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''Genesis of a Music'' is a
book A book is a medium for recording information in the form of writing or images, typically composed of many pages (made of papyrus, parchment, vellum, or paper) bound together and protected by a cover. The technical term for this physical arr ...
first published in 1949 by
microtonal Microtonal music or microtonality is the use in music of microtones— intervals smaller than a semitone, also called "microintervals". It may also be extended to include any music using intervals not found in the customary Western tuning of t ...
composer
Harry Partch Harry Partch (June 24, 1901 – September 3, 1974) was an American composer, music theorist, and creator of unique musical instruments. He composed using scales of unequal intervals in just intonation, and was one of the first 20th-century com ...
(1901–1974). Partch first presents a polemic against both
equal temperament An equal temperament is a musical temperament or tuning system, which approximates just intervals by dividing an octave (or other interval) into equal steps. This means the ratio of the frequencies of any adjacent pair of notes is the same, wh ...
and the long history of stagnation in the teaching of
music Music is generally defined as the art of arranging sound to create some combination of form, harmony, melody, rhythm or otherwise expressive content. Exact definitions of music vary considerably around the world, though it is an aspect ...
; according to
Alex Ross Nelson Alexander Ross (born January 22, 1970) is an American comic book writer and artist known primarily for his painted interiors, covers, and design work. He first became known with the 1994 miniseries ''Marvels'', on which he collaborated wi ...
, this is "the most startling forty-five-page history of music ever written". In particular, Partch holds
Johann Sebastian Bach Johann Sebastian Bach (28 July 1750) was a German composer and musician of the late Baroque period. He is known for his orchestral music such as the '' Brandenburg Concertos''; instrumental compositions such as the Cello Suites; keyboard w ...
responsible for "the movement toward equal-tempered tuning, which meant that composers could not absorb the scales of other world traditions; and the urge to make music ever more instrumental and abstract." He then goes on to explain his
tuning theory In music, there are two common meanings for tuning: * Tuning practice, the act of tuning an instrument or voice. * Tuning systems, the various systems of pitches used to tune an instrument, and their theoretical bases. Tuning practice Tun ...
based on
just intonation In music, just intonation or pure intonation is the tuning of musical intervals Interval may refer to: Mathematics and physics * Interval (mathematics), a range of numbers ** Partially ordered set#Intervals, its generalization from numbers to ...
, the ensemble of
musical instruments A musical instrument is a device created or adapted to make musical sounds. In principle, any object that produces sound can be considered a musical instrument—it is through purpose that the object becomes a musical instrument. A person who pl ...
of his own invention (such as the "Surrogate Kithara, a struck-string, harplike instrument", and the guitar with movable frets he used to compose ''Barstow''), and several of his largest
musical composition Musical composition can refer to an original piece or work of music, either vocal or instrumental, the structure of a musical piece or to the process of creating or writing a new piece of music. People who create new compositions are called ...
s. The book has been highly influential to succeeding generations of microtonal composers, including
Lou Harrison Lou Silver Harrison (May 14, 1917 – February 2, 2003) was an American composer, music critic, music theorist, painter, and creator of unique musical instruments. Harrison initially wrote in a dissonant, ultramodernist style similar to his for ...
, Ben Johnston, and
James Tenney James Tenney (August 10, 1934 – August 24, 2006) was an American composer and music theorist. He made significant early musical contributions to plunderphonics, sound synthesis, algorithmic composition, process music, spectral music, microtonal ...
. A revised and enlarged second edition was published just before Partch's death in 1974.


Concepts

Partch presents 4 "basic monophonic concepts": #
Consonance and dissonance In music, consonance and dissonance are categorizations of simultaneous or successive Sound, sounds. Within the Western tradition, some listeners associate consonance with sweetness, pleasantness, and acceptability, and dissonance with harshness ...
: "The ear informs us that tones which are in small-number proportion, say in the relation of 2 to 1, are strong, clear, powerful, consonant."Partch (2009), p.86-90. . #*"The smaller the number involved in the ntervalratios, the more consonant the ratio; the larger the numbers, the more dissonant".Dunn, David (2000). ''Harry Partch: An Anthology of Critical Perspectives'', p.27-8. . #"Dual Identity": "Every ratio of a Monophonic system is at least a dual identity." #*"
Odentity In music theory, limit or harmonic limit is a way of characterizing the harmony found in a piece or genre of music, or the harmonies that can be made using a particular scale. The term ''limit'' was introduced by Harry Partch, who used it to give ...
sdetermined by the odd-number ratio component of the numerator, and another one, the Udentity sdetermined by the odd-number component of the denominator. A ratio thus always belongs to two tonalities, an Otonality in accordance with its
Odentity In music theory, limit or harmonic limit is a way of characterizing the harmony found in a piece or genre of music, or the harmonies that can be made using a particular scale. The term ''limit'' was introduced by Harry Partch, who used it to give ...
, and an Utonality in accordance with its Udentity." #
Minor Minor may refer to: * Minor (law), a person under the age of certain legal activities. ** A person who has not reached the age of majority * Academic minor, a secondary field of study in undergraduate education Music theory *Minor chord ** Barb ...
: "Under-number Tonality, or Utonality ("minor"), is the immutable faculty of ratios, which in turn represent an immutable faculty of the human ear." #*See:
Arithmetic progression An arithmetic progression or arithmetic sequence () is a sequence of numbers such that the difference between the consecutive terms is constant. For instance, the sequence 5, 7, 9, 11, 13, 15, . . . is an arithmetic progression with a common differ ...
and
Undertone series In music, the undertone series or subharmonic series is a sequence of notes that results from inverting the intervals of the overtone series. While overtones naturally occur with the physical production of music on instruments, undertones must ...
#History: Music has appeared to have advanced up the harmonic series throughout history. #*
Pythagorean tuning Pythagorean tuning is a system of musical tuning in which the frequency ratios of all intervals are based on the ratio 3:2.Bruce Benward and Marilyn Nadine Saker (2003). ''Music: In Theory and Practice'', seventh edition, 2 vols. (Boston: Mc ...
is 3-limit, "just intonation" often refers to 5-limit tuning, while Partch uses an 11-
limit Limit or Limits may refer to: Arts and media * ''Limit'' (manga), a manga by Keiko Suenobu * ''Limit'' (film), a South Korean film * Limit (music), a way to characterize harmony * "Limit" (song), a 2016 single by Luna Sea * "Limits", a 2019 ...
tuning. Partch admirer Ben Johnston uses 31-limit or higher " extended just intonation". See:
Emancipation of the dissonance The emancipation of the dissonance was a concept or goal put forth by composer Arnold Schoenberg and others, including his pupil Anton Webern. The phrase first appears in Schoenberg's 1926 essay "Opinion or Insight?" . It may be described as a met ...


Editions

* ''Genesis of a Music: Monophony: the relation of its music to historic and contemporary trends; its philosophy, concepts, and principles; its relation to ... and its application to musical instruments'', University of Wisconsin Press, 362 pp., 1949. ASIN B0007DM7I8 * ''Genesis Of A Music: An Account Of A Creative Work, Its Roots, And Its Fulfillments'', Second Edition, Da Capo Press, Paperback, 544 pp., 1979. . 2009: .


References


External links


Preface from the original edition
{{Microtonal music 1949 non-fiction books Harry Partch Music books Just tuning and intervals University of Wisconsin Press books