Production
The album was produced by Simon Emmerson. It was recorded in Podor and Dakar, in Senegal, and at London's Real World Studios. Dónal Lunny and Simon Jeffes were among the musicians who contributed to ''Firin' in Fouta''. Positive Black Soul appeared on "Swing Yela".Critical reception
'' The Guardian'' wrote that "Baaba Maal adds to the new experimental fusion of traditional styles and ultra-modern influences with his bravest and most startling album to date." '' The Independent'' determined that Maal's "plaintive Islamic ululations are brilliantly blended with arrangements that may borrow from hip-hop, salsa and ragga." '' The Baltimore Sun'' noted that "some songs are nearly worlds unto themselves, like the loping, hypnotic 'Sama Duniya', which mixes West African percussion, an East Indian drone, dancehall bass and funk clavinet into a near irresistible rhythmic stew." '' The Gazette'' considered "African Woman" to be the album's best song, writing that it "begins with a hint of bouncy Colombian cumbia but quickly becomes a blazing Afro-Latin stew." ''Track listing
# "Sidiki" – 4:53 # "African Woman" – 6:05 # "Swing Yela" – 4:24 # "Mbaye" – 5:01 # "Njilou" – 5:30 # "Gorel" – 5:28 # "Sama Duniya" – 5:19 # "Salimoun" (Funky Kora) – 5:02 # "Ba" – 7:14 # "Tiedo" – 6:08References
{{Authority control Baaba Maal albums 1994 albums Mango Records albums