Girolamo Montesardo (''
fl.'' 1606 – ''c.'' 1620) was an Italian singer and composer.
Life
Although his surname was actually Melcarne, he was referred to by his home town
Montesardo, a small town in the
Province of Lecce
The Province of Lecce ( it, Provincia di Lecce; Salentino: ) is a province in the Apulia region of Italy whose capital is the city of Lecce. The province is called the "Heel of Italy". Located on the Salento peninsula, it is the second most-p ...
. He worked as a singer at the
San Petronio Basilica
The Basilica of San Petronio is a minor basilica and church of the Archdiocese of Bologna located in Bologna, Emilia Romagna, northern Italy. It dominates Piazza Maggiore. The basilica is dedicated to the patron saint of the city, Saint Petronius ...
in
Bologna
Bologna (, , ; egl, label= Emilian, Bulåggna ; lat, Bononia) is the capital and largest city of the Emilia-Romagna region in Northern Italy. It is the seventh most populous city in Italy with about 400,000 inhabitants and 150 different nat ...
, as a ''
maestro di cappella
(, also , ) from German ''Kapelle'' (chapel) and ''Meister'' (master)'','' literally "master of the chapel choir" designates the leader of an ensemble of musicians. Originally used to refer to somebody in charge of music in a chapel, the term ha ...
'' at
Fano
Fano is a town and ''comune'' of the province of Pesaro and Urbino in the Marche region of Italy. It is a beach resort southeast of Pesaro, located where the ''Via Flaminia'' reaches the Adriatic Sea. It is the third city in the region by popula ...
and at
Ancona
Ancona (, also , ) is a city and a seaport in the Marche region in central Italy, with a population of around 101,997 . Ancona is the capital of the province of Ancona and of the region. The city is located northeast of Rome, on the Adriatic S ...
. His earliest extant work was published in Florence in 1606.
[Carter and Walker]
His guitar book ''Nuova inventione d'intavolatura per sonare li balletti sopra la Chitarra Spagniuola'' is the earliest to have been printed using alphabet notation of chords for
rasgueado
Rasgueado (also called Rageo (spelled so or Rajeo), Rasgueo or Rasgeo in Andalusian dialect and flamenco jargon, or even occasionally Rasqueado) is a guitar finger strumming technique commonly associated with flamenco guitar music. It is also use ...
playing a five-course guitar. This had been in use in Italy and possibly Spain for some time before 1606. Montesardo does not claim to have invented this form of notation. His 'Nuova inventione' refers to his system for indicating the metre and note values with which the music is played. This involves using upper case and lower case letters to represent the minim and the crotchet respectively. A dot after the letter has the same function as it does is modern staff notation; it increases the value of the note by half its original value. This style of music printed in ''alfabeto'' became very popular in Italy during the 17th century. ''Nuova inventione'' includes versions of some of the most popular dance-songs and harmonic patterns of the time, including the ''
Ruggiero Ruggiero () is an Italian spelling variant of the name Ruggero, a version of the Germanic name Roger, and may refer to:
As a surname
*Adamo Ruggiero (born 1986), Canadian actor
*Angela Ruggiero (born 1980), American hockey player
*Angelo Ruggiero ...
,
bergamasca,
folia
''La Folía'' (Spanish), or ''Follies'' (English), also known as ''folies d'Espagne'' (French), ''La Follia'' (Italian), and ''Folia'' (Portuguese), is one of the oldest remembered European musical themes, or primary material, generally melodic, ...
,'' and ''Ballo del gran duca'', and was the first Italian publication to include the ''
ciaccone'' and ''
passacaglia
The passacaglia (; ) is a musical form that originated in early seventeenth-century Spain and is still used today by composers. It is usually of a serious character and is often based on a bass-ostinato and written in triple metre.
Origin
The ter ...
s''.
In terms of original music, Montesardo mainly composed
polyphonic
Polyphony ( ) is a type of musical texture consisting of two or more simultaneous lines of independent melody, as opposed to a musical texture with just one voice, monophony, or a texture with one dominant melodic voice accompanied by chords, h ...
sacred music and
madrigals
A madrigal is a form of secular vocal music most typical of the Renaissance (15th–16th c.) and early Baroque (1600–1750) periods, although revisited by some later European composers. The polyphonic madrigal is unaccompanied, and the number ...
. Montesardo also experimented with
monody
In music, monody refers to a solo vocal style distinguished by having a single melodic line and instrumental accompaniment. Although such music is found in various cultures throughout history, the term is specifically applied to Italian song of ...
and published a collection of monody, which included his own experiments and works by
Jacopo Peri
Jacopo Peri (20 August 156112 August 1633), known under the pseudonym Il Zazzerino, was an Italian composer and singer of the transitional period between the Renaissance and Baroque styles, and is often called the inventor of opera. He wrote the ...
and
Giulio Caccini
Giulio Romolo Caccini (also Giulio Romano) (8 October 1551 – buried 10 December 1618) was an Italian composer, teacher, singer, instrumentalist and writer of the late Renaissance and early Baroque eras. He was one of the founders of the genre ...
.
He may be the same person as Gervasio Melcarne (Geruasio), two of whose madrigals appear in
Pomponio Nenna
Pomponio Nenna (baptized 13 June 1556 – 25 July 1608) was a Neapolitan Italian composer of the Renaissance. He is mainly remembered for his madrigals, which were influenced by Gesualdo, and for his polychoral sacred motets, posthumously pu ...
's eighth book of madrigals for five voices (1618) alongside madrigals by Nenna and
Carlo Gesualdo
Carlo Gesualdo da Venosa ( – 8 September 1613) was Prince of Venosa and Count of Conza. As a composer he is known for writing madrigals and pieces of sacred music that use a chromatic language not heard again until the late 19th century ...
.
Bibliography
* Thomas Walker and Tim Carter: "Girolamo Montesardo", in ''
Grove Music Online
''The New Grove Dictionary of Music and Musicians'' is an encyclopedic dictionary of music and musicians. Along with the German-language ''Die Musik in Geschichte und Gegenwart'', it is one of the largest reference works on the history and theo ...
'', ed. L. Macy (accessed 27 January 2007)
grovemusic.com (subscription access).
References
Year of birth unknown
Year of death unknown
Composers for the classical guitar
17th-century Italian composers
Italian male composers
Italian male singers
17th-century male musicians
{{Italy-composer-stub