Frederick Corder (26 January 1852 – 21 August 1932) was an English composer and music teacher.
Life
Corder was born in
Hackney, the son of Micah Corder and his wife Charlotte Hill. He was educated at Blackheath Proprietary School
[Visitation of England]
/ref> and started music lessons, particularly piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboa ...
, early. Later he studied with Henry Gadsby
Henry Robert Gadsby (15 December 1842 – 11 November 1907) was an English composer, music educator and church organist.
Life
Born in Hackney (parish), Hackney, London, on 15 December 1842, he was son of William Gadsby. From 1849 to 1858 he was ...
. After that he studied harmony
In music, harmony is the process by which individual sounds are joined together or composed into whole units or compositions. Often, the term harmony refers to simultaneously occurring frequencies, pitches ( tones, notes), or chords. However ...
with Claude Couldery.
Frederick Corder continued his studies at the Royal Academy of Music
The Royal Academy of Music (RAM) in London, England, is the oldest conservatoire in the UK, founded in 1822 by John Fane and Nicolas-Charles Bochsa. It received its royal charter in 1830 from King George IV with the support of the first Duke of ...
, where he studied with George Alexander Macfarren
Sir George Alexander Macfarren (2 March 181331 October 1887) was an English composer and musicologist.
Life
George Alexander Macfarren was born in London on 2 March 1813 to George Macfarren, a dancing-master, dramatic author and journalist, wh ...
(harmony and composition), William Cusins
Sir William George Cusins (14 October 183331 August 1893) was an English pianist, violinist, organist, conductor and composer.
Biography
Born in London, Cusins entered the Chapel Royal in his tenth year and studied music in Brussels under Fran ...
(piano) and William Watson (violin). In 1875, he earned a Mendelssohn
Jakob Ludwig Felix Mendelssohn Bartholdy (3 February 18094 November 1847), born and widely known as Felix Mendelssohn, was a German composer, pianist, organist and conductor of the early Romantic music, Romantic period. Mendelssohn's compositi ...
Scholarship
A scholarship is a form of financial aid awarded to students for further education. Generally, scholarships are awarded based on a set of criteria such as academic merit, diversity and inclusion, athletic skill, and financial need.
Scholarsh ...
, which enabled him to study for four years abroad. He spent the first three in the Cologne Conservatory
Cologne ( ; german: Köln ; ksh, Kölle ) is the largest city of the German western state of North Rhine-Westphalia (NRW) and the fourth-most populous city of Germany with 1.1 million inhabitants in the city proper and 3.6 million ...
in Cologne
Cologne ( ; german: Köln ; ksh, Kölle ) is the largest city of the German western States of Germany, state of North Rhine-Westphalia (NRW) and the List of cities in Germany by population, fourth-most populous city of Germany with 1.1 m ...
, where he studied composition with Ferdinand Hiller
Ferdinand (von) Hiller (24 October 1811 – 11 May 1885) was a German composer, Conductor (music), conductor, pianist, writer and music director.
Biography
Ferdinand Hiller was born to a wealthy Jewish family in Frankfurt am Main, where his fat ...
and piano with Isidor Seiss
Isidor Wilhelm Seiss (23 December 184025 September 1905) was a German composer, conductor, pianist, piano pedagogue and philanthropist. His surname also appears as Seiß, and his first name also appears as Isidore.
Biography
Isidor Wilhelm Seiss ...
. He spent his last year in Milan
Milan ( , , Lombard: ; it, Milano ) is a city in northern Italy, capital of Lombardy, and the second-most populous city proper in Italy after Rome. The city proper has a population of about 1.4 million, while its metropolitan city h ...
, without formal instruction. He did however meet Arrigo Boito
Arrigo Boito (; 24 February 1842 10 June 1918) (whose original name was Enrico Giuseppe Giovanni Boito and who wrote essays under the anagrammatic pseudonym of Tobia Gorrio) was an Italian poet, journalist, novelist, librettist and composer, best ...
and Giuseppe Verdi
Giuseppe Fortunino Francesco Verdi (; 9 or 10 October 1813 – 27 January 1901) was an Italian composer best known for his operas. He was born near Busseto to a provincial family of moderate means, receiving a musical education with the h ...
. Upon his return to England, in 1879, he became conductor at the Brighton Aquarium. In August 1884, for a single month, he filled in for William Robinson as a musical director for the D'Oyly Carte Opera Company
The D'Oyly Carte Opera Company is a professional British light opera company that, from the 1870s until 1982, staged Gilbert and Sullivan's Savoy operas nearly year-round in the UK and sometimes toured in Europe, North America and elsewhere. Th ...
, touring ''Patience
(or forbearance) is the ability to endure difficult circumstances. Patience may involve perseverance in the face of delay; tolerance of provocation without responding in disrespect/anger; or forbearance when under strain, especially when faced ...
'' and ''Iolanthe
''Iolanthe; or, The Peer and the Peri'' () is a comic opera with music by Arthur Sullivan and libretto by W. S. Gilbert, first performed in 1882. It is one of the Savoy operas and is the seventh of fourteen operatic collaborations by Gilbert ...
''. Several of his operatic works were performed by the touring company of Alice Barth
Alice Mary Barth (25 August 1848 – 18 July 1910) was an English operatic soprano who for some years was a member of the Carl Rosa Opera Company and who during the 1880s managed her own troupe, the Alice Barth Opera Company.
Early life and ...
in the early 1880s.
Corder became professor of composition at the Royal Academy of Music
The Royal Academy of Music (RAM) in London, England, is the oldest conservatoire in the UK, founded in 1822 by John Fane and Nicolas-Charles Bochsa. It received its royal charter in 1830 from King George IV with the support of the first Duke of ...
in London
London is the capital and largest city of England and the United Kingdom, with a population of just under 9 million. It stands on the River Thames in south-east England at the head of a estuary down to the North Sea, and has been a majo ...
,[For a portrait and discussion of Corder's role and teaching style at the RAM, see: Lewis Foreman (1983, rev 2007). Bax: A Composer and his Times]
chapter 2, pp 10–19
Boydell Press. . becoming the Academy's curator in 1889. His students included notable British composers such as Granville Bantock
Sir Granville Ransome Bantock (7 August 186816 October 1946) was a British composer of classical music.
Biography
Granville Ransome Bantock was born in London. His father was an eminent Scottish surgeon.Hadden, J. Cuthbert, 1913, ''Modern Music ...
, Arnold Bax
Sir Arnold Edward Trevor Bax, (8 November 1883 – 3 October 1953) was an English composer, poet, and author. His prolific output includes songs, choral music, chamber pieces, and solo piano works, but he is best known for his orchestral musi ...
, York Bowen
Edwin York Bowen (22 February 1884 – 23 November 1961) was an English composer and pianist. Bowen's musical career spanned more than fifty years during which time he wrote over 160 works. As well as being a pianist and composer, Bowen was a ...
, Alan Bush
Alan Dudley Bush (22 December 1900 – 31 October 1995) was a British composer, pianist, conductor, teacher and political activist. A committed communist, his uncompromising political beliefs were often reflected in his music. He composed pro ...
, Eric Coates
Eric Francis Harrison Coates (27 August 1886 – 21 December 1957) was an English composer of light music and, early in his career, a leading viola, violist.
Coates was born into a musical family, but, despite his wishes and obvious talent, ...
, Benjamin Dale
Benjamin James Dale (17 July 188530 July 1943) was an English composer and academic who had a long association with the Royal Academy of Music. Dale showed compositional talent from an early age and went on to write a small but notable corpus of ...
, Harry Farjeon, Joseph Holbrooke
Joseph Charles Holbrooke (5 July 18785 August 1958) was an English composer, conductor, and pianist.
Life
Early years
Joseph Holbrooke was born Joseph Charles Holbrook in Croydon, Surrey. His father, also named Joseph, was a music hall music ...
and Montague Phillips
Montague Fawcett Phillips (13 November 1885 – 4 January 1969) was a British composer of light classical music and songs, including the popular operetta ''The Rebel Maid'' of 1921.
Career
Born in Tottenham, London, Phillips began his musical car ...
, as well as his own son, Paul Corder. With others, Frederick Corder co-founded the Society of British Composers in 1905 and served as its first chairman. While at the Academy, Corder was living at 13, Albion Road (now Harben Road) in Hampstead
Hampstead () is an area in London, which lies northwest of Charing Cross, and extends from Watling Street, the A5 road (Roman Watling Street) to Hampstead Heath, a large, hilly expanse of parkland. The area forms the northwest part of the Lon ...
, where he often held gatherings of fellow musicians and students, including Bax.
He developed an early fascination with Richard Wagner
Wilhelm Richard Wagner ( ; ; 22 May 181313 February 1883) was a German composer, theatre director, polemicist, and conductor who is chiefly known for his operas (or, as some of his mature works were later known, "music dramas"). Unlike most op ...
and produced with his wife the first accepted English translations of The Ring and other works by Wagner. Liszt
Franz Liszt, in modern usage ''Liszt Ferenc'' . Liszt's Hungarian passport spelled his given name as "Ferencz". An orthographic reform of the Hungarian language in 1922 (which was 36 years after Liszt's death) changed the letter "cz" to simpl ...
was also an important influence, and Corder produced one of the first English language studies of Liszt. His own compositions included songs, operas and cantatas. Corder's ''Prospero'' overture is available in full score and can be heard on CD. Corder married Henrietta Walford, the daughter of Henry Walford on 25 September 1876. They had a daughter, Dorothea Charlotte (known as Dolly), born on 30 June 1878 (died in her nineties), and a son, Paul Walford Corder, born on 14 December 1879 (died on 7 August 1942). Corder's sister, Rosa Corder
Rosa Frances Corder (18 May 1853 – 28 November 1893) was a Victorian artist and artist's model. She was the lover of Charles Augustus Howell, who is alleged to have persuaded her to create forgeries of drawings by Dante Gabriel Rossetti.
Car ...
, was a friend of Dante Gabriel Rossetti
Gabriel Charles Dante Rossetti (12 May 1828 – 9 April 1882), generally known as Dante Gabriel Rossetti (), was an English poet, illustrator, painter, translator and member of the Rossetti family. He founded the Pre-Raphaelite Brotherhoo ...
and painted his portrait.[
]
Legacy
Corder's opposite number at the Royal College of Music
The Royal College of Music is a music school, conservatoire established by royal charter in 1882, located in South Kensington, London, UK. It offers training from the Undergraduate education, undergraduate to the Doctorate, doctoral level in a ...
was Charles Villiers Stanford
Sir Charles Villiers Stanford (30 September 1852 – 29 March 1924) was an Anglo-Irish composer, music teacher, and conductor of the late Romantic music, Romantic era. Born to a well-off and highly musical family in Dublin, Stanford was ed ...
. He represented the conservative Brahms
Johannes Brahms (; 7 May 1833 – 3 April 1897) was a German composer, pianist, and conductor of the mid-Romantic period. Born in Hamburg into a Lutheran family, he spent much of his professional life in Vienna. He is sometimes grouped with ...
faction of English academia, whereas Corder followed the more progressive influence of Liszt and Wagner. In particular, many of Corder's pupils showed the influence of the "clever primitivism and latent giganticism" of ''The Ring'', but little of the eroticism of ''Tristan
Tristan (Latin/ Brythonic: ''Drustanus''; cy, Trystan), also known as Tristram or Tristain and similar names, is the hero of the legend of Tristan and Iseult. In the legend, he is tasked with escorting the Irish princess Iseult to wed ...
''.[Pirie, Peter J]
'Bantock and his Generation'
in ''The Musical Times'', Vol. 109, No. 1506 (Aug 1968), pp. 715-717 History favours the legacy of Stanford, whose pupils included Vaughan Williams
Ralph Vaughan Williams, (; 12 October 1872– 26 August 1958) was an English composer. His works include operas, ballets, chamber music, secular and religious vocal pieces and orchestral compositions including nine symphonies, written over ...
, John Ireland
John Benjamin Ireland (January 30, 1914 – March 21, 1992) was a Canadian actor. He was nominated for an Academy Award for his performance in ''All the King's Men'' (1949), making him the first Vancouver-born actor to receive an Oscar nomin ...
, Gustav Holst
Gustav Theodore Holst (born Gustavus Theodore von Holst; 21 September 1874 – 25 May 1934) was an English composer, arranger and teacher. Best known for his orchestral suite ''The Planets'', he composed many other works across a range ...
and Frank Bridge
Frank Bridge (26 February 187910 January 1941) was an English composer, violist and conductor.
Life
Bridge was born in Brighton, the ninth child of William Henry Bridge (1845-1928), a violin teacher and variety theatre conductor, formerly a m ...
, while (arguably) Corder's one major talent was Bax. The critic Peter J Pirie put in this way:
Works (selective)
The principal source for this list, including opus numbers, is an article on the composer published in ''The Musical Times''.[''Frederick Corder'' (London: ''The Musical Times'', 1 November 1913, Vol.54, No.849, pp.713–716)]
Opera and operetta
* 1877–78 – ''Le Mort d'Arthur'', grand opera, Op.3 (Brighton, 1879)
* 1880 – ''Philomel'', operatic satire, Op.4
* 1880 – ''A Storm in a Teacup'', operetta, Op.5 (Aquarium, Brighton, 18 February 1882)
* 1883 – ''The Nabob's Pickle'', operetta, Op.12 (Aquarium, Great Yarmouth, 9 July 1883)
* 1885 – ''The Noble Savage'', operetta, Op.13 (Aquarium, Brighton, 3 October 1885)
* 1887 – ''Nordisa'', romantic opera, Op.17 (Royal Court Theatre, Liverpool, 26 January 1887) An Incident during a Carl Rosa Opera Company's production of this opera on Thursday April 7th. 1887 in the Tyne Theatre & Opera House is the start point of the story of how the "Official Theatre Ghost" of the Theatre was begun. Ref: Newcastle Daily Journal No.9,702 - Friday April 8th. p5-6.1887
* ''Ossian''
* ''The Golden Dawn''
Incidental music
* 1898 – ''The Termagant'', overture and incidental music, Op.25 (Her Majesty's Theatre, London, 1 September 1898)
* 1899 – ''The Black Tulip'', overture and incidental music, Op.26 (Haymarket Theatre, London, 21 October 1899)
* 1911 – (Crystal Palace, London, 8 June 1911) omposite work by many composers: Corder was allocated the final section, ''The Masque Imperial''
Orchestra
* 1876 – ''Evening on the Sea-Shore'', idyll, Op.1 (St James's Hall, London, 25 November 1886)
* 1876–79 – ''In the Black Forest'', suite, Op.2 (second movement, ''The Brooklet'', rondo scherzoso, St James's Hall, London, 17 December 1878; complete suite, Crystal Palace, London, 20 March 1880)
* 1882 – ''Ossian'', concert overture, Op.8 (Philharmonic Society, St James's Hall, London, 9 March 1882)
* 1882 – ''Nocturne'', Op.9 (Brighton Festival, 8 November 1882)
* 1885 – ''Prospero'', concert overture, Op.14 (Crystal Palace, London, 24 October 1885)
* 1886 – ''The Tempest'', orchestral scenes, Op.15 (Crystal Palace, London, 2 April 1887)
* 1887 – ''Roumanian Suite'', Op.18 (Philharmonic Society, St James's Hall, London, 19 May 1887)
* 1892 – ''Nordisa'', overture (Crystal Palace, London, 17 December 1892)
* 1897 – ''Pippa Passes'', orchestral scena drammatica, Op.24 (Philharmonic Society, Queen's Hall, London, 28 April 1898)
* 1901 – ''Tragic Overture'' (Winter Gardens, Bournemouth, 16 January 1902)
* 1901 – ''Scene d'Amour'' (Winter Gardens, Bournemouth, 16 January 1902)
* 1908 – Elegy for Twenty-four Violins and Organ ''In memoriam Victor Harris'', Op.28 (Queen's Hall, London, 18 November 1908)
* ''Galliard for Katherine and Petruccio''
Instrumental soloist and orchestra
* Concerto for cornet and orchestra
Choral and vocal
* 1879 – ''The Triumph of Spring'', masque (Crystal Palace, London, 8 February 1879)
* 1881 – ''The Cyclops'', cantata, Op.6
* 1883 – ''Dreamland'', symphonic ode for chorus and orchestra, Op.10
* 1886 – ''The Bridal of Triermain'', cantata, Op.16 (Wolverhampton Festival, 17 September 1886)
* 1888 – ''The Minstrel's Curse'', ballad for reciter and orchestra, Op.19 (Crystal Palace, London, 10 March 1888)
* 1889 – ''The Sword of Argantyr'', cantata, Op.20 (Leeds Festival, 9 October 1889 )
* 1893 – ''Margaret: The Blind Girl of Castel-Cuillé'', for female voices and piano, Op.21
* 1895 – ''True Thomas'', musical recitation, Op.23
* 1902 – ''The Witch's Song'', musical recitation, Op.27
* 1912 – ''Sing unto God'', motet in fifty parts for female voices, organ, harps, trumpets and drums, Op.29 (Royal Academy of Music, London, 22 June 1912)
* 1922 – ''A Wreath of a Hundred Roses'' he R.A.M. Masque Section 4: Quodlibet (Royal Academy of Music, London, 17 July 1922)
* ''Sweet day so cool!'' for voices and orchestra
* ''The Mother'', lament for soprano solo, female choir, strings and harp (or piano)
* ''Romance'' and ''Play'', two partsongs for female voices (in canon) and orchestra
Vocal soloist and orchestra
* ''Greenford Lane'', a modern folksong for baritone and orchestra
Chamber music
* ''Peace'', nocturne for four horns and two harps
Scores and manuscripts
Several works by Corder were published but the large majority of his autograph scores do not survive.
Novello, Ewer & Co., London, published full orchestral scores of ''Prospero'' and the Elegy for Twenty-four Violins and Organ together with a vocal score of ''The Bridal of Triermain''. Joseph Williams, London, issued a vocal score of ''Margaret: The Blind Girl of Castel-Cuillé''. Forsyth Brothers, Manchester, published vocal scores of ''Nordisa'' and ''The Sword of Argantyr''.
Autograph scores of ''In the Black Forest'' (MS 511), ''Romance'' and ''Play'', two partsongs (MS 512), the ''Galliard for Katherine and Petruccio'' (MS 513), ''Peace'' (MS 1052), ''The Witch's Song'' (MS 1053), ''The Mother'' (MS 1054), ''Sunset'' from ''Ossian'' (MS 1055), ''Greenford Lane'' (MS 1056), ''Sweet day so cool!'' (MS 1057), ''A Wreath of a Hundred Roses'' (MS 1744), the ''Romance'' from the Concerto for cornet and orchestra (XX(164601.1)), the overture to ''The Golden Dawn'' (XX(164602.1)), ''Nordisa'' (XX(164603.1)), ''The Pageant of London'' (XX(179906.1)) and ''Sing unto God'' (XX(179907.1)) are held by the Library of the Royal Academy of Music, London.
Following the death of his son Paul Corder in 1942, Frederick's daughter Dolly destroyed those of her father's and brother's music manuscripts that were in her possession.
Bibliography
Selected writings:
* Corder, Frederick ''The Orchestra and how to write for it'', 1895.
* Corder, Frederick ''Modern Composition'', 1909.
* Corder, Frederick ''A History of the Royal Academy of Music from 1822–1922'', 1922.
* Corder, Frederick ''Ferencz (François) Liszt'', 1925.
See also
References
*
Biography
Sources
*
External links
*
{{DEFAULTSORT:Corder, Frederick
1852 births
1932 deaths
19th-century classical composers
20th-century classical composers
Academics of the Royal Academy of Music
Alumni of the Royal Academy of Music
British music educators
English classical composers
English conductors (music)
British male conductors (music)
English Romantic composers
English male classical composers
20th-century English composers
19th-century British composers
20th-century British conductors (music)
20th-century British male musicians
19th-century British male musicians