The "Flower Duet" is a
duet
A duet is a musical composition for two performers in which the performers have equal importance to the piece, often a composition involving two singers or two pianists. It differs from a harmony, as the performers take turns performing a solo ...
for
soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hz to "high A" (A5) = 880&n ...
and
mezzo-soprano
A mezzo-soprano or mezzo (; ; meaning "half soprano") is a type of classical female singing voice whose vocal range lies between the soprano and the contralto voice types. The mezzo-soprano's vocal range usually extends from the A below middle C ...
in the first act of
Léo Delibes
Clément Philibert Léo Delibes (; 21 February 1836 – 16 January 1891) was a French Romantic composer, best known for his ballets and operas. His works include the ballets ''Coppélia'' (1870) and '' Sylvia'' (1876) and the opera ''Lakm ...
' opera ''
Lakmé
''Lakmé'' is an opera in three acts by Léo Delibes to a French libretto by Edmond Gondinet and Philippe Gille.
The score, written from 1881 to 1882, was first performed on 14 April 1883 by the Opéra-Comique at the (second) Salle Favart in P ...
'', premiered in Paris in 1883. It is sung by the characters Lakmé, daughter of a
Brahmin
Brahmin (; sa, ब्राह्मण, brāhmaṇa) is a varna as well as a caste within Hindu society. The Brahmins are designated as the priestly class as they serve as priests (purohit, pandit, or pujari) and religious teachers (guru ...
priest, and her servant Mallika, as they go to gather flowers by a river.
The duet is frequently used in advertisements and films and is popular as a concert piece. It was adapted for the track "Aria" in the
British Airways "face" advertisements of the 1980s by
Yanni
Yiannis Chryssomallis ( el, Γιάννης Χρυσομάλλης; born November 14, 1954), known professionally as Yanni ( ), is a Greek-American composer, keyboardist, pianist, and music producer.
Yanni continues to use the musical shorthand ...
and
Malcolm McLaren
Malcolm Robert Andrew McLaren (22 January 1946 – 8 April 2010) was an English impresario, visual artist, singer, songwriter, musician, clothes designer and boutique owner, notable for combining these activities in an inventive and provoc ...
.
More recently, it has been heard in films such as ''
Carlito's Way
''Carlito's Way'' is a 1993 American crime drama film directed by Brian De Palma, based on the novels '' Carlito's Way'' (1975) and '' After Hours'' (1979) by Judge Edwin Torres. The film adaptation was scripted by David Koepp. It stars Al Pa ...
, ''
Meet the Parents'', ''
Anomalisa
''Anomalisa'' is a 2015 American adult stop motion animated psychological comedy-drama film written and directed by Charlie Kaufman, who co-directed with Duke Johnson. It was based on Kaufman's 2005 audio play of the same name under his alias F ...
'', and ''
True Romance
''True Romance'' is a 1993 American romantic crime film directed by Tony Scott and written by Quentin Tarantino. It features an ensemble cast led by Christian Slater and Patricia Arquette, with Dennis Hopper, Val Kilmer, Gary Oldman, Brad Pitt, ...
'' and television shows including ''
Regular Show
''Regular Show'' (known as ''Regular Show in Space'' during its eighth season) is an American animated sitcom created by J. G. Quintel for Cartoon Network. It ran from September 6, 2010, to January 16, 2017, over the course of eight seasons a ...
'' and ''
The Simpsons
''The Simpsons'' is an American animated sitcom created by Matt Groening for the Fox Broadcasting Company. The series is a satirical depiction of American life, epitomized by the Simpson family, which consists of Homer, Marge, Bart, Lisa, ...
''.
Music
The duet's
time signature
The time signature (also known as meter signature, metre signature, or measure signature) is a notational convention used in Western musical notation to specify how many beats (pulses) are contained in each measure (bar), and which note value ...
is ; its
key
Key or The Key may refer to:
Common meanings
* Key (cryptography), a piece of information that controls the operation of a cryptography algorithm
* Key (lock), device used to control access to places or facilities restricted by a lock
* Key (map ...
is
B major
B major (or the key of B) is a major scale based on B. The pitches B, C, D, E, F, G, and A are all part of the B major scale. Its key signature has five sharps. Its relative minor is G-sharp minor, its parallel minor is B minor, and its ...
, except for the part "" until "," which is in
G major
G major (or the key of G) is a major scale based on G, with the pitches G, A, B, C, D, E, and F. Its key signature has one sharp. Its relative minor is E minor and its parallel minor is G minor.
The G major scale is:
Notable compositi ...
. That part has a slightly faster tempo (=160) than the surrounding lines (=144). The final
reprise
In music, a reprise ( , ; from the verb 'to resume') is the repetition or reiteration of the opening material later in a composition as occurs in the recapitulation of sonata form, though—originally in the 18th century—was simply any repea ...
is in the original key and tempo. A performance takes about six minutes.
First line of duet
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Lyrics
French lyrics
Lakmé: Viens, Mallika, les lianes en fleurs
Jettent déjà leur ombre
Sur le ruisseau sacré
qui coule, calme et sombre,
Eveillé par le chant des oiseaux tapageurs.
Mallika: Oh! maîtresse, c'est l'heure
où je te vois sourire,
L'heure bénie où je puis lire
Dans le coeur toujours fermé
De Lakmé!
Lakmé: Dôme épais le jasmin
Mallika: Sous le dôme épais où le blanc jasmin
L.: À la rose s'assemble,
M.: À la rose s'assemble,
L.: Rive en fleurs, frais matin,
M.: Sur la rive en fleurs, riant au matin,
L.: Nous appellent ensemble.
M.: Viens, descendons ensemble.
L.: Ah! glissons en suivant
M.: Doucement glissons; De son flot charmant
L.: Le courant fuyant;
M.: Suivons le courant fuyant;
L.: Dans l'onde frémissante,
M.: Dans l’onde frémissante,
L.: D'une main nonchalante,
M.: D’une main nonchalante,
L.: Gagnons le bord,
M.: Viens, gagnons le bord
L.: Où l'oiseau chante,
M.: Où la source dort.
L.: l'oiseau, l'oiseau chante.
M.: Et l’oiseau, l’oiseau chante.
L.: Dôme épais, blanc jasmin,
M.: Sous le dôme épais, Sous le blanc jasmin,
L.: Nous appellent ensemble!
M.: Ah! descendons ensemble!
L.: Mais, je ne sais quelle crainte subite
s’empare de moi.
Quand mon père va seul à leur ville maudite,
Je tremble, je tremble d'effroi!
M.: Pour que le Dieu Ganeça le protège,
Jusqu'à l'étang où s'ébattent joyeux
Les cygnes aux ailes de neige,
Allons cueillir les lotus bleus.
L.: Oui, près des cygnes aux ailes de neige,
Allons cueillir les lotus bleus.
L: Dôme épais le jasmin
M: Sous le dôme épais où le blanc jasmin
L.: À la rose s'assemble,
M.: À la rose s'assemble,
L.: Rive en fleurs, frais matin,
M.: Sur la rive en fleurs, riant au matin,
L.: Nous appellent ensemble.
M.: Viens, descendons ensemble.
L.: Ah! glissons en suivant
M.: Doucement glissons; De son flot charmant
L.: Le courant fuyant;
M.: Suivons le courant fuyant;
L.: Dans l'onde frémissante,
M.: Dans l’onde frémissante,
L.: D'une main nonchalante,
M.: D’une main nonchalante,
L.: Gagnons le bord,
M.: Viens, gagnons le bord
L.: Où l'oiseau chante,
M.: Où la source dort.
L.: l'oiseau, l'oiseau chante.
M.: Et l’oiseau, l’oiseau chante.
L.: Dôme épais, blanc jasmin,
M.: Sous le dôme épais, Sous le blanc jasmin,
L.: Nous appellent ensemble!
M.: Ah! descendons ensemble!
Literal English
Come, Mallika, the flowering lianas
already cast their shadow
on the sacred stream
which flows, calm and dark,
awakened by the song of rowdy birds.
Oh! Mistress, this is the hour
when I see you smile,
the blessed hour when I can read
in the always closed heart
of Lakmé!
Thick dome of jasmine
Under the dense canopy where the white jasmine,
Blends with the rose,
That blends with the rose,
Bank in bloom, fresh morning,
On the flowering bank, laughing in the morning,
Call us together.
Come, let us drift down together.
Ah! Let's glide along
Let us gently glide along; For its enchanting flow
The fleeing current;
Let us follow the fleeing current;
On the rippling surface,
On the rippling surface,
With a nonchalant hand,
With a nonchalant hand,
Let's go to the shore,
Come, let's go to the shore
Where the bird sings,
Where the spring sleeps.
the bird, the bird sings.
And the bird, the bird sings.
Thick dome, white jasmine,
Under the dense canopy, Under the white jasmine,
Call us together!
Ah! Let's drift down together!
But, an eerie feeling of distress
overcomes me.
When my father goes into their accursed city
I tremble, I tremble with fright!
In order for him to be protected by Ganesh
To the pond where joyfully play
The snow-winged swans
Let us pick blue lotuses.
Yes, near the swans with wings of snow,
And pick blue lotuses.
Thick dome of jasmine
Under the dense canopy where the white jasmine,
Blends with the rose,
That blends with the rose,
Bank in bloom, fresh morning,
On the flowering bank, laughing in the morning,
Call us together.
Come, let us drift down together.
Ah! Let's glide along
Let us gently glide along; For its enchanting flow
The fleeing current;
Let us follow the fleeing current;
On the rippling surface,
On the rippling surface,
With a nonchalant hand,
With a nonchalant hand,
Let's go to the shore,
Come, let's go to the shore
Where the bird sings,
Where the spring sleeps.
the bird, the bird sings.
And the bird, the bird sings.
Thick dome, white jasmine,
Under the dense canopy, Under the white jasmine,
Together call us!
Ah! Let's drift down together!
Singable English[''Lakmé'', pp]
5–9
translated and adapted by Theodore T. Barker, Oliver Ditson & Co., Boston, 1890.
Come, Mallika, the flowering vines
Their shadows now are throwing
Along the sacred stream,
That calmly here is flowing;
Enlivened by the songs of birds among the pines.
O mistress, dear! 't is now –
When I behold you smiling,
In this blest hour, no cares beguiling,
That your oft-closed heart I may read,
Lakmé!
'Neath the dome, the jasmine
'Neath the leafy dome, where the jasmine white
To the roses comes greeting,
To the roses comes greeting,
By flower banks, fresh and bright,
On the flow'rd bank, gay in morning light,
Come, and join we their meeting.
Come, and join we their meeting.
Ah! we'll glide with the tide,
Slowly on we'll glide floating with the tide,
On we'll ride away;
On the stream we'll ride away;
Through wavelets shimm'ring brightly,
Through wavelets shimm'ring brightly,
Carelessly rowing lightly,
Carelessly rowing lightly,
Reach we the steeps
We'll reach soon the steeps
Where the birds warble,
Where the fountain sleeps.
warble, the birds sprightly.
Where warble the birds sprightly.
'Neath the dome rowers unite,
'Neath the leafy dome, where the jasmine white,
Come and join we their meeting!
Come and join we their meeting!
But, why my heart's swift terror invested,
Doth not yet appear,
When my father 'lone goes to your city detested,
I tremble, I tremble with fear.
May the god, Ganesa, keep him from dangers,
Till he arrives at the pool just in view,
Where wild swans, those snowy wing'd strangers,
Come to devour the lotus blue.
Yes, where the wild swans, those snowy wing'd strangers,
Come to feed on lotus blue.
'Neath the dome, jasmines white
'Neath the leafy dome, where the jasmine white
To the roses comes greeting,
To the roses comes greeting,
By flower banks, fresh and bright,
On the flow'rd bank, gay in morning light,
Come, and join we their meeting.
Come, and join we their meeting.
Ah! we'll glide with the tide,
Slowly on we'll glide floating with the tide,
On we'll ride away;
On the stream we'll ride away;
Through wavelets shimm'ring brightly,
Through wavelets shimm'ring brightly,
Carelessly rowing lightly,
Carelessly rowing lightly,
Reach we the steeps
We'll reach soon the steeps
Where the birds warble,
Where the fountain sleeps.
warble, the birds sprightly.
Where warble the birds sprightly.
'Neath the dome rowers unite,
'Neath the leafy dome, where the jasmine white,
Come and join we their meeting!
Ah! come join we their meeting!
References
External links
*
Dôme Épais (Flower Duet) opera-arias.com
*,
Sabine Devieilhe
Sabine Devieilhe (; born 12 December 1985) is a French operatic coloratura soprano. She is known for her interpretation of works by Mozart, Baroque music, and 19th-century opera. She is often regarded as a successor to Natalie Dessay.
Early ...
(soprano),
Marianne Crebassa (mezzo-soprano),
Les Siècles Les Siècles is a French symphony orchestra founded in 2003 by François-Xavier Roth, with ambition to put works from the 17th to 21st centuries into today's perspective. The musicians of the orchestra play each repertoire on the historical instrum ...
,
François-Xavier Roth
François-Xavier Paul Roth (born 6 November 1971) is a French conductor, who founded Les Siècles, an orchestra which performs on instruments appropriate to the period of composition of each piece, from the late Baroque and Classical eras to 20t ...
conducting
{{Authority control
Compositions by Léo Delibes
Opera excerpts
Female vocal duets
1883 compositions
Compositions in B major
Soprano arias