First Choral Symphony (Holst)
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The Choral Symphony is a work by Gustav Holst for soprano soloist, chorus, and orchestra in a setting of verses by
John Keats John Keats (31 October 1795 – 23 February 1821) was an English poet of the second generation of Romantic poets, with Lord Byron and Percy Bysshe Shelley. His poems had been in publication for less than four years when he died of tuberculo ...
. Written in 1923–24, it was premiered in Leeds Town Hall on October 7, 1925, conducted by Albert Coates with
Dorothy Silk Dorothy (Ellen) Silk (4 May 1883 – 30 July 1942) was an English soprano, who was associated both with early Baroque music and with contemporary British music, particularly the works of Rutland Boughton and Gustav Holst. Life and career Sil ...
as soloist. The same performers gave the work's second performance three weeks later in Queen's Hall, London. The work is sometimes known as the First Choral Symphony, although a planned 'second Choral Symphony' never progressed beyond some uncompleted sketches.Holst (1986), pp. 77, 157


Structure

The symphony is written in a traditional four-movement structure; nevertheless, the setting of the ''
Ode on a Grecian Urn "Ode on a Grecian Urn" is a poem written by the English Romantic poet John Keats in May 1819, first published anonymously in ''Annals of the Fine Arts for 1819'' (see 1820 in poetry)''.'' The poem is one of the " Great Odes of 1819", which a ...
'' and the Scherzo can also be performed separately.Holst, ''New Grove'', 8:663. * Prelude: Invocation to Pan 'O Thou, whose mighty palace roof doth hang' * Movement 1 ** Part 1. Song and Bacchanal: Beneath my palm tree, by the river side (" Song of the Indian Maid") ** Part 2. Chorus: Whence came ye, merry Damsels, whence came ye? ** Part 3. Solo: Within his car, aloft, young Bacchus stood ** Part 4. Chorus: Whence came ye, jolly Satyrs, whence came ye? ** Part 5. Solo: Onward the tiger and the leopard pants ** Part 6. Chorus: Bacchus, young Bacchus! good or ill betide * Movement 2. ** Chorus: Ode on a Grecian Urn 'Thou still unravish'd bride of quietness' * Movement 3 ** Part 1. Scherzo 'Fancy' Chorus: Ever let the fancy roam ("Fancy") ** Part 2. Folly's Song: When wedding fiddles are a-playing (Extracts from an Opera, FOLLY'S SONG) * Movement 4 ** Part 1. Solo: Spirit here that reignest! ** Part 2. Chorus: God of the golden bow ** Part 3. Solo: Then, through thy Temple wide, melodious swells ** Part 4. Chorus: 'Tis awful silence then again ** Part 5. Solo: Next thy Tasso's ardent numbers ** Part 6. Chorus: But when Thou joinest with the Nine ** Part 7. Solo: Spirit here that reignest!


Overview


Composition

By 1923, Holst enjoyed a substantial reputation as a choral composer. That year he was chosen by the organizers of the 1925 Leeds Triennial Festival to write a new work for that event. Holst accepted the commission. Turning to the poetry of
John Keats John Keats (31 October 1795 – 23 February 1821) was an English poet of the second generation of Romantic poets, with Lord Byron and Percy Bysshe Shelley. His poems had been in publication for less than four years when he died of tuberculo ...
for his text, Holst set various unrelated passages that stimulated his musical imagination. For the introduction and first movement he chose stanzas from the chorus of shepherds in ''
Endymion Endymion primarily refers to: * Endymion (mythology), an Ancient Greek shepherd * ''Endymion'' (poem), by John Keats Endymion may also refer to: Fictional characters * Prince Endymion, a character in the ''Sailor Moon'' anime franchise * Raul ...
'' and from the ''Roundelay'' in Book IV of the poem. The second movement became a setting of the ''
Ode on a Grecian Urn "Ode on a Grecian Urn" is a poem written by the English Romantic poet John Keats in May 1819, first published anonymously in ''Annals of the Fine Arts for 1819'' (see 1820 in poetry)''.'' The poem is one of the " Great Odes of 1819", which a ...
''. The Scherzo uses much of "Fancy and Folly's Song" a short piece published in ''Extracts from an Opera''. For the finale Holst chose the lines "Spirit here that reignest" which the poet had written in a copy of
Beaumont and Fletcher Beaumont and Fletcher were the English dramatists Francis Beaumont and John Fletcher, who collaborated in their writing during the reign of James I (1603–25). They became known as a team early in their association, so much so that their jo ...
's plays; this was followed by extracts from the ''Hymn to Apollo'', most of the ''Ode to Apollo'' and the ode ''Bards of Passion and of Mirth''. The work thus became a four-movement choral symphony, with the vocal parts fully integrated in the overall musical texture instead of being added to the orchestra as an extra element.


Reception

Though it seems that the Leeds premiere was well-received, the London performance had a poor effect, due largely to an inadequate rehearsal of a demanding piece. The work never recovered from that disastrous outing, and there were plenty of pundits prepared to pour scorn on the work. Literary purists were offended by the juxtaposition of unrelated elements from Keats' poems. Music critics scorned the work, accusing Holst of not pouring enough debauchery into the Bacchanale. Singers found the work difficult. Audiences showed little enthusiasm. Even Holst's friend, composer
Ralph Vaughan Williams Ralph Vaughan Williams, (; 12 October 1872– 26 August 1958) was an English composer. His works include operas, ballets, chamber music, secular and religious vocal pieces and orchestral compositions including nine symphonies, written over ...
, admitted that he felt only a "cold admiration" for it.Holst, ''New Grove'', 8:661. After the initial performances the symphony fell into neglect. From this point Holst's popularity as a composer waned.Short, 2.


Planned second Choral Symphony

Holst began planning a 'second Choral Symphony', based on poems by George Meredith, but only made some initial fragmentary sketches. These sketches are now located at the
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in London.


Bibliography

*Holst, Imogen, ed. Stanley Sadie, "Holst, Gustav(us Theodore von)," ''New Grove Dictionary of Music and Musicians'', 20 vols. London:
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, 1980. . *Holst, Imogen. ''The music of Gustav Holst'' (3rd revised ed.), printed with ''Holst's music reconsidered''.
Oxford University Press Oxford University Press (OUP) is the university press of the University of Oxford. It is the largest university press in the world, and its printing history dates back to the 1480s. Having been officially granted the legal right to print books ...
, 1986 *Mitchell, Jon C. ''A Comprehensive Biography of Composer Gustav Holst with Correspondence and Diary Excerpts Including his American Years'' Lewiston:
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, 2001. . * Short, Michael, Notes for Hyperion CDA66660, ''Holst: Choral Symphony; Choral Fantasia'' Hyperion Records Limited, London, 1993.


References

{{Gustav Holst Holst Compositions by Gustav Holst Music for orchestra and organ 1924 compositions