Bartolomeo Nazari - Portrait of Farinelli 1734 - Royal College of Music London

''Farinelli'' is an

opera Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librett ...

in two acts, described as 'serio-comic', by John Barnett, to a

libretto A libretto (Italian for "booklet") is the text used in, or intended for, an extended musical work such as an opera, operetta, masque, oratorio, cantata or Musical theatre, musical. The term ''libretto'' is also sometimes used to refer to the t ...

by his brother Charles Zachary Barnett. Produced in 1839, it is the third of the composer's large-scale operas, and was the last to reach the stage. The hero is the

castrato A castrato (Italian, plural: ''castrati'') is a type of classical male singing voice equivalent to that of a soprano, mezzo-soprano, or contralto. The voice is produced by castration of the singer before puberty, or it occurs in one who, due to ...

singer

Farinelli Farinelli (; 24 January 1705 – 16 September 1782) was the stage name of Carlo Maria Michelangelo Nicola Broschi (), a celebrated Italian castrato singer of the 18th century and one of the greatest singers in the history of opera. Farinelli h ...

, although the storyline of the opera is fictional.

Background

The success of Barnett's 1834 opera, ''

The Mountain Sylph ''The Mountain Sylph'' is an opera in two acts by John Barnett to a libretto by Thomas James Thackeray, after '' Trilby, ou le lutin d'Argail'' by Charles Nodier. It was first produced in London at the Lyceum Theatre in 1834 with great success. ...

'', encouraged further commissions, though neither was as successful as the ''Sylph''. ''

Fair Rosamond Rosamund Clifford (before 1150 – ), often called "The Fair Rosamund" or "Rose of the World" (Latin: ''rosa mundi''), was a medieval English noblewoman and mistress of Henry II, King of England, who became famous in English folklore. Life ...

'' appeared in 1837, and ''Farinelli'' was premiered on 8 February 1839 at the

Theatre Royal, Drury Lane The Theatre Royal, Drury Lane, commonly known as Drury Lane, is a West End theatre and Grade I listed building in Covent Garden, London, England. The building faces Catherine Street (earlier named Bridges or Brydges Street) and backs onto Dr ...

. The book is an adaptation of the anonymous , premiered in Paris in 1835. The story is based on the legend that, while he was in the service of

Philip V of Spain Philip V ( es, Felipe; 19 December 1683 – 9 July 1746) was King of Spain from 1 November 1700 to 14 January 1724, and again from 6 September 1724 to his death in 1746. His total reign of 45 years is the longest in the history of the Spanish mon ...

, the beauty of Farinelli's singing was able to cure the king of his

melancholia Melancholia or melancholy (from el, µέλαινα χολή ',Burton, Bk. I, p. 147 meaning black bile) is a concept found throughout ancient, medieval and premodern medicine in Europe that describes a condition characterized by markedly dep ...

. Whilst it is true that as chamber musician to the king Farinelli had influence at the Spanish court, there is no record of him ever becoming involved with court politics as the opera implies. For the purpose of the opera Farinelli becomes a

tenor A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The lo ...

; at the premiere the role was taken by the composer and singer Michael William Balfe. In fact the role was originally written as a

baritone A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek (), meaning "heavy sounding". Composers typically write music for this voice in the r ...

for Henry Philips. who had taken the role of Hela in the ''Sylph'', but he withdrew following a quarrel with the theatre manager. At the first night, Balfe broke down through a fit of nervousness, and this naturally affected the reception of the opera, which nevertheless received over 50 performances. Barnett's subsequent opera, ''Kathleen'' was however never brought to the public stage, although it was rehearsed at the theatre of which Barnett was then part proprietor.Salaman, 213

Roles

Synopsis

The opera is set in the Prado. Gil Polo is plotting against the King. Farinelli, who is in love with the chamberlain's niece, Leonora, learns of the plot. His singing rouses the melancholic king to action; Gil is dismissed and exiled, Farinelli is honoured and can marry Leonora.

Notes

Sources

*C.Z. Barnett, ''Farinelli, a serio-comic opera in two acts'', London, 1839 *C. K. Salaman, ''English Opera'' in the

Musical Times ''The Musical Times'' is an academic journal of classical music edited and produced in the United Kingdom and currently the oldest such journal still being published in the country. It was originally created by Joseph Mainzer in 1842 as ''Mainzer ...

, vol. 18 no. 411, 1877 {{DEFAULTSORT:Farinelli Operas 1839 operas Operas set in Spain Operas by John Barnett English-language operas Operas based on real people Cultural depictions of Farinelli Operas set in the 18th century