(Rejoice, redeemed flock), 30.2, BWV30, is a

church cantata A church cantata or sacred cantata is a cantata intended to be performed during Christian liturgy. The genre was particularly popular in 18th-century Lutheran Germany, with many composers writing an extensive output: Gottfried Heinrich Stölzel, ...

Johann Sebastian Bach Johann Sebastian Bach (28 July 1750) was a German composer and musician of the late Baroque period. He is known for his orchestral music such as the '' Brandenburg Concertos''; instrumental compositions such as the Cello Suites; keyboard w ...

. It is one of his later realisations in the genre: he composed it for the

Feast of John the Baptist The Nativity of John the Baptist (or Birth of John the Baptist, or Nativity of the Forerunner, or colloquially Johnmas or St. John's Day (in German) Johannistag) is a Christian feast day celebrating the birth of John the Baptist. It is observed ...

(24June) in 1738, and based its music largely on '' Angenehmes Wiederau'', a secular cantata which he had composed a year earlier. Christian Friedrich Henrici (

Picander Christian Friedrich Henrici (January 14, 1700 – May 10, 1764), writing under the pen name Picander, was a German poet and librettist for many of the cantatas which Johann Sebastian Bach composed in Leipzig. Henrici was born in Stolpen. He studi ...

), the

librettist A libretto (Italian for "booklet") is the text used in, or intended for, an extended musical work such as an opera, operetta, masque, oratorio, cantata or musical. The term ''libretto'' is also sometimes used to refer to the text of major litu ...

of the secular model of the cantata, is likely also the author of the sacred cantata's version of the text. Pamela Dellal
Bach Cantata Translations: BWV 30 – "Freue dich, erlöste Schar"
at

Emmanuel Music Emmanuel Music is a Boston-based collective group of singers and instrumentalists founded in 1970 by Craig Smith. It was created specifically to perform the complete cycle of over 200 sacred cantatas of J. S. Bach in the liturgical setting for whic ...

website.Work , ''Freue dich, erlöste Schar'', at

Bach Digital Bach Digital (German: ), developed by the Bach Archive in Leipzig, is an online database which gives access to information on compositions by Johann Sebastian Bach and members of Bach family, his family. Early manuscripts of such compositions are ...

website. The cantata's outer choral

movement Movement may refer to: Common uses * Movement (clockwork), the internal mechanism of a timepiece * Motion, commonly referred to as movement Arts, entertainment, and media Literature * "Movement" (short story), a short story by Nancy Fu ...

s, and its four

aria In music, an aria (Italian: ; plural: ''arie'' , or ''arias'' in common usage, diminutive form arietta , plural ariette, or in English simply air) is a self-contained piece for one voice, with or without instrumental or orchestral accompanime ...

s, are

parodied A parody, also known as a spoof, a satire, a send-up, a take-off, a lampoon, a play on (something), or a caricature, is a creative work designed to imitate, comment on, and/or mock its subject by means of satiric or ironic imitation. Often its subj ...

from the secular work. Bach recomposed the five recitatives, and added a

chorale Chorale is the name of several related musical forms originating in the music genre of the Lutheran chorale: * Hymn tune of a Lutheran hymn (e.g. the melody of "Wachet auf, ruft uns die Stimme"), or a tune in a similar format (e.g. one of the t ...

as conclusion of the first half of the cantata. The cantata is scored for

soprano A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hz to "high A" (A5) = 880&n ...

alto The musical term alto, meaning "high" in Italian (Latin: ''altus''), historically refers to the contrapuntal part higher than the tenor and its associated vocal range. In 4-part voice leading alto is the second-highest part, sung in choruses by ...

tenor A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The lo ...

and

bass Bass or Basses may refer to: Fish * Bass (fish), various saltwater and freshwater species Music * Bass (sound), describing low-frequency sound or one of several instruments in the bass range: ** Bass (instrument), including: ** Acoustic bass gui ...

singers,

woodwinds Woodwind instruments are a family of musical instruments within the greater category of wind instruments. Common examples include flute, clarinet, oboe, bassoon, and saxophone. There are two main types of woodwind instruments: flutes and reed ...

strings String or strings may refer to: *String (structure), a long flexible structure made from threads twisted together, which is used to tie, bind, or hang other objects Arts, entertainment, and media Films * ''Strings'' (1991 film), a Canadian anim ...

, and continuo. While the earlier composition had also

trumpet The trumpet is a brass instrument commonly used in classical and jazz ensembles. The trumpet group ranges from the piccolo trumpet—with the highest register in the brass family—to the bass trumpet, pitched one octave below the standard ...

s and

timpani Timpani (; ) or kettledrums (also informally called timps) are musical instruments in the percussion family. A type of drum categorised as a hemispherical drum, they consist of a membrane called a head stretched over a large bowl traditionall ...

in its outer movements, Bach did not copy these parts in his autograph score of the sacred version of the work. Later it was suggested, likely not by the composer, that these parts could be added ad libitum. The 19th-century publication of the cantata by the

Bach Gesellschaft The German Bach-Gesellschaft (Bach Society) was a society formed in 1850 for the express purpose of publishing the complete works of Johann Sebastian Bach without editorial additions. The collected works are known as the Bach-Gesellschaft-Ausga ...

(, BGA) included these parts in the printed score.

Wilhelm Rust Wilhelm Rust (August 15, 1822 – May 2, 1892) was a German musicologist and composer. He is most noted today for his substantial contributions to the Bach Gesellschaft edition of the works of Johann Sebastian Bach. Born in Dessau, Rust studied p ...

, editor (1855). ''Joh. Seb. Bach's Kirchenkantaten'', Vol. 3, Vol. 5¹ of the .

Breitkopf & Härtel Breitkopf & Härtel is the world's oldest music publishing house. The firm was founded in 1719 in Leipzig by Bernhard Christoph Breitkopf. The catalogue currently contains over 1,000 composers, 8,000 works and 15,000 music editions or books on ...

, pp. XIII–XVI, XXXII–XXXV (

Preface __NOTOC__ A preface () or proem () is an introduction to a book or other literary work written by the work's author. An introductory essay written by a different person is a '' foreword'' and precedes an author's preface. The preface often closes ...

) and 321–395 ( score).

Context

Bach composed , a cantata for St. John's Day (24 June), in

Leipzig Leipzig ( , ; Upper Saxon: ) is the most populous city in the German state of Saxony. Leipzig's population of 605,407 inhabitants (1.1 million in the larger urban zone) as of 2021 places the city as Germany's eighth most populous, as wel ...

, where the traditional readings from

scripture Religious texts, including scripture, are texts which various religions consider to be of central importance to their religious tradition. They differ from literature by being a compilation or discussion of beliefs, mythologies, ritual prac ...

for the feast day were, from the

Book of Isaiah The Book of Isaiah ( he, ספר ישעיהו, ) is the first of the Latter Prophets in the Hebrew Bible and the first of the Major Prophets in the Christian Old Testament. It is identified by a superscription as the words of the 8th-century BC ...

: "the voice of a preacher in the desert" (), and from the

Gospel of Luke The Gospel of Luke), or simply Luke (which is also its most common form of abbreviation). tells of the origins, birth, ministry, death, resurrection, and ascension of Jesus Christ. Together with the Acts of the Apostles, it makes up a two-volu ...

: the

birth of John the Baptist The Nativity of John the Baptist (or Birth of John the Baptist, or Nativity of the Forerunner, or colloquially Johnmas or St. John's Day (in German) Johannistag) is a Christianity, Christian feast day celebrating the birth of John the Baptist. I ...

and the ''

Benedictus Benedictus may refer to: Music * ''Benedictus'' (''Song of Zechariah''), the canticle sung at Lauds, also called the Canticle of Zachary * The second part of the Sanctus, part of the Eucharistic prayer * "Benedictus" (Simon & Garfunkel song), a ...

'' of Zechariah (). Bach based the cantata on a secular cantata, , BWV 30.1 (previously BWV 30a), which he had composed in 1737 to celebrate 's acquisition of Wiederau manor. It is assumed that the sacred

parody A parody, also known as a spoof, a satire, a send-up, a take-off, a lampoon, a play on (something), or a caricature, is a creative work designed to imitate, comment on, and/or mock its subject by means of satiric or ironic imitation. Often its subj ...

was realised the next year, and first performed on St. John's Day of that year. belongs to the period of Bach's late church cantata production, an era when he composed, as far as known, mostly isolated cantatas that were either an addition to one of his earlier cycles, or a recasting of earlier work. In the 1730s, parody texts for vocal music which Bach had previously composed for another occasion were often delivered by

Christian Friedrich Henrici Christian Friedrich Henrici (January 14, 1700 – May 10, 1764), writing under the pen name Picander, was a German poet and librettist for many of the cantatas which Johann Sebastian Bach composed in Leipzig. Henrici was born in Stolpen. He stud ...

, known under the pen name Picander, as seems to have been the case for BWV 30.2 too. Possibly the cantata was a late addition to the third cycle: in the third cycle year 1726 Bach had performed ''Siehe, ich will meinen Engel senden'', JLB 17, a St. John's Day cantata by his cousin Johann Ludwig, so he may have wished to complement that cycle with one of his own compositions.Work , ''Siehe, ich will meinen Engel senden'', at

website. The third stanza of Johann Olearius's 1671 hymn "Tröstet, tröstet meine Lieben" is the text of the

movement which closes the first part of the cantata, using "", Zahn No. 6543, as

hymn tune A hymn tune is the melody of a musical composition to which a hymn text is sung. Musically speaking, a hymn is generally understood to have four-part (or more) harmony, a fast harmonic rhythm (chords change frequently), with or without refrain ...

. This melody, based on an older tune, first appeared in its chorale form as a setting of Psalm 42 by Louis Bourgeois, in the 1551 edition of the

Genevan Psalter The ''Genevan Psalter'', also known as the ''Huguenot Psalter'', is a metrical psalter in French created under the supervision of John Calvin for liturgical use by the Reformed churches of the city of Geneva in the sixteenth century. Background ...

(). The sixth movement of BWV 30.2 is, as far as known, the eighth and last time Bach adopted this chorale melody in one of his compositions: he used it, with various hymn texts, in seven four-part harmonizations and as a

cantus firmus In music, a ''cantus firmus'' ("fixed melody") is a pre-existing melody forming the basis of a polyphonic composition. The plural of this Latin term is , although the corrupt form ''canti firmi'' (resulting from the grammatically incorrect tr ...

by the

in the third movement of ''Meine Seufzer, meine Tränen'', BWV 13.Luke Dahn (2018)
BWV 30, movement 6
at

Composition

Johann Sebastian Bach, Angenehmes Wiederau, Autograph

Bach scored the cantata for four vocal soloists (soprano, alto, tenor, bass), a four-part choir, two

traverso The Western concert flute is a family of transverse (side-blown) woodwind instruments made of metal or wood. It is the most common variant of the flute. A musician who plays the flute is called a flautist (in British English), flutist (in Ameri ...

s, two

oboe The oboe ( ) is a type of double reed woodwind instrument. Oboes are usually made of wood, but may also be made of synthetic materials, such as plastic, resin, or hybrid composites. The most common oboe plays in the treble or soprano range. A ...

oboe d'amore The oboe d'amore (; Italian for "oboe of love"), less commonly , is a double reed woodwind musical instrument in the oboe family. Slightly larger than the oboe, it has a less assertive and a more tranquil and serene tone, and is considered the me ...

concertato Concertato is a term in early Baroque music referring to either a ''genre'' or a ''style'' of music in which groups of instruments or voices share a melody, usually in alternation, and almost always over a basso continuo. The term derives from It ...

violin, accompanying strings (two

violin The violin, sometimes known as a ''fiddle'', is a wooden chordophone (string instrument) in the violin family. Most violins have a hollow wooden body. It is the smallest and thus highest-pitched instrument (soprano) in the family in regular ...

parts and one

viola The viola ( , also , ) is a string instrument that is bow (music), bowed, plucked, or played with varying techniques. Slightly larger than a violin, it has a lower and deeper sound. Since the 18th century, it has been the middle or alto voice of ...

part) and

basso continuo Basso continuo parts, almost universal in the Baroque era (1600–1750), provided the harmonic structure of the music by supplying a bassline and a chord progression. The phrase is often shortened to continuo, and the instrumentalists playing th ...

. The three trumpets and timpani that played in the outer movements of the cantata's secular model, were not copied in Bach's autograph of the sacred work, but could be added ad libitum to the respective movements of that version of the work, as the Bach-Gesellschaft did when they published the composition. In 1752, two years after Bach's death, his son Wilhelm Friedemann added reworked parts for two trumpets and timpani in these movements, and applied some other changes, for a performance in Halle. The cantata is in twelve

movements Movement may refer to: Common uses * Movement (clockwork), the internal mechanism of a timepiece * Motion, commonly referred to as movement Arts, entertainment, and media Literature * "Movement" (short story), a short story by Nancy Fu ...

, divided in two parts, to be performed before and after the sermon. In his translation of

Alfred Dürr Alfred Dürr (3 March 1918 – 7 April 2011) was a German musicologist. He was a principal editor of the Neue Bach-Ausgabe, the second edition of the complete works of Johann Sebastian Bach. Professional career Dürr studied musicology and Clas ...

's standard work on Bach's cantatas,

Richard D. P. Jones Richard Douglas P. Jones is a British musicologist and editor, known especially for his work as a Bach scholar. After graduating from the University of Oxford, he has taught at Cardiff University and Sheffield University. Selected publications E ...

describes the over-all mood of the cantata as "joyful, relaxed and unproblematic", with a dance-like character appearing in the arias. A performance of the cantata takes around 40 minutes.

Part I

The opening chorus is in

D major D major (or the key of D) is a major scale based on D, consisting of the pitches D, E, F, G, A, B, and C. Its key signature has two sharps. Its relative minor is B minor and its parallel minor is D minor. The D major scale is: : Cha ...

and displays continuous dynamic musical movement. It adopts a

syncopated In music, syncopation is a variety of rhythms played together to make a piece of music, making part or all of a tune or piece of music off-beat. More simply, syncopation is "a disturbance or interruption of the regular flow of rhythm": a "place ...

introductory rhythm that later reappears in the alto aria. The form is between a

da capo Da capo (, also , ) is an Italian musical term that means "from the beginning" (literally, "from the head"). It is often abbreviated as D.C. The term is a directive to repeat the previous part of music, often used to save space, and thus is an ...

and a

rondo The rondo is an instrumental musical form introduced in the Classical period. Etymology The English word ''rondo'' comes from the Italian form of the French ''rondeau'', which means "a little round". Despite the common etymological root, rondo ...

: the A section appears in the middle of the B section. The movement also reverses expectations regarding introductions, beginning with a combined vocal and instrumental thematic statement before presenting it without voices. All of the recitatives in Part I are secco. The "dazzling and brilliant" bass aria of Part I is characterized by

triplet A triplet is a set of three items, which may be in a specific order, or unordered. It may refer to: Science * A series of three nucleotide bases forming an element of the Genetic code * J-coupling as part of Nuclear magnetic resonance spectrosc ...

figures and includes full string accompaniment in roulades. It includes the same foundational motive as the alto aria, and is formally in modified

ternary Ternary (from Latin ''ternarius'') or trinary is an adjective meaning "composed of three items". It can refer to: Mathematics and logic * Ternary numeral system, a base-3 counting system ** Balanced ternary, a positional numeral system, useful ...

. The alto aria is remarkable for its binary-form

ritornello A ritornello (Italian; "little return") is a recurring passage in Baroque music for orchestra or chorus. Early history The earliest use of the term "ritornello" in music referred to the final lines of a fourteenth-century madrigal, which were usu ...

and "blues-like" final cadence; structurally, the movement is a

gavotte The gavotte (also gavot, gavote, or gavotta) is a French dance, taking its name from a folk dance of the Gavot, the people of the Pays de Gap region of Dauphiné in the southeast of France, where the dance originated, according to one source. Ac ...

. Craig Smith notes that "one can hardly think of another Bach aria that so profoundly illustrates a state of grace. The gentle dance rhythms are celestial and heavenly in their inexorable progress". Part I concludes with the cantata's only chorale.

Part II

Part II opens with the cantata's only

recitativo accompagnato Recitative (, also known by its Italian name "''recitativo''" ()) is a style of delivery (much used in operas, oratorios, and cantatas) in which a singer is allowed to adopt the rhythms and delivery of ordinary speech. Recitative does not repea ...

, for bass with oboes and continuo. This prepares a bass aria, which opens with an "aggressive 'scotch snap that repeats throughout the movement. A secco soprano recitative prepares a 9/8 soprano aria with chromatic bass,

gigue The gigue (; ) or giga () is a lively baroque dance originating from the English jig. It was imported into France in the mid-17th centuryBellingham, Jane"gigue."''The Oxford Companion to Music''. Ed. Alison Latham. Oxford Music Online. 6 July 200 ...

rhythms, and an operatic style. The penultimate movement is a tenor recitative with "elongated phrases and weird chromatic harmonies", representing a tortured soul. The piece concludes with a repetition of the chorus on a different text.

Reception

Both Wilhelm Friedemann Bach and his brother Carl Philipp Emanuel performed the work in the second half of the 18th century: the former in Halle in 1752, and the latter in

Hamburg (male), (female) en, Hamburger(s), Hamburgian(s) , timezone1 = Central (CET) , utc_offset1 = +1 , timezone1_DST = Central (CEST) , utc_offset1_DST = +2 , postal ...

in 1780. After the publication of the cantata in the second half of the 19th century, it was for instance performed in the

Gewandhaus Gewandhaus is a concert hall in Leipzig, the home of the Leipzig Gewandhaus Orchestra. Today's hall is the third to bear this name; like the second, it is noted for its fine acoustics. History The first Gewandhaus (''Altes Gewandhaus'') The fi ...

in Leipzig.

Alfred Dörffel Alfred Dörffel (24 January 1821 – 22 January 1905) was a German pianist, music publisher and librarian. Career Dörffel was born in Waldenburg, Saxony, the son of August Friedrich Dörffel and his wife Christiane Charlotte, née Kröhne. He ...

"Statistik der Concerte im Saale des Gewandhauses zu Leipzig"
i
''Geschichte der Gewandhausconcerte zu Leipzig vom 25. November 1781 bis 25. November 1881: Im Auftrage der Concert-Direction verfasst''.
Leipzig, 1884
p. 3
/ref>

Publication

The

published the cantata in 1855, edited by

, as last cantata in their third volume of church cantatas. In 1866

Robert Franz Robert Franz Julius Knauth (28 June 1815 – 24 October 1892) was a German composer, mainly of lieder. Biography Franz was born in Halle, Germany, the son of Christoph Franz Knauth. In 1847, Christoph Knauth adopted his middle name Franz as his ...

published a

vocal score The human voice consists of sound made by a human being using the vocal tract, including talking, singing, laughing, crying, screaming, shouting, humming or yelling. The human voice frequency is specifically a part of human sound production i ...

(with his

piano reduction In music, a reduction is an arrangement or transcription (music), transcription of an existing sheet music, score or musical composition, composition in which complexity is lessened to make musical analysis, analysis, performance, or practice ...

of the orchestral material) of the cantata, which in the first half of the 20th century was republished with an English translation by Alfred G. Langley (''Sing For Joy ye Ransomed Band''). edited the cantata for the

New Bach Edition The New Bach Edition (NBE) (german: Neue Bach-Ausgabe; NBA), is the second complete edition of the music of Johann Sebastian Bach, published by Bärenreiter. The name is short for Johann Sebastian Bach (1685–1750): New Edition of the Complete W ...

, which included the cantata in the 29th volume of its first series (score: 1982; critical commentary: 1984). The composer's autograph scores (P 43 and 44) and performance parts (St 31) of both the secular and sacred versions of the work are conserved in the

Berlin State Library The Berlin State Library (german: Staatsbibliothek zu Berlin; officially abbreviated as ''SBB'', colloquially ''Stabi'') is a universal library in Berlin, Germany and a property of the Prussian Cultural Heritage Foundation. It is one of the larg ...

: digitized facsimiles of these manuscripts have been made available online, as well at that Library's website as at the

platform.

Recordings

Heinrich-Schütz-Chor Heilbronn Fritz Werner (15 December 1898 – 22 December 1977) was a German choral conductor, church music director, conductor, organist and composer. He founded the Heinrich-Schütz-Chor Heilbronn in 1947 and conducted it until 1973. Career Born in Berli ...

/ Württembergisches Kammerorchester Heilbronn,

Fritz Werner Fritz Werner (15 December 1898 – 22 December 1977) was a German choral conductor, church music director, conductor, organist and composer. He founded the Heinrich-Schütz-Chor Heilbronn in 1947 and conducted it until 1973. Career Born in Berli ...

. ''Les Grandes Cantates de J. S. Bach Vol. 26''.

Erato In Greek mythology, Erato (; grc, Ἐρατώ) is one of the Greek Muses, which were inspirational goddesses of literature, science, and the arts. The name would mean "desired" or "lovely", if derived from the same root as Eros, as Apollonius o ...

, 1972. *

Münchener Bach-Chor Münchener Bach-Chor is a mixed choir for concert and oratorio in Munich. Performances, international tours and recordings with Karl Richter and the Münchener Bach-Orchester made the choir internationally known. History Heinrich-Schütz-Krei ...

Münchener Bach-Orchester The (Munich Bach Orchestra) is a classical music ensemble based in Munich, Germany, which specialises in the performance of works by Johann Sebastian Bach. It was founded in 1954 by the conductor Karl Richter (conductor), Karl Richter. It works ...

, Karl Richter. ''Bach Cantatas Vol. 3 – Ascension Day, Whitsun, Trinity''.

Archiv Produktion Archiv Produktion is a classical music record label of German origin. It originated in 1949 as a classical label for the Deutsche Grammophon Gesellschaft (DGG), and in 1958 Archiv was established as a subsidiary of DGG, specialising in recording ...

, 1975. *

Gächinger Kantorei Gächinger Kantorei (Gächingen Chorale) is an internationally known German mixed choir, founded by Helmuth Rilling in 1954 in Gächingen (part of St. Johann close to Reutlingen) and conducted by him until 2013, succeeded by Hans-Christoph Radema ...

/ Württembergisches Kammerorchester Heilbronn,

Helmuth Rilling Helmuth Rilling (born 29 May 1933) is a German choral conductor and an academic teacher. He is the founder of the Gächinger Kantorei (1954), the Bach-Collegium Stuttgart (1965), the Oregon Bach Festival (1970), the Internationale Bachakademie S ...

. ''Die Bach Kantate Vol. 9''.

Hänssler Hänssler-Verlag is a German music publishing house founded in 1919 as Musikverlag Hänssler by Friedrich Hänssler Senior (died 1972) to publish church music. The company is now based in Holzgerlingen. Since 1972 Hänssler Verlag has also publish ...

, 1984. *

Holland Boys Choir Pieter Jan Leusink (born 5 April 1958 in Elburg) is a Dutch conductor of classical music. He studied organ in Zwolle at the Municipal Conservatory and took conducting lessons from Gottfried van der Horst. He founded the Stadsknapenkoor Elburg (E ...

Netherlands Bach Collegium The Netherlands Bach Collegium is a Baroque orchestra based in the Netherlands. It is conducted by Pieter Jan Leusink. They are noted for their Complete Cantatas Brilliant Series, a recording of the complete Bach cantata, sacred cantatas by Johann S ...

Pieter Jan Leusink Pieter Jan Leusink (born 5 April 1958 in Elburg) is a Dutch conductor of classical music. He studied organ in Zwolle at the Municipal Conservatory and took conducting lessons from Gottfried van der Horst. He founded the Stadsknapenkoor Elburg ( ...

. ''Bach Edition Vol. 15 – Cantatas Vol. 8''.

Brilliant Classics Brilliant Classics is a classical music label based in the Dutch town of Leeuwarden. It is renowned for releasing super-budget-priced editions on CD of the complete works of J.S. Bach, Mozart, Beethoven and many other composers. The label also sp ...

, 2000. *

Monteverdi Choir The Monteverdi Choir was founded in 1964 by Sir John Eliot Gardiner for a performance of the ''Vespro della Beata Vergine'' in King's College Chapel, Cambridge. A specialist Baroque ensemble, the Choir has become famous for its stylistic convic ...

English Baroque Soloists The English Baroque Soloists is a chamber orchestra playing on period instruments, formed in 1978 by English conductor Sir John Eliot Gardiner. Its repertoire comprises music from the early Baroque to the Classical period. History The English B ...

John Eliot Gardiner Sir John Eliot Gardiner (born 20 April 1943) is an English conductor, particularly known for his performances of the works of Johann Sebastian Bach. Life and career Born in Fontmell Magna, Dorset, son of Rolf Gardiner and Marabel Hodgkin, Gard ...

. ''Bach Cantatas Vol. 1: City of London''. Soli Deo Gloria, 2000. *

Amsterdam Baroque Orchestra & Choir The Amsterdam Baroque Orchestra & Choir is a Dutch early-music group based in Amsterdam. The Amsterdam Baroque Orchestra & Choir was created in two stages by the conductor, organist and harpsichordist Ton Koopman. He founded the Amsterdam Baroqu ...

Ton Koopman Antonius Gerhardus Michael Koopman (; born 2 October 1944), known professionally as Ton Koopman, is a Dutch conductor, organist, harpsichordist, and musicologist, primarily known for being the founder and director of the Amsterdam Baroque Orches ...

. ''J. S. Bach: Complete Cantatas Vol. 22''. Antoine Marchand, 2002. * Montréal Baroque, Eric J. Milnes. ''Bach Cantates De Saint-Jean Baptiste''. ATMA Classique, 2004. *

Bach Collegium Japan Bach Collegium Japan (BCJ) is composed of an orchestra and a chorus specializing in Baroque music, playing on period instruments. It was founded in 1990 by Masaaki Suzuki with the purpose of introducing Japanese audiences to European Baroque music ...

Masaaki Suzuki is a Japanese organist, harpsichordist and conductor, and the founder and music director of the Bach Collegium Japan. With this ensemble he is recording the complete choral works of Johann Sebastian Bach for the Swedish label BIS Records, for whi ...

. ''J. S. Bach: Complete Cantatas Vol. 55''. BIS, 2013 (SACD hybrid).Robin A. Leaver (2017)
"Bach Cantatas: in Print and Recordings", pp. 93–114
in ''

Bach Johann Sebastian Bach (28 July 1750) was a German composer and musician of the late Baroque period. He is known for his orchestral music such as the '' Brandenburg Concertos''; instrumental compositions such as the Cello Suites; keyboard w ...

'' Vol. 48, No. 1. Riemenschneider Bach Institute. * J. S. Bach-Stiftung,

Rudolf Lutz Rudolf Lutz (born 1951) is a Swiss organist, harpsichordist, conductor and composer. Education Lutz studied at the Zurich University of the Arts, in Zürich and at the University of Music and Performing Arts, Vienna. Career From 1973 he was ...

. ''Freue dich, erlöste Schar: BWV 30''. Switzerland: Gallus Media, 2016 (DVD).

References

External links

* {{DEFAULTSORT:Freue dich erloste Schar Bwv 30 Church cantatas by Johann Sebastian Bach 1738 compositions