Gabriela Moyseowicz
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Gabriela Maria Moyseowicz (born 4 May 1944 in Lwów) is a Polish composer and pianist.


Biography

Gabriela Moyseowicz played
piano The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keybo ...
skillfully at the age of three. She was recognized as a musical prodigy at music schools in Gdańsk, Bytom and
Gliwice Gliwice (; german: Gleiwitz) is a city in Upper Silesia, in southern Poland. The city is located in the Silesian Highlands, on the Kłodnica river (a tributary of the Oder). It lies approximately 25 km west from Katowice, the regional capi ...
. At the age of 13, Gabriela composed a 25-minute concerto for two pianos. She performed it before a group of respected professors-musicians in
Kraków Kraków (), or Cracow, is the second-largest and one of the oldest cities in Poland. Situated on the Vistula River in Lesser Poland Voivodeship, the city dates back to the seventh century. Kraków was the official capital of Poland until 1596 ...
and was instantly admitted to the prestigious
Academy of Music in Kraków The Krzysztof Penderecki Academy of Music in Kraków ( pl, Akademia Muzyczna im. Krzysztofa Pendereckiego w Krakowie) is a conservatory located in central Kraków, Poland. It is the '' alma mater'' of the renowned Polish contemporary composer Krz ...
. The concerto was both classical & romantic in style. The work and a number of superb fugues she composed as school-exercises were the first indicators of the scope of the composer’s talent. A renowned musical critic in Kraków1 highly praised the first
atonal Atonality in its broadest sense is music that lacks a tonal center, or key. ''Atonality'', in this sense, usually describes compositions written from about the early 20th-century to the present day, where a hierarchy of harmonies focusing on a ...
composition of Gabriela - “The Piano Sonata No. 1” (1960). Also, the atonal chamber work “
Media Vita (Latin for "In the midst of life we are in death") is a Gregorian chant, known by its incipit, written in the form of a response, and known as "Antiphona pro Peccatis" or "de Morte". The most accepted source is a New Year's Eve religious service ...
” (1961) was met with a warm reaction by both the public and musical critics. From 1962 Moyseowicz attended composition classes at the Academy of Music in Kraków and the State Conservatory in Katowice, and graduated from the latter in 1967. She was awarded the degree of
Master of Arts A Master of Arts ( la, Magister Artium or ''Artium Magister''; abbreviated MA, M.A., AM, or A.M.) is the holder of a master's degree awarded by universities in many countries. The degree is usually contrasted with that of Master of Science. Th ...
after submitting her second piano concerto. A stormy discussion resulted, among the local professors, over Gabriela’s dissertation in which she had presented her artistic attitudes. In 1974 Moyseowicz moved to
West Berlin West Berlin (german: Berlin (West) or , ) was a political enclave which comprised the western part of Berlin during the years of the Cold War. Although West Berlin was de jure not part of West Germany, lacked any sovereignty, and was under mi ...
, where she worked for thirty years as an organist and choir director at a Catholic church. She made several recordings of her own music for the German Radio ( WDR, NDR). Two CDs with orchestral and piano compositions, respectively, were released. Scores of over twenty of Moyseowicz’s compositions were released by a famed musical editor in Berlin.


Appraisal

Although Moyseowicz has always been at ease with the tonal system, it has not been her main artistic goal to compose tonal music. The ideas of the “sclerotic
avant-garde The avant-garde (; In 'advance guard' or ' vanguard', literally 'fore-guard') is a person or work that is experimental, radical, or unorthodox with respect to art, culture, or society.John Picchione, The New Avant-garde in Italy: Theoretical ...
of the sixties”2 were never attractive for her. From her teens she searched for her own way and managed to develop an original style that has nothing to do with any “modern” or “fashionable” ideas of the second half of the 20th century. Gabriela’s compositions are thoroughly atonal, but listeners have, very often, an impression to hear the tonal music. It is a secret of Gabriela’s workshop that she is able to extract from the highly complex sound material sequences of ear-friendly modern contemporary classical music. The composer uses instruments with the great respect to their design, destination and limitations, yet she produces extraordinary effects. Her dazzling music is rich in invention and imagination. “Gabriela Moyseowicz is a genial composer whose work merits more attention”6. The opinions like this have been expressed on several occasions by musical professionals and music lovers. The work of Gabriela Moyseowicz has been subjected to analyses by several authors3,4,6,7(8).


Works

Gabriela Moyseowicz has composed a variety of atonal instrumental and vocal works3,7(8). They include piano-, violin- and cello- sonatas, piano concertos, one symphony, one
oratorium An oratorio () is a large musical composition for orchestra, choir, and soloists. Like most operas, an oratorio includes the use of a choir, soloists, an instrumental ensemble, various distinguishable characters, and arias. However, opera is m ...
, cantatas, songs, etc. Tonal compositions include church songs, a capriccio for string orchestra, piano variations and other occasional works.


References

# „Młode talenty” by Marian Wallek-Walewski, ”Gazeta Krakowska” daily, 23 May 1961 #“AWANS poloneza”, “WPROST”weekly, 6 Feb. 2000, p. 95 #“NEULAND, Ansätze zur Musik der Gegenwart”, Bd. 4 (1983/4), Martella Gutiérrez-Denhoff, ''Inspiration als Quelle des Komponierens, Ein Porträt der Komponistin Gabriela Moyseowicz'' S. 107–110: Werkverzeichnis Gabriela Moyseowicz, S.110 #“Komponistinnen aus 500 Jahren” by
Eva Weissweiler Eva-Ruth Weissweiler (born 14 February 1951 in Mönchengladbach) is a German writer, musicologist and non fiction writer. Life Weissweiler entered the Mönchengladbach State Girls' Grammar School in 1961, where she graduated in 1969 (Abitur). Sh ...
, Fischer Taschenbucher, 1981, #“International Who's who in Music and Musicians' Directory”, by David M. Cummings, #“Wer sein Klavier nicht tritt…” von Bettina Brand, “Neue Berlinische Musikzeitung”, Berlin 1988, Heft 3 #„Portret Gabrieli Moyseowicz” by Radosław Rzepkowski, „Muzyka 21” monthly, No.8, 2004 #Polish Music Information Centre, biography of Gabriela Moyseowicz (in Polish)


External links

*Neuland Musikverlag Herbert Henck, German

*Musikverlag Ries& Erler, Berlin, German

*Polish Music Information Centre, Warsaw, Polan
Portrait Gabriela MoyseowiczHommage à la Pologne (YouTube)
{{DEFAULTSORT:Moyseowicz, Gabriela 1944 births Living people Musicians from Lviv Polish classical composers Polish classical pianists Polish women classical composers Polish women classical pianists 20th-century classical composers 20th-century classical pianists 21st-century classical composers 21st-century classical pianists 20th-century women composers 21st-century women composers Polish women composers 20th-century women pianists 21st-century women pianists