Freedom Song
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Freedom songs were songs which were sung by participants in the
civil rights movement The civil rights movement was a nonviolent social and political movement and campaign from 1954 to 1968 in the United States to abolish legalized institutional Racial segregation in the United States, racial segregation, Racial discrimination ...
. They are also called "civil rights anthems" or, in the case of songs which are more hymn-like, they are called "civil rights hymns." Freedom songs were an important feature of the way of life which existed during the civil rights movement. The songs contained many meanings for all of the participants in the civil rights movement. Songs could embody sadness, happiness, joy, or determination among many other feelings. Freedom songs served as mechanisms for unity in the black community during the movement. The songs also served as a means of communication among the movement's participants when words were not enough. The song "
We Shall Overcome "We Shall Overcome" is a gospel song which became a protest song and a key anthem of the American civil rights movement. The song is most commonly attributed as being lyrically descended from "I'll Overcome Some Day", a hymn by Charles Albert Ti ...
" quickly became the unofficial anthem of the movement.
Guy Carawan Guy Hughes Carawan Jr. (July 28, 1927 – May 2, 2015) was an American folk music, folk musician and musicology, musicologist. He served as music director and song leader for the Highlander Research and Education Center in New Market, Tenn ...
taught the popular freedom song during the spring of 1960 in a workshop held at
Highlander Folk School The Highlander Research and Education Center, formerly known as the Highlander Folk School, is a social justice leadership training school and cultural center in New Market, Tennessee. Founded in 1932 by activist Myles Horton, educator Don West (e ...
, making the song extremely popular within the community. Music of the civil rights era was crucial to the productivity of the movement. Music communicated unspeakable feelings and the desire for radical change across the nation. Music strengthened the movement, adding variety to different freedom progression strategies. Music was highly successful in that the songs were direct and repetitive, clearly and efficiently getting the message across. The melodies were simple with repetitious choruses, which allowed easy involvement within both black and white communities, furthering the spread of their message. There was often more singing than talking during protests and demonstrations, showing how powerful the songs really were. Nurturing those who came to participate in the movement was vital, and it would be done with songs. Participants in the movement felt a sense of connectedness with one another and through the songs, they also felt a sense of connectedness with the movement . Politically, freedom songs were often sung in order to grab the attention of the nation and force it to address the severity of
racial segregation in the United States In the United States, racial segregation is the systematic separation of facilities and services such as Housing in the United States, housing, Healthcare in the United States, healthcare, Education in the United States, education, Employment in ...
. Frequently, the songs had a Christian background, they were usually based on hymns. The words of hymns were slightly altered so their wording could be incorporated into civil rights protests, and reflect current situations as they were sung outside churches, particularly in the streets. Although most freedom songs were derived from hymns, some freedom songs were also derived from other genres. In order to accommodate people who were not very religious, rock and roll songs were altered and turned into freedom songs, this allowed a large number of activists to partake in the singing. In several cases, these songs began as gospel songs or spirituals, the most famous of these songs were "
We Shall Overcome "We Shall Overcome" is a gospel song which became a protest song and a key anthem of the American civil rights movement. The song is most commonly attributed as being lyrically descended from "I'll Overcome Some Day", a hymn by Charles Albert Ti ...
," "
Keep Your Eyes on the Prize "Keep Your Eyes on the Prize" is a folk song that became influential during the American Civil Rights Movement of the 1950s and 1960s. It is based on the traditional song, " Gospel Plow," also known as "Hold On," "Keep Your Hand on the Plow," and ...
", "
This Little Light of Mine "This Little Light of Mine" is a popular gospel song of unknown origin. It was often reported to be written for children in the 1920s by Harry Dixon Loes, but he never claimed credit for the original version of the song, and the Moody Bible Ins ...
", and " Go Tell it on the Mountain".
Nina Simone Eunice Kathleen Waymon (February 21, 1933 – April 21, 2003), known professionally as Nina Simone (), was an American singer, songwriter, pianist, and civil rights activist. Her music spanned styles including classical, folk, gospel, blues, ...
and other professional artists are also known for either writing or singing such songs. Two of these songs are: * "
Mississippi Goddam "Mississippi Goddam" is a song written and performed by American singer and pianist Nina Simone, who later announced the anthem to be her "first civil rights song". The song was released on her album '' Nina Simone in Concert'' in 1964, which wa ...
", from ''
Nina Simone in Concert ''Nina Simone in Concert'' is an album by the jazz singer Nina Simone. It is her first album for the record label Philips, composed of three live recordings made at Carnegie Hall, New York City, in March and April 1964. Simone recorded ''Nina S ...
'' (1964). * "
To Be Young, Gifted and Black "To Be Young, Gifted and Black" is a song by Nina Simone with lyrics by Weldon Irvine. She introduced the song on August 17, 1969, to a crowd of 50,000 at the Harlem Cultural Festival, captured on broadcast video tape and released in 2021 as the ...
", from '' Black Gold'' (1970). Activist
Fannie Lou Hamer Fannie Lou Hamer (; Townsend; October 6, 1917 – March 14, 1977) was an American voting rights, voting and women's rights activist, Community organizing, community organizer, and a leader in the civil rights movement. She was the co-foun ...
is known for singing songs at marches or other types of protests, particularly "This Little Light of Mine."
Zilphia Horton Zilphia Horton (April 14, 1910 – April 11, 1956) was an American musician, community organizer, educator, Civil Rights activist, and folklorist. She is best known for her work with her husband Myles Horton at the Highlander Folk School where s ...
also played a role in the conversion of spirituals to civil rights songs.


Additional freedom songs

Some 100 or so songs were commonly sung during the Civil Rights Movement protests which occurred during the 1960s. Some of the best-known or the most-influential songs are: * " A Change Is Gonna Come (song)": Composed and performed by
Sam Cooke Samuel Cook (January 22, 1931 – December 11, 1964), known professionally as Sam Cooke, was an American singer and songwriter. Considered to be a pioneer and one of the most influential soul artists of all time, Cooke is commonly referred ...
; #12 on the
500 Greatest Songs of All Time "The 500 Greatest Songs of All Time" is a recurring survey compiled by the American magazine ''Rolling Stone''. It is based on weighted votes from selected musicians, critics, and industry figures. The first list was published in December 2004 in ...
list of ''Rolling Stone'' magazine * "
Oh, Freedom "Oh, Freedom" is a post-Civil War African-American freedom song. It is often associated with the Civil Rights Movement, with Odetta, who recorded it as part of the "Spiritual Trilogy", on her ''Odetta Sings Ballads and Blues'' album, and with Joa ...
": a spiritual dating back to slavery times * "Ain't Gonna Let Nobody Turn Me 'Round" * "Certainly Lord": based on a spiritual * "Hold On" (also known as "Keep Your Eye On The Prize"): Based on a spiritual * "How I Got Over" * "I Love Everybody", the most important song in the civil rights movement according to SCLC's
James Bevel James Luther Bevel (October 19, 1936 – December 19, 2008) was a minister and leader of the 1960s Civil Rights Movement in the United States. As a member of the Southern Christian Leadership Conference (SCLC), and then as its Director of Direct ...
and
Andrew Young Andrew Jackson Young Jr. (born March 12, 1932) is an American politician, diplomat, and activist. Beginning his career as a pastor, Young was an early leader in the civil rights movement, serving as executive director of the Southern Christian L ...
, sometimes sung for an hour at a time. * "If You Miss Me at the Back of the Bus": Adapted from a composition by Chico Neblett * "
I'm Gonna Sit at the Welcome Table The Welcome Table (also known as the I'm Gonna Sit at the Welcome Table, or River of Jordan, or I'm A-Gonna Climb Up Jacob's Ladder or God's Going to Set This World on Fire) is a traditional American gospel and African American folk song by an an ...
": Adapted from a Spiritual * "I Woke Up This Mornin'": Adapted from a Spiritual * "
Lift Ev'ry Voice and Sing "Lift Every Voice and Sing" is a hymn with lyrics by James Weldon Johnson (1871–1938) and set to music by his brother, J. Rosamond Johnson (1873–1954). Written from the context of African Americans in the late 19th century, the hymn is a pra ...
": Composed by
James Weldon Johnson James Weldon Johnson (June 17, 1871June 26, 1938) was an American writer and civil rights activist. He was married to civil rights activist Grace Nail Johnson. Johnson was a leader of the National Association for the Advancement of Colored Peop ...
* "
This Little Light of Mine "This Little Light of Mine" is a popular gospel song of unknown origin. It was often reported to be written for children in the 1920s by Harry Dixon Loes, but he never claimed credit for the original version of the song, and the Moody Bible Ins ...
": Originally a spiritual, associated with Fannie Lou Hamer.Essence
/ref> * "
We shall not be moved "I Shall Not Be Moved", also known as "We Shall Not Be Moved", is an African-American slave spiritual, hymn, and protest song dating to the early 19th century American south. It was likely originally sung at revivalist camp-meetings as a sla ...
": Also, likely originally, a labor union song. * "
If I had a hammer "If I Had a Hammer (The Hammer Song)" is a protest song written by Pete Seeger and Lee Hays. It was written in 1949 in support of the Progressive movement, and was first recorded by the Weavers, a folk music quartet composed of Seeger, Hays, ...
": A labor union song by
Pete Seeger Peter Seeger (May 3, 1919 – January 27, 2014) was an American folk singer and social activist. A fixture on nationwide radio in the 1940s, Seeger also had a string of hit records during the early 1950s as a member of the Weavers, notably ...
and
Lee Hays Lee Elhardt Hays (March 14, 1914 – August 26, 1981) was an American folksinger and songwriter, best known for singing bass with the Weavers. Throughout his life, he was concerned with overcoming racism, inequality, and violence in soci ...
. * "Hymn to Freedom": Composed and performed by Oscar Peterson


See also

*
Civil rights movement in popular culture The history of the 1954 to 1968 American civil rights movement has been depicted and documented in film, song, theater, television, and the visual arts. These presentations add to and maintain cultural awareness and understanding of the goals, tact ...
*
Music in the movement against apartheid The apartheid regime in South Africa began in 1948 and lasted until 1994. It involved a system of institutionalized racial segregation and white supremacy, and placed all political power in the hands of a white minority. Opposition to apart ...
* "
Strange Fruit "Strange Fruit" is a song written and composed by Abel Meeropol (under his pseudonym Lewis Allan) and recorded by Billie Holiday in 1939. The lyrics were drawn from a poem by Meeropol published in 1937. The song protests the lynching of Black ...
," a significant anti-racist protest song from the 1930s


Notes


Bibliography

* ''Everybody Says Freedom'', by Pete Seeger & Bob Reiser. Norton, 1989 * ''When the Spirit Says Sing! The Role of Freedom Songs in the Civil Rights Movement'', by Kerran Sanger. Taylor & Francis Inc, 1995 * ''Sing for Freedom: the Story of the Civil Rights Movement Through its Songs'', by Guy and Candie Carawan, Sing Out Corporation 1990 * Goertzen, Chris. "Freedom Songs." ''Folklore: An Encyclopedia of Beliefs, Customs, Tales, Music, and Art''. Ed. Charlie T. McCormick and Kim Kennedy White. 2nd ed. Vol. 2. Santa Barbara, CA: ABC-CLIO, 2011. 586–588. Gale Virtual Reference Library. Web. 13 May 2014.


External links


The Songs
– University of Illinois

– ''History Now''







~ Civil Rights Movement Archive
The Mix: Songs Inspired By The Civil Rights Movement
– A collection of 150 songs that were either sung during the movement or, afterwards, inspired by the movement. This list was produced by
NPR Music NPR Music is a project of National Public Radio, an American privately and publicly funded non-profit membership media organization, that launched in November 2007 to present public radio music programming and original editorial content for music ...
to commemorate the 50th anniversary of the
Civil Rights Movement The civil rights movement was a nonviolent social and political movement and campaign from 1954 to 1968 in the United States to abolish legalized institutional Racial segregation in the United States, racial segregation, Racial discrimination ...
. {{Civil rights movement * * History of African-American civil rights Civil rights movement in popular culture