Gaspare Celio (1571 in Rome–November 24, 1640 in Rome) was an Italian painter of the late-
Mannerist
Mannerism, which may also be known as Late Renaissance, is a style in European art that emerged in the later years of the Italian High Renaissance around 1520, spreading by about 1530 and lasting until about the end of the 16th century in Ita ...
and early-
Baroque period, active mainly in his native city of
Rome
, established_title = Founded
, established_date = 753 BC
, founder = King Romulus (legendary)
, image_map = Map of comune of Rome (metropolitan city of Capital Rome, region Lazio, Italy).svg
, map_caption ...
.
Celio was the pupil of
Circignani, according to
Baglione
Giovanni Baglione (1566 – 30 December 1643) was an Italian Late Mannerist and Early Baroque painter and art historian. He is best remembered for his acrimonious and damaging involvement with the slightly younger artist Caravaggio and ...
, but of
Cristoforo Roncalli, if we are to believe Abate Titi.
[''The History of Painting in Italy from the Period of the Revival of the Fine arts''](_blank)
(1852) by Luigi Lanzi
Luigi Lanzi (14 June 1732 – 30 March 1810) was an Italian art historian and archaeologist. When he died he was buried in the church of the Santa Croce at Florence by the side of Michelangelo.
Biography
Born in Treia, Lanzi was educated as ...
, translated by Thomas Roscoe
Thomas Roscoe (Liverpool 23 June 1791 – 24 September 1871 London) was an English author and translator.
Life
The fifth son of William Roscoe, he was born in Toxteth Park, Liverpool in 1791, and educated by Dr. W. Shepherd and by Mr. Llo ...
, page 469)
His first commissions in about 1596 were completed with
Giuseppe Valeriano
Giuseppe Valeriano (L'Aquila, August, 1542 – Naples, July 15, 1596) was an Italian painter and architect, priest of the Jesuit order, and active in Rome, Spain, and Naples.
Biography
He began training in his native town under a minor paint ...
who asked Celio to decorate the Chapel of the Passion in the church of
il Gesù in Rome.
[Cappella della Passione]
This work was done after the design of P.
Giovanni Battista Fiammeri. He also paints a ''Madonna and Bambino'', now in
Santa Maria del Carmine, a ''The Passage of Moses through the Red Sea'' (1607) in a vault of the
Palazzo Mattei
A palace is a grand residence, especially a royal residence, or the home of a head of state or some other high-ranking dignitary, such as a bishop or archbishop. The word is derived from the Latin name palātium, for Palatine Hill in Rome which ...
, a ''Death of the Giants''. He painted a ''St Francis'' for the altar of the Ospizio at Ponte Sisto. He painted a ''History of S. Raimondo'' at the
Santa Maria sopra Minerva.
Between 1620 -1638 he helps publish a guide to the churches and artwork in Rome (''Memoria delli nomi dell'artefici delle pitture che sono in alcune chiese, facciate e palazzi di Roma''). He engraved antique statues. He briefly worked in Parma as a painter for the court of
Ranuccio Farnese.
He was buried in the Basilica of
Santa Maria del Popolo it, Basilica Parrocchiale Santa Maria del Popolo
, image = 20140803 Basilica of Santa Maria del Popolo Rome 0191.jpg
, caption = The church from Piazza del Popolo
, coordinates =
, image_size ...
, Rome, where still stands his funeral monument.
Works
* Works at the Capilla della Passione (1596), iglesia del Gesù, Rome
* ''Virgin and Child'' or ''Madonna'' (Santa Maria del Carmine)
* ''The Passage of Moses Through the Red Sea'' (1607), in the vault of Palazzo Mattei
* ''Death of the Giants'' Palazzo Mattei, Rome
* Works at the Capilla Altieri (1622), San Francesco a Ripa, Rome
** ''Ludovica Albertoni''
** ''Saint Charles Borromeo''
** ''Holy Family and Saint Anne''
* ''St. Francis'', an altar of the Ospizio at Ponte Sisto
* ''History of Saint Raymond'', Santa Maria sopra Minerva
* ''Battle Scene'' (
Borghese Gallery
The Galleria Borghese () is an art gallery in Rome, Italy, housed in the former Villa Borghese Pinciana. At the outset, the gallery building was integrated with its gardens, but nowadays the Villa Borghese gardens are considered a separate tourist ...
, Rome)
References
Further reading
*Sydney Joseph Freedberg (1978). ''Paintings in Italy, 1500-1600''
*''The Grove Dictionary of Art'', Macmillan Publishers (2000)
*José Luis Colomer, ''Arte y diplomacia de la monarquía hispánica en el siglo XVII'' (''Art and Diplomacy in the Spanish Monarchy in the 17th Century''), CEEH (2003).
*Comune di Bozzolo; Gruppo Culturale Per Bozzolo (a cura di), Il Principe e la Città. Giulio Cesare Gonzaga di Bozzolo, Modena, 1994. ISBN non esistente.
1571 births
1640 deaths
Painters from Rome
16th-century Italian painters
Italian male painters
17th-century Italian painters
Italian art historians
{{Italy-painter-16thC-stub