Giulia region, between the Adriatic Sea and the Alps (''Alpi Carniche''). Its population was 100,514 in 2012, 176,000 with t ...
– 24 February 2018 in
Milan Milan ( , , Lombard: ; it, Milano ) is a city in northern Italy, capital of Lombardy, and the second-most populous city proper in Italy after Rome. The city proper has a population of about 1.4 million, while its metropolitan city h ...
) was an Italian
painter Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and ai ...
based in
Milan Milan ( , , Lombard: ; it, Milano ) is a city in northern Italy, capital of Lombardy, and the second-most populous city proper in Italy after Rome. The city proper has a population of about 1.4 million, while its metropolitan city h ...
. He is considered to be an important International Optical -
kinetic Kinetic (Ancient Greek: κίνησις “kinesis”, movement or to move) may refer to: * Kinetic theory of gases, Kinetic theory, describing a gas as particles in random motion * Kinetic energy, the energy of an object that it possesses due to i ...
artist.


Life and work

Alviani was born in Udine, where he showed talent for design and geometric drawing from his childhood. He enrolled in the Venice Art School, but soon showed little interest in his studies, spending afternoons in Venice's museums in contemplation of classical masterpieces. He also started doing small jobs for local architects, and helped local artists in inking projects such as etchings. His first series was "The Wires", inspired by aerial electric wires. Fascinated by some polished aluminium surfaces found in a factory in which he was working: after further polishing and abrasion, he created his landmark "Superfici a testura vibratile" (vibrating texture surfaces), winning international acclaim. In 1961 he was invited to the Zagreb exhibition "Nove Tendencije", together with other artists working along similar lines and exploring the opportunities of a dynamic art which interacts with the viewer. He started exchanging ideas with artists like
Julio Le Parc Julio Le Parc (born September 23, 1928) is an Argentina-born artist who focuses on both modern op art and kinetic art. Le Parc attended the School of Fine Arts in Argentina. A founding member of Groupe de Recherche d’Art Visuel (GRAV) and awa ...
,
François Morellet François Morellet (30 April 1926 – 10 May 2016) was a French contemporary abstract painter, sculptor, and light artist. His early work prefigured minimal art and conceptual art and he played a prominent role in the development of geometrical a ...
and Enrico Castellani, actively participating in the activities of the so-called G.R.A.V. (Groupe de Recherche d'Art Visuelle) in Paris. In 1962 he moved to Milan, where he became friends with Piero Manzoni and
Lucio Fontana Lucio Fontana (; 19 February 1899 – 7 September 1968) was an Argentine-Italian painter, sculptor and theorist. He is mostly known as the founder of Spatialism. Early life Born in Rosario, to Italian immigrant parents, he was t ...
, who was very interested in his works and bought some of his "surfaces". He also worked with other famous artists like
Max Bill Max Bill (22 December 1908 – 9 December 1994) was a Swiss architect, artist, painter, typeface designer, industrial designer and graphic designer. Early life and education Bill was born in Winterthur. After an apprenticeship as a silversmith ...
, Bruno Munari and Josef Albers. In 1964 he was invited to show at the
Venice Biennale The Venice Biennale (; it, La Biennale di Venezia) is an international cultural exhibition hosted annually in Venice, Italy by the Biennale Foundation. The biennale has been organised every year since 1895, which makes it the oldest of ...
, successfully sharing a room with Enrico Castellani. In 1965 Alviani took part in ''
The Responsive Eye Op art, short for optical art, is a style of visual art that uses optical illusions. Op artworks are abstract, with many better-known pieces created in black and white. Typically, they give the viewer the impression of movement, hidden images ...
'' at MoMA in New York, together with other artists associated with Kinetic and Programmed Art. His work was purchased by MoMA and used as a poster image for the museum's next exhibition, "The New Acquisitions". In 1968 he was invited at Kassel's
Documenta ''documenta'' is an exhibition of contemporary art which takes place every five years in Kassel, Germany. The ''documenta'' was founded by artist, teacher and curator Arnold Bode in 1955 as part of the Bundesgartenschau (Federal Horticultura ...
4. Throughout the 1970s he travelled to South America, and accepted, upon request of
Jesús Rafael Soto Jesús Rafael Soto (June 5, 1923 – January 17, 2005) was a Venezuelan op and kinetic artist, a sculptor and a painter. His works can be found in the collections of the main museums of the world, including Tate (London), Museum Ludwig (Germany ...
, the directorship of the
Jesús Soto Museum of Modern Art The Jesús Soto Museum of Modern Art (Spanish: ''Museo de Arte Moderno Jesús Soto'') is a museum of modern art in Ciudad Bolívar, Venezuela. It is named after the kinetic artist and sculptor Jesús Rafael Soto, who was born in Ciudad Bolívar. ...
,
Ciudad Bolívar Ciudad Bolívar (; Spanish for "Bolivar City"), formerly known as Angostura and St. Thomas de Guyana, is the capital of Venezuela's southeastern Bolívar, Venezuela, Bolívar State. It lies at the spot where the Orinoco River narrows to about ...
, Venezuela. His work was again included in the
Venice Biennale The Venice Biennale (; it, La Biennale di Venezia) is an international cultural exhibition hosted annually in Venice, Italy by the Biennale Foundation. The biennale has been organised every year since 1895, which makes it the oldest of ...
in 1984, 1986 and 1993. He also exhibited at the Milan Triennale, the Kunsthaus Graz, Palazzo delle Papesse in Siena, Academie de France in Rome, the Buenos Aires Biennale, the travelling exhibition "Light, Movement and Programming", and the Rome Quadriennale. Alviani's works are actively traded in Italian and international modern art auctions, such as the "Italian sales" held in London by Christie's and Sotheby's. Among his works, the most appreciated by the market are the "Superfici a testura variabile" where the polished aluminium reflects the light in different hues according to the angle at which they are viewed. Other works by Alviani are the "chromodynamic surfaces", where primary colour interactions are studied, and his "mirrors" with their illusion of rings created on reflecting metal surfaces. Alviani was the author of a book on Josef Albers (1988). He also edited with Giancarlo Pauletto a book on
Michel Seuphor Fernand Berckelaers (10 March 1901, in Borgerhout – 12 February 1999, in Paris), pseudonym Michel Seuphor ( anagram of Orpheus), was a Belgian painter. Seuphor established a literary magazine, ''Het Overzicht'', in Antwerp in 1921. He moved in ...
(1987), and contributed with his photographs to a book of Pauletto and Margaret A. Miller on Richard Anuszkiewicz (1988).OPAC Infoteca


Publications

*Getulio Alviani, Giancarlo Pauletto, ''
Michel Seuphor Fernand Berckelaers (10 March 1901, in Borgerhout – 12 February 1999, in Paris), pseudonym Michel Seuphor ( anagram of Orpheus), was a Belgian painter. Seuphor established a literary magazine, ''Het Overzicht'', in Antwerp in 1921. He moved in ...
'', Concordia Sette, Pordenone, 1987 *Giancarlo Pauletto, Margaret A. Miller, '' Richard Anuszkiewicz: Opere 1961-1987'', photographs by Getulio Alviani, Centro Iniziative Culturali, Pordenone, 1988 *Getulio Alviani, '' Josef Albers'', L'arca edizioni, Pordenone, 1988,


Literature

*William C. Seitz, ''The Responsive Eye'', Museum of Modern Art, New York, 1965 *Maurizio Fagiolo dell'Arco, ''L'iperluce di Alviani'', Bulzoni, Rome, 1964 *Umbro Apollonio, ''Getulio Alviani'', Parco Massari, Ferrara, 1980 *Renato Barilli, ''L'arte Contemporanea, da Cèzanne alle ultime tendenze'', Feltrinelli, Milan, 1984 *Adachiara Zevi, ''Peripezie del dopoguerra nell'arte Italiana'', Einaudi, Turin, 2005 *Renato Barilli, ''Storia dell'arte contemporanea in Italia'', Bollati Boringhieri, Turin, 2007 *Rachele Ferrario, Luigi Settembrini, ''Room with a View'', Museo Palazzo Reale, Milan, 2007


See also

*
Abstract Art Abstract art uses visual language of shape, form, color and line to create a composition which may exist with a degree of independence from visual references in the world. Western art had been, from the Renaissance up to the middle of the 19th ...
* Kinetic Art *
Op Art Op art, short for optical art, is a style of visual art that uses optical illusions. Op artworks are abstract, with many better-known pieces created in black and white. Typically, they give the viewer the impression of movement, hidden images ...


References


Sources

* This article draws from the corresponding article in the Italian Wikipedia. {{DEFAULTSORT:Alviani, Getulio 1939 births 2018 deaths 20th-century Italian painters Italian male painters 21st-century Italian painters Italian contemporary artists People from Udine Op art Olivetti people