Gallipoli (Beirut Album)
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''Gallipoli'' is the fifth studio album by
indie folk Indie folk is a music genre that arose in the 1990s among musicians from indie rock scenes influenced by folk music. Indie folk hybridizes the acoustic guitar melodies of traditional folk music with contemporary instrumentation. The genre has its ...
band Beirut. It was released on February 1, 2019 by
4AD 4AD is a British record label owned by Beggars Group. It was founded in London under the name "Axis" (after the Hendrix album) by Ivo Watts-Russell and Peter Kent in 1980 as an imprint of Beggars Banquet Records. The name was changed to 4AD af ...
. The album is named after the Italian town where the title track was written. It is supported by the singles "Gallipoli", "Corfu" and "Landslide". The band toured across North America and Europe in support of the album in 2019.


Background

Work on the album began in late 2016, with Zach Condon holding recording sessions in various cities, including New York City,
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, Italy, and Berlin (where Condon lives). The album is produced by Condon and Gabe Wax, who also produced the band's previous album, 2015's '' No No No''. It features Condon playing his old Farfisa organ from Santa Fe which was used on '' Gulag Orkestar'' and '' The Flying Club Cup''. The album was announced in a statement on the band's Facebook page that also explained the timeline of its creation. Condon's first album since moving to Berlin and familiarising himself with the city's experimental electronic music scene, ''Gallipoli'' is an album of "loopy, burbling, shape-shifting tracks" that takes influence from electronic duo
Mouse on Mars Mouse on Mars is a German electronic music duo formed in 1993 by Jan St. Werner and Andi Toma. Their music is a blend of electronic genres including IDM, dub, krautrock, breakbeat and ambient, featuring heavy use of organic analog synth and ...
. AllMusic's Marcy Donelson wrote that Condon channeled performances "through a series of amplifiers, PA systems, and tape machines" in order to "capture sounds like mechanical buzzing, creaking instruments, and off-pitch tones". According to Stephen Dalton of ''
Uncut Uncut may refer to: * ''Uncut'' (film), a 1997 Canadian docudrama film by John Greyson about censorship * ''Uncut'' (magazine), a monthly British magazine with a focus on music, which began publishing in May 1997 * '' BET: Uncut'', a Black Enter ...
'', the album features more "studio buzz and random dissonance" than Condon's previous albums, elaborating: "Generous helpings of crackle and
hiss Hiss or Hissing may refer to: * Hiss (electromagnetic), a wave generated in the plasma of the Earth's ionosphere or magnetosphere * Hiss (surname) * ''Hissing'' (manhwa), a Korean manhwa series by Kang EunYoung * Noise (electronics) or electroni ...
are retained in the mix, creating an almost
musique concrète Musique concrète (; ): " problem for any translator of an academic work in French is that the language is relatively abstract and theoretical compared to English; one might even say that the mode of thinking itself tends to be more schematic, ...
effect in places. Amid the usual parping trumpets and ukulele twangs are modular synths, tape loops, echo-drenched vintage organs, avant-jazz audioscapes and
ambient Ambient or Ambiance or Ambience may refer to: Music and sound * Ambience (sound recording), also known as atmospheres or backgrounds * Ambient music, a genre of music that puts an emphasis on tone and atmosphere * ''Ambient'' (album), by Moby * ...
sound paintings." Donelson wrote that the album's usage of full instrumentation, colourful arrangements and dense production prevents the album from becoming lo-fi, despite Condon's stated wish to capture organic sounds.


Critical reception

At Metacritic, which assigns a normalised rating out of 100 to reviews from mainstream publications, the album received an average score of 75, indicating generally favorable reviews. Ragan Clark of the '' Associated Press'' praised the album and called it a "return to vocal and expressive brilliance", saying, "Some of the zest lacking in the band’s 2015 album ''No No No'' is fully realized in this new album." Will Hermes of '' Rolling Stone'' gave the album a favorable review, saying, "Condon's built an entire world with globetrotting horn charts at or near the heart, and ''Gallipoli'' revisits it with some of his most emotive songwriting and singing." Paddy Kinsella of '' The Line of Best Fit'' praised the album as the band's best to date, stating, " 'Gallipoli''is the sound of one of our most talented musicians rediscovering his love for what he was born to do. It's Zach Condon's career highlight so far and shows that he's at his best when he enjoys making music and cares less about what critics and fans might think of it. Long may it continue." Writing for '' The Times'', Will Hodgkinson gave the album 2 out of 5 stars, saying the album "never seems to get beyond its own sense of sophistication." Alex Hudson of ''
Exclaim! ''Exclaim!'' is a Canadian music and entertainment publisher based in Toronto, which features in-depth coverage of new music across all genres with a special focus on Canadian and emerging artists. The monthly Exclaim! print magazine publishes 7 ...
'' gave the album a 6/10, writing, "There's enough material here for a solid EP, but it's rather thin for a full-length." Victoria Segal of '' Mojo'' said, "Gallipoli ..is oddly unmoving, lacking range for all its seductive picturesque roaming".


Track listing


Personnel

The following people contributed to ''Gallipoli'': Beirut * Zach Condon – vocals , backing vocals , piano , Rhodes piano , Farfisa organ , Hammond organ , pump organ , ukulele , trumpet , accordion , percussion , synth , Moog Voyager synthesizer , modular synthesizer , bells , Roland keyboard , ROLI Seaboard keyboard , shaker , drum machine , vocal recording, production, mixing * Nick Petree – drums , percussion , baritone ukulele , backing vocals , hand drums * Paul Collins – bass , guitar , Farfisa organ , double bass , backing vocals , tape machine , drum machine , modular synthesizer , baritone guitar , percussion , synthesizer , space echo * Ben Lanz – trombone , brass arrangement * Kyle Resnick – trumpet Additional personnel * Gabe Wax – production, mixing, engineering * Francesco Donadello – mastering * Norman Nitzsche – mastering *
Brody Condon Brody Condon (born 1974 Mexico) is an American artist. He facilitates and documents game-like group encounters that experientially probe dissociative phenomena, critical psychology, and performance art history. The resulting immersive situations ...
– artwork * Ben Wilkerson Tousley – design


Charts


Weekly charts


Year-end charts


References

{{Authority control 2019 albums 4AD albums Beirut (band) albums