''Forró and Redemptive Regionalism from the Brazilian Northeast: Popular Music in a Culture of Migration'' is a book by professor of Portuguese Jack A. Draper III, published by Peter Lang in 2010.

Synopsis

''Forró and Redemptive Regionalism from the Brazilian Northeast'' not only documents and analyses the music of migrants in Brazil, but also analyzes how the music shaped both its creators and Brazil as a whole. Using

forró The term forró (*) refers to a musical genre, a rhythm, a dance and the event itself where forró music is played and danced. Forró is an important part of the culture of the Northeastern Region of Brazil. It encompasses various dance type ...

artists and excerpts from their music, Draper argues that the migrants used a musical genre called forró to kill ''saudade'', which means longing and nostalgia, loneliness and lust, as He also argues that it was used to rebel against industrialization and used as an attempt to help Brazilian “natives” overcome prejudice. He analyzes the historical and political climate that forró formed in, a time of oppression, dictatorships and political instability. Draper seems to be portraying forró like a Brazilian equivalent of Blues, which was also used to fight longing, loneliness and lust. He argues and analyses how the migrants completely re-thought all the elements of music, including melody, lyrics and rhythms to make it their own. He also shows forró’s presence in Brazilian pop culture, including the teaching of it in universities, and the playing of it at nightclubs and music festivals.

Critical Reception

''Forró and Redemptive Regionalism from the Brazilian Northeast '' has been reviewed by ''Reference & Research Book News''.

References

2010 non-fiction books Books about Brazil Peter Lang academic journals {{Brazil-hist-book-stub