Franchoys Elaut
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Franchoys Elaut (baptized 27 August 1589, in
Haarlem Haarlem (; predecessor of ''Harlem'' in English) is a city and municipality in the Netherlands. It is the capital of the province of North Holland. Haarlem is situated at the northern edge of the Randstad, one of the most populated metropoli ...
– buried on 22 September 1635, in Haarlem) was a Dutch still life painter active in Haarlem. He is known for his monochrome banquet style still lifes, merry company paintings and so-called ''
tronie A tronie is a type of work common in Dutch Golden Age painting and Flemish Baroque painting that depicts an exaggerated or characteristic facial expression. These works were not intended as portraits but as studies of expression, type, physiognom ...
''s, i.e. portrait-like paintings of certain facial or figure types or emotions.Franchoys Elaut
at the
Netherlands Institute for Art History The Netherlands Institute for Art History or RKD (Dutch: RKD-Nederlands Instituut voor Kunstgeschiedenis), previously Rijksbureau voor Kunsthistorische Documentatie (RKD), is located in The Hague and is home to the largest art history center i ...
His work shows the influence of other Haarlem painters of his time who painted similar subjects.Fred G. Meijer, ''Een nieuwe kijk op Franchoys Elaut (1589-1635)'', Oud Holland Oud Holland Vol. 109, No. 1/2 (1995), pp. 18-31


Life

Franchoys Elaut was born in Haarlem as the son of Franchoys Eelhaut and Josijnken Potter, both originally from
Ghent Ghent ( nl, Gent ; french: Gand ; traditional English: Gaunt) is a city and a municipality in the Flemish Region of Belgium. It is the capital and largest city of the East Flanders province, and the third largest in the country, exceeded in ...
in Flanders. The profession of his father is not known. On 30 June 1616 he was 'emancipated' by his father which meant that he could from then onwards handle his affairs on his own. On 17 December 1628 he married Anneken Jans. The couple had two daughters. In 1632 he registered a pupil. He was member of a local civil militia (
schutterij Schutterij () refers to a voluntary city guard or citizen militia in the medieval and early modern Netherlands, intended to protect the town or city from attack and act in case of revolt or fire. Their training grounds were often on open spaces w ...
). He was close to the brothers
Frans Frans is an Afrikaans, Danish, Dutch, Finnish, Icelandic, Norwegian, and Swedish given name, sometimes as a short form of ''François''. One cognate of Frans in English is ''Francis''. Given name * Frans van Aarssens (1572–1641), Dutch diplomat ...
and
Dirck Hals Dirck Hals (19 March 1591 – 17 May 1656), born at Haarlem, was a Dutch Golden Age painter of merry company scenes, festivals and ballroom scenes. He played a role in the development of these types of genre painting. He was somewhat influe ...
, both like him sons of Flemish parents who had moved to the Dutch Republic. He was likely the Franchoys Elaut who was a witness at the baptism of Frans Hals' son Reinier on 11 February 1627. Elaut and Dirck Hals also jointly organized a lottery in Haarlem. He died in Haarlem, where he was buried on 22 September 1635. He likely died from the plague which killed many people in Haarlem in the year of his death.


Work

Only very few works from his oeuvre are known and only a few of them are signed (monogrammed) and dated. It was traditionally believed that he was solely a still life painter. It is now confirmed that he also painted merry company paintings and tronies. His still lifes are monochrome banquet pieces, i.e. still lifes of foods displayed on a table executed in a muted palette. They are close to the style of
Pieter Claesz Pieter Claesz (c. 1597 – 1 January 1660) was a Dutch Golden Age painter of still lifes. Biography He was born in Berchem, Belgium, near Antwerp, where he became a member of the Guild of St. Luke in 1620. He moved to Haarlem in 1620, where his ...
, the inventor of the monochrome banquet still lifes who also worked in Haarlem. The ''Still life with a pewter jug, a ham and other objects on a table'' (monogrammed and dated lower center: FE Fecit Aº 1627, auctioned at Sotheby's New York on 18 October 2000, lot 113) is an example of his banquet pieces. It shows his ability to depict the texture of objects and his interest in rendering the reflections and play of light upon surfaces such as the pewter jug.Franchoys Elaut, ''Still life with a pewter jug, a ham on a pewter plate, lemons, bread, a gilt mounted roemer and other objects on a table covered in a white cloth
' at Sotheby's New York on 18 October 2000, lot 113
Elaut also painted tronies, i.e. works that depict an exaggerated facial expression, certain type of person or people in costume. An example is the ''Portrait of an unknown old man'' (monogrammed and dated lower left: F.E. Aº 1632, auctioned at Venduhuis der Notarissen (The Hague) on 3-4 November 1981, lot 199). This work is painted very freely with a thick layer of paint in certain areas, which is similar to the technique he used for his still lifes. He also painted a number of merry companies showing elegant people enjoying themselves in interiors playing and listening to music. These works are similar to paintings of the same subject by Dirck Hals. It is possible that both artists shared models or that Elaut worked after drawings by Dirck Hals. It cannot be excluded that some works of Elaut in this genre have been wrongly attributed to Hals.


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{{DEFAULTSORT:Elaut, Franchoys 1589 births 1635 deaths Dutch male painters Dutch portrait painters Dutch genre painters Dutch still life painters Artists from Haarlem Painters from Haarlem