George Bernard O'Neill (17 July 1828 – 23 September 1917), was a prolific Irish
genre
Genre () is any form or type of communication in any mode (written, spoken, digital, artistic, etc.) with socially-agreed-upon conventions developed over time. In popular usage, it normally describes a category of literature, music, or other for ...
painter, from 1859 a member of the
Cranbrook Colony
The Cranbrook Colony was a group of artists who settled in Cranbrook, Kent from 1853 onwards and were inspired by seventeenth-century Dutch and Flemish painters. They have been referred to as 'genre' painters as they tended to paint scenes of the ...
of artists.
Life and work
O'Neill was born in
Dublin
Dublin (; , or ) is the capital and largest city of Ireland. On a bay at the mouth of the River Liffey, it is in the province of Leinster, bordered on the south by the Dublin Mountains, a part of the Wicklow Mountains range. At the 2016 c ...
in
Ireland
Ireland ( ; ga, Éire ; Ulster Scots dialect, Ulster-Scots: ) is an island in the Atlantic Ocean, North Atlantic Ocean, in Northwestern Europe, north-western Europe. It is separated from Great Britain to its east by the North Channel (Grea ...
, the ninth of fifteen children of a
Dublin
Dublin (; , or ) is the capital and largest city of Ireland. On a bay at the mouth of the River Liffey, it is in the province of Leinster, bordered on the south by the Dublin Mountains, a part of the Wicklow Mountains range. At the 2016 c ...
Ordnance clerk. He arrived in England in 1837, went to school in
Woolwich
Woolwich () is a district in southeast London, England, within the Royal Borough of Greenwich.
The district's location on the River Thames led to its status as an important naval, military and industrial area; a role that was maintained thr ...
and was accepted at the
Royal Academy Schools in 1845. He was a successful student, regularly exhibited at the Royal Academy from 1847 onwards, and gained a reputation as a painter of charming narrative scenes. 'The Foundling', exhibited in 1852, demonstrated his awareness of works by
Old Masters combined with the appealing subject of an orphaned child.
In 1855 O'Neill married Emma Stuart Callcott, a cousin of
John Callcott Horsley
John Callcott Horsley RA (29 January 1817 – 18 October 1903) was an English academic painter of genre and historical scenes, illustrator, and designer of the first Christmas card. He was a member of the artist's colony in Cranbrook.
Child ...
. Through this marriage he entered Horsley's artistic circle and by 1859 was introduced to the
Cranbrook Colony
The Cranbrook Colony was a group of artists who settled in Cranbrook, Kent from 1853 onwards and were inspired by seventeenth-century Dutch and Flemish painters. They have been referred to as 'genre' painters as they tended to paint scenes of the ...
. Next year George and Emma leased a medieval timber-framed, 'Old Wilsley House', about one mile away from the town of
Cranbrook and maintained it as a summer home and studio for many years. It became a setting for many of O'Neill's paintings.
O' Neill's artistic manner was similar to that of
Thomas Webster and
Frederick Daniel Hardy
Frederick Daniel Hardy (13 February 1827 – 1 April 1911) was an English genre painter and member of the Cranbrook Colony of artists.
Early life
Frederick Daniel Hardy was born at Windsor in Berkshire, the third of eight children of Georg ...
. The close relationship between O'Neill and Hardy can be judged from their little painting 'The Surprise' where Hardy painted the interior and O'Neill - the figure (Wolverhampton Art Gallery).
Scenes of rural life - virtuous, innocent, sometimes slightly comical, sometimes sentimental, painted on small domestic scale, appealed to middle-class customers. The height of his success was in the 1850s-1870s, when his works were eagerly collected by Midlands industrialists and the entrepreneurs of other industrial regions of the country. This feeling of public success was expressed in O'Neill's painting 'Public Opinion', which had been shown at the Royal Academy in 1863 (at present at the
Leeds City Art Gallery
Leeds Art Gallery in Leeds, West Yorkshire, England, is a gallery, part of the Leeds Museums & Galleries group, whose collection of 20th-century British Art was designated by the British government in 1997 as a collection "of national importance ...
).
O’Neill also kept a home and studio in
London
London is the capital and List of urban areas in the United Kingdom, largest city of England and the United Kingdom, with a population of just under 9 million. It stands on the River Thames in south-east England at the head of a estuary dow ...
, where he spent the winter months participating in the capital's artistic life. In the 1870s, along with
George Henry Boughton
George Henry Boughton (4 December 1833 – 19 January 1905) was an Anglo-American landscape and genre painter, illustrator and writer.
Life and work
Boughton was born in Norwich in Norfolk, England, the son of farmer William Boughton. The fam ...
, he became friends with
James McNeill Whistler and offered him moral support during the years 1877–78, when Whistler sued the critic
John Ruskin
John Ruskin (8 February 1819 20 January 1900) was an English writer, philosopher, art critic and polymath of the Victorian era. He wrote on subjects as varied as geology, architecture, myth, ornithology, literature, education, botany and pol ...
for libel. Although O’Neill's artistic views were in many ways contrary to these of Whistler, they both believed that the artist's aesthetic purpose gave validity to a work of art.
Most of O’Neill's paintings associated with the Cranbrook Colony look like sentimental depictions of children and rustic families, but they might have been intended for more serious purpose. It was noticed that
''"children can be used to publicize the iniquities of the social system without seeming to attack the social structure; reform might well be achieved by appeals to the conscience through sentiment rather than by reasoned argument and criticism of an overly political character."''[Roberts, Keith. 'The Cranbrook Colony' at Wolverhampton./The Burlington Magazine, Vol.119, No888. 1977]
If so, O’Neill's images of children can be seen in the context of Dickens’ novels as a part of the social movements of that time.
The following decades saw a significant decline in the quality of his works and in their popularity. He died in London on 23 September 1917, just two months into his 89th year, having not exhibited for the last 24 years of his life.
References
Further reading
* Greg, Andrew. The Cranbrook Colony. Exhibition at Wolverhampton Art Gallery, 1977.
* The Cranbrook Colony. Exhibition at The Vestry Hall, Cranbrook. 1981.
* The Cranbrook Colony. An Exhibition on show at the Weald Gallery, Cranbrook Library. 1994.
* The Cranbrook Colony: Fresh Perspectives. Wolverhampton Art Gallery.
External links
G B O'Neill online(ArtCyclopedia)
(Janet Whitmore Ph.D. - Rehs Galleries)
O'Neill biography and works ("The Weald - people, history and genealogy")
Paintings by O'Neill(Art Renewal Center Museum)
Hide and seek(Oil on panel, exhibited 1869 at the
Royal Academy)
{{DEFAULTSORT:Oneill, George Bernard
1828 births
1917 deaths
19th-century Irish painters
20th-century Irish painters
Irish male painters
Irish genre painters
Painters from Dublin (city)
19th-century Irish male artists
20th-century Irish male artists