Georg Reutter The Younger

Johann Adam Joseph Karl Georg Reutter, during his life known as Georg Reutter the Younger (6 April 1708 – 11 March 1772) was an Austrian composer. Karl Geiringer, ''Haydn: A Creative Life in Music'', 1982, p. 19: "There were two Viennese composers of this name. Georg Reutter, the father (1656–1738), was choir director of St. Stephen's and court organist. His son, J. A. Karl Georg (1708–1772), was Haydn's teacher." According to David Wyn Jones, in his prime he was "the single most influential musician in Vienna".

Early life

Reutter was born and died in Vienna. His father Georg Reutter (the Elder) was also a notable composer. He was the 11th of 14 children and received his early musical training from his father, assisting him as court organist.

A period of more formal instruction from Antonio Caldara ensued, leading to the composition of an oratorio in 1726 and, in 1727, his first opera for the imperial court, ''Archidamia''. On three separate occasions during this period, Reutter applied for a position as court organist and was each time rejected by Johann Joseph Fux. At his own expense he travelled to Italy in 1730 (possibly in 1729); in February 1730 he was in Venice and in April 1730 in Rome. He returned to Vienna in autumn 1730, and early in the following year he successfully applied for a post as court composer, the formal beginning of a lifetime of service at the Habsburg court. After his father's death he became ''Kapellmeister'' of St. Stephen's Cathedral in 1738.

As ''Kapellmeister''

The ''Kapellmeister'' position had existed since the fifteenth century and Reutter was the 27th to occupy the post. The job provided living space directly adjacent to the Cathedral, the ''Kapellhaus'' (demolished in 1803), which also housed Reutter's family and the choirboys.

Reutter supervised a staff of 31 musicians, as follows:

*5 choirboys, who sang the treble (soprano) part
*12 adult male singers: basses, tenors, and countertenors. The latter sang the alto part.
*12 string players
*an organist
*a subcantor, who assisted Reutter

When trumpets, timpani, or trombones were needed, they were recruited on an ad hoc basis, often borrowed from the musical establishment of the Imperial court (''Hofkapelle'').

According to Jones, the repertoire of church music "constituted a continually unfolding tradition that is poorly served by the familiar division of the 8thcentury into Baroque and Classical." Much of this repertoire was by Reutter himself (see Works, below); other composers prominently represented were Bonno, Tuma, and Fux.

Reutter and Haydn

In 1739, while visiting the town of Hainburg, Reutter auditioned the seven-year-old Joseph Haydn; Haydn joined his ensemble the following year, later to be joined by his younger brother Michael. Both served until they were teenagers and had lost their soprano voices.

It was naturally assumed that the youngsters were likely to become professional musicians in adulthood and they were trained accordingly. Joseph Haydn was given singing lessons by the tenor Ignaz Finsterbusch and taught violin by the ensemble's bass player, Adam Gegenbauer. He was also taught keyboard. The training did not include serious instruction in musical theory; this was a thirst that Joseph was able to satisfy (by studying Fux and Mattheson) only after he had left the ''Kapelle''.

The choirboys were also given a basic ordinary education, including reading, writing, arithmetic, and some Latin. Jones suggests that "Haydn's formal education was rather patchy, perhaps less regular than it had been in is previous home inHainburg."

The memoirs dictated by Joseph to biographers in his old age indicate that Reutter's choristers often were underfed, thanks to Reutter's reluctance to spend money on them. Reutter was also not particularly helpful in providing feedback on Haydn's earliest efforts at musical composition.

Later career

Reutter later advanced to the position of court ''Kapellmeister'', and Empress Maria Theresa gave him the sole management of the court orchestra in 1751. Reutter died in Vienna.

Music

In addition to the works mentioned above, Reutter wrote a great deal of church music. Jones lists the following:

*about 80 masses
*6 requiems
*17 graduals
*31 offertories
*126 motets
*151 psalm settings
*53 hymns
*48 antiphons
*7 responses
*20 litanies

Reutter is believed to be the author of a setting of the '' De profundis'', KV 93, formerly ascribed to Wolfgang Amadeus Mozart.

Oratorios

The following oratorios are mentioned in Eitner's ''Quellen-Lexicon'':

*''La morte d'Abele'' (1727) Metastasio
*''Elia'' (1728) Leopoldo de Villati, 24 February
*''Bersabea, ovvero il pentimento di David'' (1729) text by Giovanni Battista Catena
*''La Divina provvidenza in Ismael'' (1732) Antonio Maria Lucchini
*'' Il ritorno di Tobia'' (1733) text by Giovanni Claudio Pasquini, 5 March 1733
*''La Betulia liberata'' (1734) text by Metastasio
*''Gioas re di Giuda'' (1735) (Joash, King of Judah) text by Metastasio
*''La Maria lebbrosa'' (1739)

Stage works

The following stage works are listed in Eitner's ''Quellen-Lexicon'':

*''Archidamia'' (1727)
* (1728)
* (1728)
* (1728)
* (1729)
* (1729)
*''Plotina'' (1730)
* (1731)
*''La Pacienza do Socrate'' (1731)
*''Il tempo e la verita'' (1731)
*''Alessandro il grande'' (1732)
*''Zenobia'' (1732)
*''Ciro in Armenia'' (1733)
*''Dafne'' (1734)
*''La Gratitudine di Mitridate'' (1734)
*''Mitridate e di Ponto'' (1734)
*''Il Palladio conservato'' (1735)
* (1735)
*''Diana vendicta'' (1736)
* (1736)
*''L'alloro illustrata'' (1738)
* (1738)
*''L'Eroina d'Argo'' (1739)
* (1741)
*''La Corona'' (1754)
*''La Gara'' (1755)
*''Il sogno'' (1756 or 1757)

Selected recordings

* Mozart/Reutter: ''De profundis clamavi'', Choir and Orchestra of the Vienna Volksoper, Peter Maag
* Johann Georg Reutter: ''Portus Felicitatis – Motetten und Arien für das Pantaleon, Monika Mauch, Stanislava Jirku, La Gioia Armonica, Jürgen Banholzer. Ramee 2013
* Johann Georg Reutter: Arie & Sinfonie, Olivia Vermeulen, Nuovo Aspetto. Accent 2013

References

Sources
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External links

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{{DEFAULTSORT:Reutter, Georg
18th-century Austrian people
18th-century classical composers
18th-century male musicians
Austrian Baroque composers
Austrian Classical-period composers
Austrian opera composers
Male opera composers
Joseph Haydn
Musicians from Vienna
Edlers of Austria
1708 births
1772 deaths