The frontier myth or myth of the West is one of the influential myths in American culture. The frontier is the concept of a place that exists at the edge of a civilization, particularly during a period of expansion. The
American frontier
The American frontier, also known as the Old West or the Wild West, encompasses the geography, history, folklore, and culture associated with the forward wave of United States territorial acquisitions, American expansion in mainland North Amer ...
occurred throughout the 17th to 20th centuries as European Americans colonized and expanded across North America. This period of time became romanticized and idealized in literature and art to form a myth.
Richard Slotkin
Richard Sidney Slotkin (born November 8, 1942) is a cultural critic and historian. He is the Olin Professor of English and American Studies, Emeritus at Wesleyan University in Middletown, Connecticut, and, since 2010, a member of the American A ...
, a prominent scholar on the subject, defines the myth of the frontier as "America as a wide-open land of unlimited opportunity for the strong, ambitious, self-reliant individual to thrust his way to the top."
Definitions
Frederick Jackson Turner's Frontier Thesis
In the
United States
The United States of America (U.S.A. or USA), commonly known as the United States (U.S. or US) or America, is a country primarily located in North America. It consists of 50 states, a federal district, five major unincorporated territorie ...
, the concept of the
frontier
A frontier is the political and geographical area near or beyond a boundary. A frontier can also be referred to as a "front". The term came from French in the 15th century, with the meaning "borderland"—the region of a country that fronts o ...
first became significant in 1893 when
Frederick Jackson Turner
Frederick Jackson Turner (November 14, 1861 – March 14, 1932) was an American historian during the early 20th century, based at the University of Wisconsin until 1910, and then Harvard University. He was known primarily for his frontier thes ...
used the term as a model for understanding American culture in his essay,
The Significance of the Frontier in American History "The Significance of the Frontier in American History" is a seminal essay by the American historian Frederick Jackson Turner which advanced the Frontier Thesis of American history. It was presented to a special meeting of the American Historical A ...
, read before the
American Historical Association
The American Historical Association (AHA) is the oldest professional association of historians in the United States and the largest such organization in the world. Founded in 1884, the AHA works to protect academic freedom, develop professional s ...
in Chicago during the World’s Columbian Exhibition ( Chicago World's Fair). In his Frontier Thesis, Turner defined the concept of the frontier as “the meeting point between savagery and civilization,” and argued that this point was the foundation for American identity and politics. Turner's interpretation of American expansion was that Americans had moved west in waves, and the frontier was the tip of those movements, always the furthest point from civilization. Turner claimed that at the frontier American pioneers were transformed by their interaction with Native Americans and the wilderness to become rugged individuals who prized their freedom and individualism. As the frontier continued to move west it continued to transform the pioneering Americans who went there, and in turn transform the nation. Turner argued that
nationalism
Nationalism is an idea and movement that holds that the nation should be congruent with the State (polity), state. As a movement, nationalism tends to promote the interests of a particular nation (as in a in-group and out-group, group of peo ...
, democracy (because of increased individualism), and a rejection of European ideals were a result of the frontier. Thus Turner concluded that America was only unique because of its interaction with the frontier and the West as it developed during expansion, “to the frontier the American intellect owes its striking characteristics.”
The heroes of Turner’s thesis are the farmers, those who come right after the hunter/trapper pathfinders. In his eyes they are the first step toward civilization, and when they arrive the boundary of the frontier moves westward. In a broad sense, the notion of the frontier was the edge of the settled country where unlimited free land was available and thus unlimited opportunity.
While Turner did not create the myth of the frontier, he gave voice to it, and his frontier thesis was a major contribution to the general acceptance of the myth by scholars in the twentieth century. The focus on the West, and particularly the idealized concept of the frontier, placed those areas as foundational for American identity. Rather than looking to the Eastern city, such as Boston or Philadelphia, as the epitome of American ideals and values, the focus of American history and identity was on the farmers who were slowly but steadily moving farther west, searching for land and a modest income. Turner’s influence can be seen in nearly every single work of Western history to follow, either dealt with directly or indirectly, particularly each time a scholar uses the word frontier.
The Work of Richard Slotkin
As noted above,
Richard Slotkin
Richard Sidney Slotkin (born November 8, 1942) is a cultural critic and historian. He is the Olin Professor of English and American Studies, Emeritus at Wesleyan University in Middletown, Connecticut, and, since 2010, a member of the American A ...
has devoted a career to studying the myth of the frontier, writing three books on the subject, ''Regeneration Through Violence'', ''Fatal Environment'', and ''Gunfighter Nation.'' Slotkin's goal throughout this trilogy is to trace the myth of the frontier from the original colonies to the popular culture works of the twentieth century, tracing the evolution and influence of the myth (as further explained below). Throughout these works Slotkin defines myth as "a set of narratives that acquire through specifiable historical action a significant ideological charge." This definition is useful in understanding how scholars study myth, and why the myth of the frontier is significant. Slotkin's definition evolves throughout the trilogy, beginning with the general understanding of the myth of the frontier as viewing America as a land of opportunity for the strong to conquer, then incorporating capitalist exploitation of the land as America evolved into an industrialist nation, finally being used a vehicle for cultural ideology in the twentieth century era in popular culture.
Overview
There are two ‘Wests’ – the historical West in which farmers, ranchers, miners, prostitutes and criminals pursued their happiness, and the mythic West that took deep root in the American imagination.
Western novels
Western fiction is a genre of literature set in the American Old West frontier and typically set from the late eighteenth to the late nineteenth century. Well-known writers of Western fiction include Zane Grey from the early 20th century and ...
(
dime novel
The dime novel is a form of late 19th-century and early 20th-century U.S. popular fiction issued in series of inexpensive paperbound editions. The term ''dime novel'' has been used as a catchall term for several different but related forms, r ...
s,
pulp fiction
''Pulp Fiction'' is a 1994 American crime film written and directed by Quentin Tarantino, who conceived it with Roger Avary.See, e.g., King (2002), pp. 185–7; ; Starring John Travolta, Samuel L. Jackson, Bruce Willis, Tim Roth, Ving Rhame ...
), mainstream literature (Cooper's
Leatherstocking Tales
The ''Leatherstocking Tales'' is a series of five novels by American writer James Fenimore Cooper, set in the eighteenth-century era of development in the primarily former Iroquois areas in central New York. Each novel features Natty Bumppo, ...
), newspapers, and plays portrayed the West as both a barren landscape full of savages and a romanticized idealistic way of living for rugged men.
Being a
frontiersman
A frontier is the political and geographical area near or beyond a Border, boundary. A frontier can also be referred to as a "front". The term came from French in the 15th century, with the meaning "borderland"—the region of a country that ...
in the so-called
Wild West
The American frontier, also known as the Old West or the Wild West, encompasses the geography, history, folklore, and culture associated with the forward wave of American expansion in mainland North America that began with European colonial ...
, a
cowboy
A cowboy is an animal herder who tends cattle on ranches in North America, traditionally on horseback, and often performs a multitude of other ranch-related tasks. The historic American cowboy of the late 19th century arose from the '' vaquer ...
gold miner
Gold mining is the extraction of gold resources by mining. Historically, mining gold from alluvial deposits used manual separation processes, such as gold panning. However, with the expansion of gold mining to ores that are not on the surface ...
were idealized within American mystery.
Mark Twain
Samuel Langhorne Clemens (November 30, 1835 – April 21, 1910), known by his pen name Mark Twain, was an American writer, humorist, entrepreneur, publisher, and lecturer. He was praised as the "greatest humorist the United States has p ...
colorfully related that accounts of gold strikes in the popular press had supported the feverish expansion of the mining frontier and provoked mining “stampedes” during the 1860s and 1870s: “Every few days news would come of the discovery of a brand-new mining region: immediately the papers would teem with accounts of its richness, and away the surplus population would scamper to take possession…”
Similarly the life of the hardy cowboy driving dusty herds of longhorns northward from
Texas
Texas (, ; Spanish language, Spanish: ''Texas'', ''Tejas'') is a state in the South Central United States, South Central region of the United States. At 268,596 square miles (695,662 km2), and with more than 29.1 million residents in 2 ...
Dodge City
Dodge City is the county seat of Ford County, Kansas, United States, named after nearby Fort Dodge. As of the 2020 census, the population of the city was 27,788. The city is famous in American culture for its history as a wild frontier town ...
, Kansas, was romanticized by the eastern press. This transformed the cattle industry until the late 1870s. The former image of cowboys as ne’er-do-well and drifter changed significantly. They were now glorified as men of rough-hewn integrity and self-reliant strength.
The Origin and Development of the Myth
Beginning in the original colonies,
Richard Slotkin
Richard Sidney Slotkin (born November 8, 1942) is a cultural critic and historian. He is the Olin Professor of English and American Studies, Emeritus at Wesleyan University in Middletown, Connecticut, and, since 2010, a member of the American A ...
argues that the settlers brought a synthesis of romantic European myths and ideas across the Atlantic, particularly the idea that the
New World
The term ''New World'' is often used to mean the majority of Earth's Western Hemisphere, specifically the Americas."America." ''The Oxford Companion to the English Language'' (). McArthur, Tom, ed., 1992. New York: Oxford University Press, p. 3 ...
was a place where they could reinvent themselves. However, since the land was occupied by Native Americans the incoming colonists took the land with violence, hence the title regeneration through violence. Slotkin continues on to argue that the violent interactions with Native Americans became central to the myth of the frontier, and the American hero has been one who mediated between these two worlds. The first national hero to do this was
Daniel Boone
Daniel Boone (September 26, 1820) was an American pioneer and frontiersman whose exploits made him one of the first folk heroes of the United States. He became famous for his exploration and settlement of Kentucky, which was then beyond the we ...
, the first archetype of the western hero, “An American hero is the lover of the spirit of the wilderness, and his acts of love and sacred affirmation are acts of violence against the spirit and her avatars.” This is the foundation for the myth of the frontier that began in the colonies. It was further developed in the nineteenth century to meet the growing needs of industrialization, incorporating the exploitation of land. The myth of the frontier held promise of wealth in the undiscovered lands and thus encouraged settlement, but Slotkin argues that the myth of the frontier distorted the historical reality that the methods for attaining the wealth were developed in the city (and in Europe). Slotkin illustrates that the myth of the frontier was created in the colonies through violent interactions, and was developed throughout the eighteenth and nineteenth centuries to fit the needs of a developing civilization.
Creators and Promulgators - The Frontier Club
Christine Bold in ''The Frontier Club: Popular Westerns and Cultural Power, 1800-1924'', builds on the works of Richard Slotkin and
G. Edward White
George Edward White (born March 19, 1941) is an American legal historian, tort law scholar, and the David and Mary Harrison Distinguished Professor of Law at the University of Virginia School of Law.
Education and career
White finished high s ...
to deconstruct the creation of the mythic West formula for literature (and later film/television) at the end of the nineteenth century. Bold argues that the mythic West formula was created by a group of writers, politicians, painters, and others, whom she calls the “Frontier Club.” The Frontier Club is primarily made of the
Boone and Crockett Club
The Boone and Crockett Club is an American nonprofit organization that advocates fair chase hunting in support of habitat conservation. The club is North America's oldest wildlife and habitat conservation organization, founded in the United Stat ...
(a club of elite, ivy-league white men who enjoyed hunting out west) but does consist of others outside that group. Bold notes about eight men that were key in the group, with
Theodore Roosevelt
Theodore Roosevelt Jr. ( ; October 27, 1858 – January 6, 1919), often referred to as Teddy or by his initials, T. R., was an American politician, statesman, soldier, conservationist, naturalist, historian, and writer who served as the 26t ...
as the founder and central figure, with
Owen Wister
Owen Wister (July 14, 1860 – July 21, 1938) was an American writer and historian, considered the "father" of western fiction. He is best remembered for writing '' The Virginian'' and a biography of Ulysses S. Grant.
Biography
Early life ...
and
Frederic Remington
Frederic Sackrider Remington (October 4, 1861 – December 26, 1909) was an American painter, illustrator, sculptor, and writer who specialized in the genre of Western American Art. His works are known for depicting the Western United State ...
being influential. Bold argues that it was this collection of men that brought together the cultural themes present in the myth of the frontier to create literature ( The Virginian) and art that distorted the reality of the West and turned it into a romanticized place. Bold argues the goal of the group was to sway public opinion so that they could lobby for legislation to protect hunting grounds in the West.
Bold continues on to show how the Frontier Club used their money and influence to silence the voices of blacks, Native Americans, immigrants, and non-elite white men. They did this both in their creation of the formula for the myth of the frontier, and in public policy. In the regards to myth their efforts were successful, and the common myth of the frontier to follow this period features the white cowboy riding in to save the white townsfolk (particularly women), usually from Native Americans or Hispanics.
Calamity Jane
Martha Jane Cannary (May 1, 1852 – August 1, 1903), better known as Calamity Jane, was an American frontierswoman, sharpshooter, and storyteller. In addition to many exploits she was known for being an acquaintance of Wild Bill Hickok. Late ...
,
Jesse James
Jesse Woodson James (September 5, 1847April 3, 1882) was an American outlaw, bank and train robber, guerrilla and leader of the James–Younger Gang. Raised in the " Little Dixie" area of Western Missouri, James and his family maintained stro ...
' gang,
Buffalo Bill
William Frederick Cody (February 26, 1846January 10, 1917), known as "Buffalo Bill", was an American soldier, Bison hunting, bison hunter, and showman. He was born in Le Claire, Iowa, Le Claire, Iowa Territory (now the U.S. state of Iowa), but ...
, are products of this myth, and still present in popular culture, as well as in the books of
Theodore Roosevelt
Theodore Roosevelt Jr. ( ; October 27, 1858 – January 6, 1919), often referred to as Teddy or by his initials, T. R., was an American politician, statesman, soldier, conservationist, naturalist, historian, and writer who served as the 26t ...
,
Frederic Remington
Frederic Sackrider Remington (October 4, 1861 – December 26, 1909) was an American painter, illustrator, sculptor, and writer who specialized in the genre of Western American Art. His works are known for depicting the Western United State ...
and
Owen Wister
Owen Wister (July 14, 1860 – July 21, 1938) was an American writer and historian, considered the "father" of western fiction. He is best remembered for writing '' The Virginian'' and a biography of Ulysses S. Grant.
Biography
Early life ...
, or in comics like
Lucky Luke
''Lucky Luke'' is a Western ''bande dessinée'' series created by Belgian cartoonist Morris in 1946. Morris wrote and drew the series single-handedly until 1955, after which he started collaborating with French writer René Goscinny. Their par ...
and
western
Western may refer to:
Places
*Western, Nebraska, a village in the US
*Western, New York, a town in the US
*Western Creek, Tasmania, a locality in Australia
*Western Junction, Tasmania, a locality in Australia
*Western world, countries that id ...
films. The western myth is far removed from the historical reality of the West. Often movies, comics and American literature neglect to show realities of the journey west, and the life on the frontier. Failing to show the brutalities of Indian warfare, racism towards Mexican-Americans and Blacks, and the boom-and-bust mentality rooted in the selfish exploitation of natural resources.
Archetypes
In the myth of the frontier and the traditionally literary Western genre that promotes it, there are several key archetypes of characters. In a study on the legends and folklore tales of the nineteenth century, Kent Steckmesser identified four characters that are representative of four archetype heroes, each personifying an era in the frontier: the trapper Kit Carson, outlaw Billy the Kid, gunfighter Wild Bill Hickok, and soldier George Armstrong Custer. Steckmesser takes the interesting approach of examining the legends of these figures from different perspectives, so that there is a chapter on Billy the Kid as ‘Satanic Billy,’ and as the ‘American Robin Hood.’ This approach illustrates the versatility of legends and the process of a legend developing an established narrative as it transforms into a mythic archetype. Steckmesser concludes that each of these legends contain a few set characteristics: genteel qualities, clever traits, prowess, and epic significance.
Frontier Hero
The Frontier Hero is a myth that has been promulgated throughout the history of the west through dime novels, film, and novels.
James Fenimore Cooper
James Fenimore Cooper (September 15, 1789 – September 14, 1851) was an American writer of the first half of the 19th century, whose historical romances depicting colonist and Indigenous characters from the 17th to the 19th centuries brought h ...
brought the frontier hero to the forefront of American society through his book series that included '' The Pioneers'' '',
The Prairie
''The Prairie: A Tale'' (1827) is a novel by James Fenimore Cooper, the third novel written by him featuring Natty Bumppo. His fictitious frontier hero Bumppo is never called by his name, but is instead referred to as "the trapper" or "the old m ...
The Deerslayer
''The Deerslayer, or The First War-Path'' (1841) was James Fenimore Cooper's last novel in his ''Leatherstocking Tales''. Its 1740–1745 time period makes it the first installment chronologically and in the lifetime of the hero of the Leathers ...
'' and his most popular novel ''
The Last of the Mohicans
''The Last of the Mohicans: A Narrative of 1757'' is a historical romance written by James Fenimore Cooper in 1826.
It is the second book of the '' Leatherstocking Tales'' pentalogy and the best known to contemporary audiences. '' The Pathfinde ...
.'' This book series has come to be known as the
Leatherstocking Tales
The ''Leatherstocking Tales'' is a series of five novels by American writer James Fenimore Cooper, set in the eighteenth-century era of development in the primarily former Iroquois areas in central New York. Each novel features Natty Bumppo, ...
. These novels were not based upon one person, however, they have striking similarities to the exploits of
Daniel Boone
Daniel Boone (September 26, 1820) was an American pioneer and frontiersman whose exploits made him one of the first folk heroes of the United States. He became famous for his exploration and settlement of Kentucky, which was then beyond the we ...
who himself was considered to be one of the frontier heroes.
Henry Nash Smith
Henry Nash Smith (September 29, 1906 – June 6, 1986) was a scholar of American culture and literature. He was co-founder of the academic discipline "American studies". He was also a noted Mark Twain scholar, and the curator of the Mark Twain P ...
, in his book '' Virgin Land: The American West as Symbol and Myth,'' talking about Daniel Boone and Leatherstocking, states "the aged Leatherstocking has likewise been driven by the increasing and unparalleled advance of population to seek a final refuge against society in the broad and tenantless plains of the west." Cooper brought the romantic tale of Indian fighting, the damsel in distress, and the hero who can accomplish anything, to the public through these novels further influencing the myth of the frontier hero.
The frontier hero throughout history has been represented by many men. These men include
Daniel Boone
Daniel Boone (September 26, 1820) was an American pioneer and frontiersman whose exploits made him one of the first folk heroes of the United States. He became famous for his exploration and settlement of Kentucky, which was then beyond the we ...
,
William Clark
William Clark (August 1, 1770 – September 1, 1838) was an American explorer, soldier, Indian agent, and territorial governor. A native of Virginia, he grew up in pre-statehood Kentucky before later settling in what became the state of Misso ...
,
Davy Crockett
David Crockett (August 17, 1786 – March 6, 1836) was an American folk hero, frontiersman, soldier, and politician. He is often referred to in popular culture as the "King of the Wild Frontier". He represented Tennessee in the U.S. House of Re ...
,
Christopher "Kit" Carson
Christopher Houston Carson (December 24, 1809 – May 23, 1868) was an American frontiersman. He was a fur trapper, wilderness guide, Indian agent, and U.S. Army officer. He became a frontier legend in his own lifetime by biographies and n ...
, and William F. "Buffalo Bill" Cody. These men have all been made mythical either by their own hand or through depictions of themselves that were either based on falsehoods or facts that were simply embellished. In some instances the mythic representation does not represent who the men truly were.
Daniel Boone
Daniel Boone
Daniel Boone (September 26, 1820) was an American pioneer and frontiersman whose exploits made him one of the first folk heroes of the United States. He became famous for his exploration and settlement of Kentucky, which was then beyond the we ...
was the prototype frontier hero. From the beginning of his childhood he loved being out in nature. Daniel Boone had a complicated relationship with the West. He is portrayed as a frontiersman who believed that the West was a place that one could go to escape the problems of the East and civilization. Yet, Boone helped to lead numerous people West, which brought aspects of civilization to the Western frontier. Boone was known throughout Kentucky as a good hunter and a reliable man.
The myth making of Boone was primarily accomplished by
John Filson
John Filson (c. 1747 – October 1788) was an American author, historian of Kentucky, pioneer, surveying, surveyor and one of the founders of Cincinnati, Ohio.
Early life
John Filson was born in Chester County, Pennsylvania, around 1747. He was ...
, a schoolteacher from Chester County, Pennsylvania. Filson arrived in Kentucky in 1783. Filson was interviewing well known men for a book that he was planning on writing. During these interviews Filson met Boone. Boone regaled him with tales of his adventures. Filson completed a manuscript that was divided into two parts that consisted of a portrayal of Kentucky, its landscape, soil, climate, and flora to name a few items. Filson, in his second section, included the stories of Boone. This book became ''The Discovery, Settlement, and present State of Kentucke... To Which is added An Appendix, Containing The Adventures of Col. Daniel Boon''. The depiction of Boone in this novel is a watered down version of the Boone. You also get staples of western mythology, Filson takes Boones story and turns it into a romantic myth. Filson used Indian warfare, captivity narratives, and journals of spiritual revelation and growth to inflate the Daniel Boone he was trying to portray. Many historians have argued that Filson's portrayal of Boone is one that is not accurate. It is quite clear that in the narrative Filson changed Boone. The Filson narrative is the definitive narrative of Daniel Boone, and the one that contributed the most to the mythologizing of Daniel Boone.
William Clark
William Clark
William Clark (August 1, 1770 – September 1, 1838) was an American explorer, soldier, Indian agent, and territorial governor. A native of Virginia, he grew up in pre-statehood Kentucky before later settling in what became the state of Misso ...
is a man that has been overlooked in history. While Clark had many accomplishments in his life, most have been overlooked because of an expedition that he was a leader on, the Lewis and Clark expedition. Clark was a military man by profession. His older brother
George Rogers Clark
George Rogers Clark (November 19, 1752 – February 13, 1818) was an American surveyor, soldier, and militia officer from Virginia who became the highest-ranking American patriot military officer on the northwestern frontier during the Ame ...
had been a decorated general during the
American Revolution
The American Revolution was an ideological and political revolution that occurred in British America between 1765 and 1791. The Americans in the Thirteen Colonies formed independent states that defeated the British in the American Revolut ...
, and William had always been in his shadow. William was personally asked by
Thomas Jefferson
Thomas Jefferson (April 13, 1743 – July 4, 1826) was an American statesman, diplomat, lawyer, architect, philosopher, and Founding Fathers of the United States, Founding Father who served as the third president of the United States from 18 ...
to be a part of an expedition of the West, Clark accepted.
The journey occurred from 1803-1804 and explored the lands along the Mississippi, and the Missouri rivers. Throughout this journey Clark was in charge of making maps, naming different areas, and writing in the expedition. Lewis had delegated these duties to Clark, and some historians have argued that through map making, naming, and writing the narrative Clark helped shape the perception of the expedition and the West. Lewis was trained in medicine for the journey and was meant to take care of people if they got injured or were sick. However, Clark was the man that took care of the sick and injured. He took care of
Sacagawea
Sacagawea ( or ; also spelled Sakakawea or Sacajawea; May – December 20, 1812 or April 9, 1884)Sacagawea ...
when she was very ill on the journey.
On their return, Lewis and Clark were regaled in luxury. Lewis and Clark ended up going their separate ways, Lewis to work for the president, Clark to get married and work for the government, working as an Indian Diplomat trying to convince Indians to conglomerate under the protection of America. Clark later became the territorial governor of the Missouri territory. In this appointment Clark had to move Indians from the East to places in the West. After Missouri became a state in 1821, Clark became Superintendent of Indian Affairs. In this job Clark was charged with "keeping the Indians at peace and protecting them from the pernicious influence of illegal traders and settlers." He did this job well. However, it eventually became a job that had him relocating all of the Indians from their homesteads in the East and transporting them to reservations in the West. In this way Clark helped to further the idea that Indians did not belong, even though they had been in the East and West longer than anyone else. Clark helped to shape the West that was revered, and was complicit in relocating Indians.
Davy Crockett
Davy Crockett
David Crockett (August 17, 1786 – March 6, 1836) was an American folk hero, frontiersman, soldier, and politician. He is often referred to in popular culture as the "King of the Wild Frontier". He represented Tennessee in the U.S. House of Re ...
is shrouded in myth and mystery. The Crockett myth of the frontiersman who explores the wild untamed West is largely that Myth. The Characters that arise in James Fenimore Cooper's, Leatherstocking series has elements of Crockett (along with Boone as mentioned previously). This series was so successful and people in Tennessee knew about Crockett, they tended to draw correlations between the two. Hence inflating Crockett into a mythic character.
Crockett was a frontiersman from Tennessee, but he was also a politician serving the people of Tennessee. One of the main factors that lead Crockett to such fame was his "rise to prominence in politics and the consequent manipulation by the press of his public person." The newspapers had manipulated the image of Crockett into one that fit the narrative they were trying to tell. Whether that be the romantic concept of the West. If Crockett's image had not been used by political parties, his image may not have been as inflated.
The biggest myth maker of Crockett was the Alamo. His death cemented his place in history. It embodied the "growing, expanding, liberating destiny of America." His death was portrayed as the bravest act a man could accomplish. The idea that Crockett did not give in to Santa Anna and stood and fought to the last man was an idea that lasted well into the 20th century. This idea was shown not to be accurate when ''With Santa Anna in Texas: A Personal Narrative of the Revolution'' was published in 1975. This narrative was written by José Enrique De La Peña, an officer in Santa Anna's army. These journal entries detailed the time that they fought in Texas. De La Peña details the battle of the Alamo, and in those details it was found that Crockett did not go down swinging as had been believed for many years previous. De La Peña states that Crockett and several other men had been captured and on Santa Anna's order were bayonetted to death. This was a narrative that had never been heard and it helped historians to further understand the myth of Davy Crockett.
Christopher "Kit" Carson
Kit Carson
Christopher Houston Carson (December 24, 1809 – May 23, 1868) was an American frontiersman. He was a fur trapper, wilderness guide, Indian agent, and U.S. Army officer. He became a frontier legend in his own lifetime by biographies and n ...
is the epitome of a frontiersman and mountain man. Carson was portrayed in the Kit Carson dime novels as an imposing character, who had good looks and could conquer any task put in front of him. While it is true that Carson was resourceful and could accomplish most tasks, he was not imposing, nor good looking. Kit was described by people that met him as being "a plain, simple, unostentatious man; rather below the medium height, with brown, curling hair, little or no beard, and a voice as soft and gentle as a woman's." Carson was also illiterate, he did know how to write his name, although he probably learned this through memorization rather than knowledge.
The ideas that people had of Carson came from dime novels and his biography, written by DeWitt C. Peters. This book inflated Carson, and Peters is thought to have overemphasized or made up aspects of the book. Kit even thought it was more than he had told him saying that Peters had "laid it on a leetle thick." Another aspect of Carson that is not true is that he hated Indians. This could not be further from the truth. Carson was supportive of Indians, having known many Indians and married them, he was opposed to the treatment that America was putting them through.
The first time that Kit encountered a dime novel about himself was in 1849. Ann White a settler going west had been kidnapped by Jicarillas Apache Indians. Kit and his men went after them, while trying to rescue Ann they were spotted and attacked. After a battle ensued and the Indians retreated. Kit found the body of Ann, shot through the heart with arrow. Carson stated at the time "she was perfectly warm, and had not been killed more than five minutes." It was obvious to Kit that she had been brutally mistreated. Kit believed that she had been used as "the prostitute of the tribe." Her body was covered in bruises and scratches. When the men were going through her belongings they found, ''Kit Carson: The Prince of the Gold Hunters.'' Kit was read passages from the book, and in it the fictional Kit rescues the kidnapped woman and saves the day. After this he believed that "knowing that I lived near, I have often thought that as Mrs. White read the book, she prayed for my appearance and that she would be saved." Kit was haunted by this for the rest of his life, when a friend of his offered him a copy of the book he threatened to "burn the damn thing." This goes to show that myth does not equal the truth.
William F. "Buffalo Bill" Cody
Buffalo Bill Cody
William Frederick Cody (February 26, 1846January 10, 1917), known as "Buffalo Bill", was an American soldier, bison hunter, and showman. He was born in Le Claire, Iowa Territory (now the U.S. state of Iowa), but he lived for several years in ...
is a conglomeration of all of the previously mentioned frontier heroes. Cody was a showman that looked backwards at the West. He was trying to epitomize the West and the frontier hero as a time that should be remembered and enjoyed. Cody helped to make the image that he wanted. He did through newspapers, dime novels, and his stage shows, which eventually turned into the Wild West Show. Cody helped to define American history and American identity.
Through his Wild West Show, Buffalo Bill showed the America that he wanted everyone to see, and that he knew people enjoyed. Indian battles, reenactments of famous battles, such as Little Bighorn where he would ride in after
Custer
George Armstrong Custer (December 5, 1839 – June 25, 1876) was a United States Army officer and cavalry commander in the American Civil War and the American Indian Wars.
Custer graduated from West Point in 1861 at the bottom of his class, b ...
had been killed and a banner would proclaim that he arrived too late. Through his show Cody portrayed Indians as the savage stereotype that had been pervasive throughout American society. The Wild West "confounded distinctions between reality and representation." Cody played to the presumption that the audiences had. He was criticized for what people thought was the exploitation of Indians.
Cody earned much money during his time producing the Wild West Show. However, due to bad business deals and investments he could not retire because he was broke and he died a showman, which was something that he did not want to do. But we should be grateful to him, he continued a tradition of storytelling that has continued on today. He did inflate his own self importance and the importance of Western heroes. But that only adds to the fascination and interesting nature that is Buffalo Bill.
New Western History
From the 1970s the term
frontier
A frontier is the political and geographical area near or beyond a boundary. A frontier can also be referred to as a "front". The term came from French in the 15th century, with the meaning "borderland"—the region of a country that fronts o ...
, and the frontier myth, fell into disrepute due to its failure to include minorities based on race, class, gender and environment. The New Western History has focused on an examination of the problems of expansion; destruction of the environment, indigenous massacres, and the historical reality of the lives of settlers. A movement was made to recover unheard stories of ordinary people, often by denouncing Turner's Frontier Thesis. Scholars like
Patricia Nelson Limerick
Patricia Nelson Limerick (born May 17, 1951) is an American historian, author, lecturer and teacher, considered to be one of the leading historians of the American West.
Early life and education
Limerick is the daughter of Grant and Patricia Ne ...
, Michael Allen,
Richard Slotkin
Richard Sidney Slotkin (born November 8, 1942) is a cultural critic and historian. He is the Olin Professor of English and American Studies, Emeritus at Wesleyan University in Middletown, Connecticut, and, since 2010, a member of the American A ...
and Richard White have disputed the value of Turner's thesis. They argue that Turner ignored gender, race and class in his work, focusing wholly on facets of
American exceptionalism
American exceptionalism is the belief that the United States is inherently different from other nations.rederick JacksonTurner was, to put it mildly, ethnocentric and nationalistic." Further, she notes that Turner’s frontier concept excludes much of geographical, technological, and economic aspects of Western life by limiting the frontier to agrarian settlements. Limerick’s goal is to reinterpret Western history under the term conquest, without the concept of the frontier (including its closing in 1890). In these changes Limerick reorients the way historians think of Western history, as she writes, “Reorganized, the history of the West is a study of a place undergoing conquest and never fully escaping its consequences. In these terms, it has distinctive features as well as features it shares with histories of other parts of the nation and the planet.”{{Cite book, title=The Legacy of Conquest: The Unbroken Past of the American West, last=Limerick, first=Patricia, publisher=W.W. Norton & Company, year=1987, location=New York, pages=26 She concludes that the important effects of her organization of Western history is viewing the West as a meeting ground between a multitude of ethnicities and understanding how conquest (one that was partly cultural) affected those ethnicities.
American frontier
The American frontier, also known as the Old West or the Wild West, encompasses the geography, history, folklore, and culture associated with the forward wave of United States territorial acquisitions, American expansion in mainland North Amer ...
*
Timeline of the American Old West
This timeline of the American Old West is a chronologically ordered list of events significant to the development of the American West as a region of the continental United States. The term "American Old West" refers to a vast geographical area a ...
The West as America Art Exhibition
''The West as America, Reinterpreting Images of the Frontier, 1820–1920'' was an art exhibition organized by the Smithsonian American Art Museum (then known as the National Museum of American Art, or NMAA) in Washington, D.C. in 1991, featuring ...
*
Revisionist Western
The revisionist Western (also called the anti-Western, sometimes revisionist antiwestern) is a sub-genre of the Western film. Designated a post-classical variation of the traditional Western, the revisionist subverts the myth and romance of the ...
*
Hollywood Indian
The portrayal of Native Americans in television and films concerns Indigenous roles in cinema, particularly their depiction in Hollywood productions. Especially in the Western genre, Native American stock characters can reflect contemporary a ...
Notes
Further reading
*Bold, Christine. ''The Frontier Club: Popular Westerns and Cultural Power, 1880-1924.'' New York: Oxford University Press, 2013.
*Coward, John M. ''The Newspaper Indian: Native American Identity in the Press, 1820-1890.'' Urbana: University of Illinois Press, 1999.
*Crisp, James E. ''Sleuthing the Alamo: Davy Crockett's Last Stand and Other Mysteries of the Texas Revolution''. New York: Oxford University Press, 2005.
*Etulain, Richard. ''Telling Western Stories: From Buffalo Bill to Larry McMurtry''. Albuquerque: The University of New Mexico Press, 1999.
* Fussell, Edwin. ''Frontier: American Literature and the American West''. New Jersey: Princeton University Press, 1965.
*Heyne, Eric. ''Desert, Garden, Margin, Range: Literature on the American Frontier''. New York: Twayne Publishers, 1992.
* Kolodny, Annette. ''The Land Before Her: Fantasy and Experience of the American Frontiers, 1630-1860''. Chapel Hill: University of North Carolina Press, 1984.
*Kreyche, Gerald. ''Visions of the American West''. Lexington: University Press of Kentucky, 1989.
*Lenihan, John. ''Showdown: Confronting Modern America in the Western Film''. Urbana: University of Illinois Press, 1980.
* Limerick, Patricia. ''The Legacy of Conquest: The Unbroken Past of the American West''. New York: W.W. Norton & Company, 1987.
* Marx, Leo. ''The Machine in the Garden: Technology and the Pastoral Ideal in America.'' Oxford: Oxford University Press, 1964.
*Moore, Arthur. ''The Frontier Mind: A Cultural Analysis of the Kentucky Frontiersman''. Lexington: University of Kentucky Press, 1957.
*Murdoch, David. ''The American West: The Invention of a Myth''. Reno: University of Nevada Press, 2001.
*Nelson, Andrew. ''Still in the Saddle: The Hollywood Western, 1969-1980.'' Norman: University of Oklahoma Press, 2015.
*Nye, David. ''America as Second Creation: Technology and Narratives of New Beginnings''. London: The MIT Press, 2003.
* Slotkin, Richard. ''Gunfighter Nation: The Myth of the Frontier in Twentieth-Century America''. New York: Antheneum, 1992.
* Slotkin, Richard. ''Regeneration Through Violence: The Mythology of the American Frontier, 1600-1860''. Middleton: Wesleyan University Press, 1973.
* Slotkin, Richard. ''The Fatal Environment: The Myth of the Frontier in the Age of Industrialization 1800-1890''. New York: Atheneum, 1985.
* Smith, Henry Nash. ''Virgin Land: The American West as Symbol and Myth''. Cambridge: Harvard University Press, 1950.
*Steckmesser, Kent. ''The Western Hero in History and Legend''. Norman: University of Oklahoma Press, 1965.
*Truettner, William, ed. ''
The West as America
''The West as America, Reinterpreting Images of the Frontier, 1820–1920'' was an art exhibition organized by the Smithsonian American Art Museum (then known as the National Museum of American Art, or NMAA) in Washington, D.C. in 1991, featuring ...
: Reinterpreting Images of the Frontier, 1820-1920.'' Washington: Smithsonian Institution Press, 1991.
*Truettner, William, and Alexander Nemerov, “What You See is Not Necessarily What You Get: New Meaning in Images of the Old West.” Montana: The Magazine of Western History, 42, no. 3 (1992): 70-76. America: History & Life.
* Turner, Frederick Jackson. ''The Frontier in American History''. New York: Henry Holt and Company, 1920.
*White, G. Edward. ''The Eastern Establishment and the Western Experience: The West of Frederic Remington, Theodore Roosevelt, and Owen Wister''. New Haven: Yale University Press, 1968.
*Wrobel, David. ''Promised Lands: Promotion, Memory, and the Creation of the American West''. Lawrence: University Press of Kansas, 2002.
American folklore