Felix Locher

Jon Hall (born Charles Felix Locher, February 23, 1915 – December 13, 1979) was an American film actor known for playing a variety of adventurous roles, as in 1937's '' The Hurricane'', and later when contracted to Universal Pictures, including ''Invisible Agent'' and ''The Invisible Man's Revenge'' and six films he made with Maria Montez. He was also known to 1950s fans as the creator and star of the ''Ramar of the Jungle'' television series which ran from 1952 to 1954. Hall directed and starred in two 1960s sci-fi films in his later years, ''The Beach Girls and the Monster'' (1965) and ''The Navy vs. the Night Monsters'' (1966).

Early life and career

Born in Fresno, California and raised in Tahiti by his father, the Swiss-born actor Felix Maurice Locher, Hall was a nephew of writer James Norman Hall, co-author (with Charles Nordhoff) of the novel ''Mutiny on the Bounty'' (1932).

Hall originally intended to go into the diplomatic service and was educated in England and Switzerland. A friend from Tahiti, writer Gouvernor Morris, suggested that he try acting.

Charles Locher

Hall began his career using the name "Charles Locher". His first performance was in a local theatre production of ''M'Lord the Duke'', replacing Robert Taylor; Taylor had just signed with MGM.

His appearance on stage in ''Murder on a Mountain'' at the Bliss Hayden Little Theatre in Beverly Hills earned him a contract at Warner Bros. He followed it with ''What? No Yacht?'' at the Bliss Hayden. Nothing seems to have happened with the Warners contract: His first film was ''Women Must Dress'' (1935) at Monogram Pictures.

In April 1935, he signed with 20th Century Fox for a role in ''Charlie Chan Goes To Egypt''. He did not appear in that movie, but he did have an uncredited bit in ''Here's to Romance'' and he played the romantic male lead in ''Charlie Chan in Shanghai'' (1935). After that, the studio released him from his contract.

Hall recalled, "for the next three years I took whatever jobs in pictures they'd give me." He had supporting roles in Westerns: ''The Mysterious Avenger'' (1936), at Columbia; ''Winds of the Wasteland'' (1936), with John Wayne at Republic Pictures, and in the serial ''The Clutching Hand'' (1936). He had the lead in a low-budget adventure movie, ''The Lion Man'' (1936), based on a novel by Edgar Rice Burroughs. He was rejected for the lead of the Flash Gordon serial.

Lloyd Crane

He changed his screen name to "Lloyd Crane" and in 1936 signed a contract with Major Pictures, a company run by producer Emmanuel Cohen, who distributed through Paramount. Other actors who had deals with Cohen included Bing Crosby, Mae West, and Gary Cooper. He made two pictures for Cohen, ''Mind Your Own Business'' (1936) and ''The Girl from Scotland Yard'' (1937). Then Cohen dropped him.

Stardom

''The Hurricane''

Samuel Goldwyn was preparing a big budget spectacular, '' The Hurricane'' (1937), based on a novel by Nordhoff and Hall and directed by John Ford. They were having trouble finding someone to play the native whose wrongful imprisonment is the focus of the drama. Then Ford introduced Hall to Goldwyn: Goldwyn signed Hall to a long-term contract and cast him as Terangi: ''Hurricane'' was a big success.

Goldwyn paid Hall $150 a week, which eventually rose to $200 a week.

Hall spent the next two and a half years idle under his contract while Goldwyn—who made only a few movies each year—contemplated what to do with him. There was some talk of a sequel to ''The Hurricane;'' of playing the lead in '' Golden Boy;'' of '' Black Gold'', a film about firefighters in Oklahoma; of ''The Fleet's In''; of ''Tahiti'', based on a book by Somerset Maugham. Alexander Korda''. These films were either not made at all or were made without Hall. Discussing the hiatus, Hall said "At first it's alright because you tell eople.. what you believe to be true, that the studio is trying to find you a right script. But after a year, after a year and a half, after two years, you start to go nuts. You find yourself ducking across the street to avoid people who will ask you what you are doing."

Edward Small

After two and a half years of inactivity, Hall made three films in quick succession: ''Sailor's Lady'' (1940), a comedy with Nancy Kelly that was developed by Goldwyn and sold to 20th Century Fox; ''South of Pago Pago'' (1940), a South Seas adventure for producer Edward Small; and ''Kit Carson'' (1940), in the title role, again for Edward Small.

Dorothy Lamour had gone to Paramount, and they reunited her with Hall in the South Seas tale, '' Aloma of the South Seas'' (1941). He stayed in that genre for ''The Tuttles of Tahiti'' (1942) with Charles Laughton at RKO, from a novel by Nordhoff and Hall.

Universal and Maria Montez

Goldwyn agreed to share Hall's contract with Universal Pictures, which put him in a supporting role in ''Eagle Squadron'' (1942), produced by Walter Wanger and directed by Arthur Lubin. It was a huge hit. They gave him the lead in ''Invisible Agent'' (1942), the fourth in their "Invisible Man" series.

Wanger called upon Hall for another movie at Universal, a big budget "exotic" spectacular co-starring Maria Montez and Sabu, ''Arabian Nights'' (1942). It was Universal's first color film in years and was a massive hit.Matthew Bernstein, ''Walter Wagner: Hollywood Independent'', Minnesota Press, 2000 p441

Universal promptly reunited Montez, Hall and Sabu in two more films: ''White Savage'' (1943), directed by Lubin, and ''Cobra Woman'' (1944), directed by Robert Siodmak.

Paramount borrowed Hall for the musical ''Lady in the Dark'' (1944), in which he played the role originated on Broadway by Victor Mature.

Back at Universal he returned to the Invisible Man series with ''The Invisible Man's Revenge'' (1944), making him the only actor to have portrayed an Invisible Man more than once in the original Universal series.

Hall was meant to be reunited with Montez and Sabu for three more technicolor films. However Sabu was drafted into the army and was replaced by Turhan Bey for ''Ali Baba and the Forty Thieves'' (1944), directed by Lubin. Bey was going to reteam with Hall and Montez in ''Gypsy Wildcat'' (1944), but he was needed for another film, and was replaced by Peter Coe. Hall appeared in a comedy, ''San Diego, I Love You'' (1945), and then was reunited with Montez and Bey in ''Sudan'' (1945) – although this was the one Hall-Montez film where she wound up with someone else at the end: Bey.

Hall appeared in a comedy, ''Men in Her Diary'' (1945), filmed in early 1945, and then went into the army. He was out of the Army by April 1946 and made a pair of Westerns, ''The Michigan Kid'' (1947) and ''The Vigilantes Return'' (1947). After this, he made no further films for Universal, although he was still under contract to Goldwyn. In August 1946, he cancelled his contracts with Goldwyn and Universal and signed a one-picture deal with Sam Katzman.

Later career

Sam Katzman

Hall went on to make a number of films for producer Sam Katzman, who had a set-up at Columbia Pictures. Their association began with ''Last of the Redmen'' (1947), an adaptation of ''Last of the Mohicans'', for which he had been borrowed from Sam Goldwyn. He followed it with ''The Prince of Thieves'' (1948), playing Robin Hood, and '' The Mutineers'' (1949).

Hall was in three films for director William Berke; '' Zamba'' (1949), an adventure tale; ''Deputy Marshall'' (1949), a Western, and ''On the Isle of Samoa'' (1950), a South Seas tale.

He was meant to appear in ''Last of the Buccaneers'' for Katzman, but Paul Henreid played the role. In June 1950, he signed a new three-picture contract with Katzman and Hall's wife, Frances Langford, signed a two-picture contract. They both starred in ''Hurricane Island'' (1951), and Katzman scheduled ''Thief of Damascus'' for the two of them. Henreid wound up starring in that instead; Hall made two Westerns, ''When the Redskins Rode'' (1951), and ''Brave Warrior'' (1952). He also made ''China Corsair'' (1951) for Columbia.

It was back to Katzman for ''Last Train from Bombay'' (1952).

Television

Jon Hall is perhaps best remembered by later audiences as the star of the television series ''Ramar of the Jungle'', which ran from 1952 to 1954.

He made a pilot for an unsold series, ''Knight of the South Seas'' for his own company, Lovina Productions. It was not picked up for series but the pilot was edited into a film, ''Hell Ship Mutiny'' (1957).

He returned to feature films with ''Forbidden Island'' (1959), made at Columbia by Charles B. Griffith. He said he wished to follow it with three more movies, two set in the Orient and one a Western. However the film was not successful, and it was a number of years before Hall appeared in another movie.

Hall made his final two television appearances on ''Perry Mason''; in 1963, he played Max Randall in "The Case of the Festive Felon", and in 1965, he played Lt. Kia in "The Case of the Feather Cloak." He directed and starred in the 1965 cult horror film ''The Beach Girls and the Monster''.

Non-acting career

Hall was an inventor and highly skilled aviator. He held patents on an underwater camera, optivision lenses and the design of the hulls of PT boats for the US Navy.

He shot some additional footage for ''The Navy vs. the Night Monsters'' (1966).

With his father, he developed the Locher-Hall Telecurve map, a revolutionary cartographic device.

During the 1970s he ran a camera lens firm, Optivision Co. of Santa Monica.

Personal life

Hall was married to singer Frances Langford from 1934 until 1955, and also later twice married and divorced actress Raquel Torres (m 1959).

In 1944, he took part in "the battle of the balcony," a fight between Hall and big band leader Tommy Dorsey.

Death

Hall was diagnosed with incurable bladder cancer which caused him extreme pain. He died of suicide on December 13, 1979, and was buried at the Forest Lawn, Hollywood Hills Cemetery in Los Angeles.

Hollywood Walk of Fame

Hall has two stars on the Hollywood Walk of Fame, for Motion Pictures at 1724 Vine Street and for television at 6933 Hollywood Boulevard.

Filmography

Features:

*''Women Must Dress'' (1935) – Janet's Other Friend
*''Here's to Romance'' (1935) – Chauffeur (uncredited)
*''Charlie Chan in Shanghai'' (1935) – Philip Nash
*''Mutiny on the Bounty'' (1935) – Tahitian Native (uncredited)
*''The Mysterious Avenger'' (1936) Lafe Lockhart
*''The Clutching Hand'' (1936) – Frank Hobart
*''Winds of the Wasteland'' (1936) – Jim – Pony Express Rider
*''Mind Your Own Business'' (1936) – Scoutmaster Davis
*''The Lion Man'' (1936)
*''The Girl from Scotland Yard'' (1937) – Bertie
*'' The Hurricane'' (1937) – Terangi
*''Sailor's Lady'' (1940) – Danny Malone
*''South of Pago Pago'' (1940) – Kehane
*''Kit Carson'' (1940) – Kit Carson
*'' Aloma of the South Seas'' (1941) – Tanoa
*''The Tuttles of Tahiti'' (1942) – Chester
*''Eagle Squadron'' (1942) – Hank Starr
*''Invisible Agent'' (1942) – Frank Raymond
*''Arabian Nights'' (1942) – Haroun-Al-Raschid
*''White Savage'' (1943) – Kaloe
*''Ali Baba and the Forty Thieves'' (1944) – Ali Baba
*''Lady in the Dark'' (1944) – Randy Curtis
*''Cobra Woman'' (1944) – Ramu

*''The Invisible Man's Revenge'' (1944) – Robert Griffin
*''Gypsy Wildcat'' (1944) – Michael
*''San Diego, I Love You'' (1944) – John Thompson Caldwell IV
*''Sudan'' (1945) – Merab
*''Men in Her Diary'' (1945) – Randolph Glenning
*''The Michigan Kid'' (1947) – Michigan Kid / Jim Rowen
*''The Vigilantes Return'' (1947) – Marshal Johnnie Taggart / 'Ace' Braddock
*''Last of the Redmen'' (1947) – Maj. Duncan Heyward
*''The Prince of Thieves'' (1948) – Robin Hood
*'' The Mutineers'' (1949) – Nick Shaw
*'' Zamba'' (1949) – Steve
*''Deputy Marshal'' (1949) – Deputy Ed Garry
*''On the Isle of Samoa'' (1950) – Kenneth 'Ken' Crandall / John Reagan
*''When the Redskins Rode'' (1951) – Prince Hannoc
*''China Corsair'' (1951) – McMillan
*''Hurricane Island'' (1951) – Captain Carlos Montalvo
*''Brave Warrior'' (1952) – Steve Ruddell
*''Last Train from Bombay'' (1952) – Martin Viking
*''Hell Ship Mutiny'' (1957) – Capt. Jim Knight
*''Forbidden Island'' (1959) – Dave Courtney
*''The Beach Girls and the Monster'' (1965, also director and cinematographer) – Dr. Otto Lindsay (final film role)
*''The Navy vs. the Night Monsters'' (1966, uncredited director of special photographic effects)
*'' Survival of Spaceship Earth'' (1972, director of special photographic effects)

Short Subjects:
*'' Picture People No. 4: Stars Day Off'' (1941) – Himself
*'' Screen Snapshots: Hollywood Shower of Stars'' (1955) – Himself

References

External links

*
*

Jon Hall bio on (re)Search my Trash
* https://news.google.com/newspapers?nid=1734&dat=19760128&id=jDceAAAAIBAJ&sjid=N78EAAAAIBAJ&pg=6747,1857623
Obituary
at Los Angeles Times
Obituary
at New York Times
Jon Hall
at Brian's Drive In Theatre

{{DEFAULTSORT:Hall, Jon
1915 births
1979 deaths
Male actors from Fresno, California
American people of Swiss descent
American male film actors
American male television actors
Burials at Forest Lawn Memorial Park (Hollywood Hills)
Suicides by firearm in California
20th-century American male actors
1979 suicides
American expatriates in French Polynesia
United States Army personnel of World War II
Universal Pictures contract players