The First International Dada Fair took place in
Berlin
Berlin ( , ) is the capital and largest city of Germany by both area and population. Its 3.7 million inhabitants make it the European Union's most populous city, according to population within city limits. One of Germany's sixteen constitue ...
in 1920. It was Grosz, Heartfield and Hausmann. It was to become the most famous of all Berlin Dada's exploits. It featured almost 200 works by artists including
Hans Arp
Hans Peter Wilhelm Arp (16 September 1886 – 7 June 1966), better known as Jean Arp in English, was a German-French sculptor, painter, and poet. He was known as a Dadaist and an abstract artist.
Early life
Arp was born in Straßburg (now Stras ...
,
Max Ernst
Max Ernst (2 April 1891 – 1 April 1976) was a German (naturalised American in 1948 and French in 1958) painter, sculptor, printmaker, graphic artist, and poet. A prolific artist, Ernst was a primary pioneer of the Dada movement and Surrealism ...
,
Hannah Höch
Hannah Höch (; 1 November 1889 – 31 May 1978) was a German Dada artist. She is best known for her work of the Weimar period, when she was one of the originators of photomontage. Photomontage, or fotomontage, is a type of collage in which the pa ...
,
Francis Picabia
Francis Picabia (: born Francis-Marie Martinez de Picabia; 22January 1879 – 30November 1953) was a French avant-garde painter, poet and typographist. After experimenting with Impressionism and Pointillism, Picabia became associated with Cubism ...
, and
Rudolf Schlichter
Rudolf Schlichter (or Rudolph Schlichter) (December 6, 1890 – May 3, 1955) was a German painter and one of the most important representatives of the ''Neue Sachlichkeit'' (New Objectivity) movement.
Schlichter was born in Calw, Württemberg. Af ...
, as well as key works by Grosz, Höch and Hausmann. The work ''Tatlin At Home'', 1920, can be clearly seen in one of the publicity photos taken by a professional photographer; the exhibition, whilst financially unsuccessful, gained prominent exposure in Amsterdam, Milan, Rome and Boston.
[Dada, Dickerman, National Gallery of Art, Washington, 2006, p100] The exhibition also proved to be one of the main influences on the content and layout of ''
Entartete Kunst
Degenerate art (german: Entartete Kunst was a term adopted in the 1920s by the Nazi Party in Germany to describe modern art. During the dictatorship of Adolf Hitler, German modernist art, including many works of internationally renowned artists, ...
'', the show of
degenerate art
Degenerate art (german: Entartete Kunst was a term adopted in the 1920s by the Nazi Party in Germany to describe modern art. During the dictatorship of Adolf Hitler, German modernist art, including many works of internationally renowned artists, ...
put on by the Nazis in 1937, with key slogans such as "''Nehmen Sie DADA Ernst''", "Take Dada Seriously!", appearing in both exhibitions.
References
{{Reflist
1920 in Germany
Dada