The Galleria Nazionale dell'Umbria ( English: National Gallery of Umbria) the Italian national paintings collection of

Umbria Umbria ( ; ) is a Regions of Italy, region of central Italy. It includes Lake Trasimeno and Cascata delle Marmore, Marmore Falls, and is crossed by the Tiber. It is the only landlocked region on the Italian Peninsula, Apennine Peninsula. The re ...

, housed in the Palazzo dei Priori,

Perugia Perugia ( , ; ; ) is the capital city of Umbria in central Italy, crossed by the River Tiber. The city is located about north of Rome and southeast of Florence. It covers a high hilltop and part of the valleys around the area. It has 162,467 ...

, in

central Italy Central Italy ( or ) is one of the five official statistical regions of Italy used by the National Institute of Statistics (ISTAT), a first-level NUTS region with code ITI, and a European Parliament constituency. It has 11,704,312 inhabita ...

. Located on the upper floors of the Palazzo dei Priori, the exhibition spaces occupy two floors and the collection comprises the greatest representation of the Umbrian School of painting, ranging from the 13th to the 19th century, strongest in the fourteenth through sixteenth centuries. The collection is presented in 40 exhibition rooms in the Palazzo. On the second floor of the Gallery, there is an exhibition space for temporary collections, changed several times a year.

History

The collection's origins lie in the foundation of the Perugian Accademia del Disegno in the mid-16th century. The Academy was originally based in the Convento degli Olivetani at Montemorcino, where it began to assemble a collection of paintings and drawings. The town became part of the French department of Trasimène in 1798 and its religious houses were suppressed. This suppression was repeated by the united Kingdom of Italy from the 1860s onwards - both suppressions shifted a large number of paintings and artworks from church to state ownership. In 1863, the civic paintings collection was formally named after

Pietro Vannucci Pietro Perugino ( ; ; born Pietro Vannucci or Pietro Vanucci; – 1523), an Italian Renaissance painter of the Umbrian school, developed some of the qualities that found classic expression in the High Renaissance. Raphael became his most famous ...

, but the problem of establishing an appropriate site to house the collection was not solved until 1878, when it moved into the third floor of the Palazzo dei Priori in the town centre. With the addition of acquisitions, donations and bequests, the ''pinacoteca'' became the Regia Galleria Vannucci in 1918, under the patronage of the king. The name was later changed to Galleria Nazionale dell'Umbria. Over the years the entire complex of Palazzo dei Priori has been repeatedly affected by renovations and functional adaptation. The museum path, inaugurated in its current form in 2006, occupies an area of 4000 square meters on two floors.

Collections

Chronologically ordered, the permanent collection has

Renaissance The Renaissance ( , ) is a Periodization, period of history and a European cultural movement covering the 15th and 16th centuries. It marked the transition from the Middle Ages to modernity and was characterized by an effort to revive and sur ...

and

Medieval In the history of Europe, the Middle Ages or medieval period lasted approximately from the 5th to the late 15th centuries, similarly to the post-classical period of World history (field), global history. It began with the fall of the West ...

paintings and sculptures from Italian artists such as

Arnolfo di Cambio Arnolfo di Cambio ( – 1300/1310) was an Italian architect and sculptor of the Duecento, who began as a lead assistant to Nicola Pisano. He is documented as being ''capomaestro'' or Head of Works for Florence Cathedral in 1300, and designed th ...

Nicola Pisano Nicola Pisano (also called ''Niccolò Pisano'', ''Nicola de Apulia'' or ''Nicola Pisanus''; /1225 – ) was an Italian sculpture, sculptor whose work is noted for its classical Ancient Rome, Roman sculptural style. Pisano is sometimes considered ...

Giovanni Pisano Giovanni Pisano () was an Italian sculptor, painter and architect, who worked in the cities of Pisa, Siena and Pistoia. He is best known for his sculpture which shows the influence of both the French Gothic and the Ancient Roman art. Henry Mo ...

Duccio Duccio di Buoninsegna ( , ; – ), commonly known as just Duccio, was an Italian painter active in Siena, Tuscany, in the late 13th and early 14th century. He was hired throughout his life to complete many important works in government and religi ...

Gentile da Fabriano Gentile da Fabriano ( – 1427) was an Italian painter known for his participation in the International Gothic pictorial style. He worked in various places in central Italy, mostly in Tuscany. His best-known works are his '' Adoration of the ...

Fra Angelico Fra Angelico, O.P. (; ; born Guido di Pietro; 18 February 1455) was a Dominican friar and Italian Renaissance painter of the Early Renaissance, described by Giorgio Vasari in his ''Lives of the Artists'' as having "a rare and perfect talent" ...

Benozzo Gozzoli Benozzo Gozzoli (; born Benozzo di Lese; 4 October 1497) was an Italian Renaissance painter from Florence. A pupil of Fra Angelico, Gozzoli is best known for a series of murals in the Magi Chapel of the Palazzo Medici-Riccardi, depicting festi ...

, Giovanni Boccati and

Piero della Francesca Piero della Francesca ( , ; ; ; – 12 October 1492) was an Italian Renaissance painter, Italian painter, mathematician and List of geometers, geometer of the Early Renaissance, nowadays chiefly appreciated for his art. His painting is charact ...

. The particular attention of the collection is given to the Umbrian masters; Benedetto Bonfigli, Bartolomeo Caporali,

Fiorenzo di Lorenzo Fiorenzo di Lorenzo ( 1440 – 1522) was an Italian painter, of the Umbrian school. He lived and worked at Perugia, where most of his authentic works are still preserved in the Galleria Nazionale dell'Umbria. Fiorenzo is known from a few sig ...

, Perugino, Pintoricchio and their students and followers. A brief overview of the museum in the official website lists: First Floor *Halls 1–4 13th and 14th-century paintings and sculptures, including Nicola and

, and

*Halls 5–7 15th-century Sienese and Florentine painting, including Duccio di Boninsegna *Halls 8–11 Renaissance masterworks: Beato Angelico,

*Halls 12–16 15th-century Marchigian and Umbrian paintings, including Benedetto Bonfigli *Hall 17 The "Treasure" - 13th to 15th century jewelry and ivory *Hall 18 ''Sala del Delegato'' - umbrian tapestry *Hall 19

Agostino di Duccio Agostino di Duccio (1418 – ) was an early Renaissance Italian sculptor. Born in Florence, he worked in Prato with Donatello and Michelozzo, who influenced him greatly. In 1441, he was accused of stealing precious materials from a Florent ...

sculptural fragments *Hall 20 Arti minori (artisan work) *Hall 21 Cappella dei Priori Second Floor *Halls 22–26 Renaissance masterworks:

Perugino Pietro Perugino ( ; ; born Pietro Vannucci or Pietro Vanucci; – 1523), an Italian Renaissance painter of the Umbrian school, developed some of the qualities that found classic expression in the High Renaissance. Raphael became his most famous ...

, Pintoricchio, and

Francesco di Giorgio Martini Francesco di Giorgio Martini (1439–1501) was an Italian architect, engineer, painter, sculptor, and writer. As a painter, he belonged to the Sienese School. He was considered a visionary architectural theorist—in Nikolaus Pevsner's terms ...

*Halls 27–30 First half of 16th-century Umbrian painting *Halls 31–33 Umbrian

Mannerism Mannerism is a style in European art that emerged in the later years of the Italian High Renaissance around 1520, spreading by about 1530 and lasting until about the end of the 16th century in Italy, when the Baroque style largely replaced it ...

*Sala dell’Orologio *Halls 33–34 Martinelli Collection *Halls 35–37 1500–1600: Classicism and

Caravaggisti The Caravaggisti (or the "Caravagesques"; singular: "Caravaggista") were stylistic followers of the late 16th-century Italian Baroque painter Caravaggio. His influence on the new Baroque style that eventually emerged from Mannerism was profound. ...

; Refectory of the Priors *Hall 38 18th century *Hall 39 19th-century topography of Perugia *Hall 40 Luigi Carattoli Collection

References

External links

Gallery website
{{authority control Art museums and galleries in Umbria National museums of Italy Art museums and galleries established in 1878 1878 establishments in Italy Museums in Perugia

History

Collections

See also

References

External links