The fantastic (french: le fantastique) is a subgenre of literary works characterized by the ambiguous presentation of seemingly

supernatural Supernatural refers to phenomena or entities that are beyond the laws of nature. The term is derived from Medieval Latin , from Latin (above, beyond, or outside of) + (nature) Though the corollary term "nature", has had multiple meanings si ...

forces. Bulgarian-French structuralist

literary critic Literary criticism (or literary studies) is the study, evaluation, and interpretation of literature. Modern literary criticism is often influenced by literary theory, which is the philosophical discussion of literature's goals and methods. Th ...

Tzvetan Todorov originated the concept, characterizing the fantastic as the hesitation of characters and readers when presented with questions about reality.

Definitions

The fantastic is present in works where the reader experiences hesitation about whether a work presents what Todorov calls "the uncanny", wherein superficially supernatural phenomena turn out to have a rational explanation (such as in the

Gothic Gothic or Gothics may refer to: People and languages *Goths or Gothic people, the ethnonym of a group of East Germanic tribes **Gothic language, an extinct East Germanic language spoken by the Goths **Crimean Gothic, the Gothic language spoken b ...

works of Ann Radcliffe) or "the marvelous", where the supernatural is confirmed by the story. Todorov breaks down the fantastic into a manner of systems, filled with conditions and properties that make it easier to understand. The fantastic requires the fulfillment of three conditions. First, the text must oblige the reader to consider the world of the characters as a world of living persons and to hesitate between a natural or supernatural explanation of the events described. Second, this hesitation may also be experienced by a character; thus the reader's role is so to speak entrusted to a character, and at the same time the hesitation is represented, it becomes one of the themes of the work—in the case of naive reading, the actual reader identifies himself with the character. Third, the reader must adopt a certain attitude with regard to the text: he will reject allegorical as well as "poetic" interpretations. The fantastic also explores three conditions; reader’s hesitation, hesitation may be felt by another character, and the reader must have a certain mindset when reading the text. There is also a system to the fantastic that he explores that uses three properties. The utterance which discusses the use of figurative discourse, how everything figurative is taken in a literal sense. The supernatural begins to exist within the fantastic due to exaggeration, figurative expression being taken literal, and how the supernatural originates from the rhetorical figure. Leading into the second property, the act of uttering. In this property, it is most connected to the narrator of the story and the idea (discourse-wise) is that the narrator/character must pass this "test of truth". The narrator is someone who cannot "lie"; they explain the supernatural (marvelous), but doubt in what they say creates the fantastic. The final property is the syntactic aspect. Penzoldt’s theory (see below) is what focuses on this property the most. The fantastic can also represent dreams and wakefulness where the character or reader hesitates as to what is reality or what is a dream. Again the fantastic is found in this hesitation—once it is decided the Fantastic ends. Rosemary Jackson builds onto and challenges Todorov's definition of the fantastic in her 1981 nonfiction book '' Fantasy: The Literature of Subversion''. Jackson rejects the notion of the fantastic genre as a simple vessel for wish fulfillment that transcends human reality in worlds presented as superior to our own, instead positing that the genre is inseparable from real life, particularly the social and cultural contexts within which each work of the fantastic is produced. She writes that the "unreal" elements of fantastic literature are created only in direct contrast to the boundaries set by its time period’s "cultural order", acting to illuminate the unseen limitations of said boundaries by undoing and recompiling the very structures which define society into something "strange" and "apparently new". In subverting these societal norms, Jackson claims, the fantastic represents the unspoken desire for greater societal change. Jackson criticizes Todorov's theory as being too limited in scope, examining only the literary function of the fantastic, and expands his structuralist theory to fit a more cultural study of the genre—which, incidentally, she proposes is not a genre at all, but a mode that draws upon literary elements of both realistic and supernatural fiction to create the air of uncertainty in its narratives as described by Todorov. Jackson also introduces the idea of reading the fantastic through a psychoanalytical lens, referring primarily to Freud’s theory of the unconscious, which she believes is integral to understanding the fantastic’s connection to the human psyche. There are however additional ways to view the fantastic, and often these differing perspectives come from differing social climates. In their introduction to ''The Female Fantastic: Gender and the Supernatural in the 1890s and 1920s'', Lizzie Harris McCormick, Jennifer Mitchell, and Rebecca Soares describe how the social climate in the 1890s and 1920s allowed for a new era of "fantastic" literature to grow. Women were finally exploring the new freedoms given to them and were quickly becoming equals in society. The fear of the new women in society, paired with their growing roles, allowed them to create a new style of "fuzzy" supernatural texts. The fantastic is on the dividing line between supernatural and not supernatural, Just as during this time period the women were not respecting the boundary of inequality that had always been set for them. At the time, women's roles in society were very uncertain, just as the rules of the fantastic are never straight forward. This climate allowed for a genre similar to the social structure to emerge. The Fantastic is never purely supernatural, nor can the supernatural be ruled out. Just as women were not equal yet, but they were not completely oppressed. The Female Fantastic seeks to enforce this idea that nothing is certain in the fantastic nor the gender roles of the 1920s. Many women in this time period began to blur the lines between the genders, removing the binary out of gender and allowing for many interpretations. For the first time, women started to possess more masculine or queer qualities without it becoming as much of an issue. The fantastic during this time period reflects these new ideas by breaking parallel boundaries in the supernatural. The fantastic breaks this boundary by having the readers never truly know whether or not the story is supernatural.

Related genres

There is no truly typical "fantastic story", as the term generally encompasses both works of the horror and gothic genres. Two representative stories might be: *

Algernon Blackwood Algernon Henry Blackwood, CBE (14 March 1869 – 10 December 1951) was an English broadcasting narrator, journalist, novelist and short story writer, and among the most prolific ghost story writers in the history of the genre. The literary cri ...

's story "The Willows", where two men traveling down the

Danube River The Danube ( ; ) is a river that was once a long-standing frontier of the Roman Empire and today connects 10 European countries, running through their territories or being a border. Originating in Germany, the Danube flows southeast for , pa ...

are beset by an eerie feeling of malice and several improbable setbacks in their trip; the question that pervades the story is whether they are falling prey to the wilderness and their own imaginations, or if there really is something horrific out to get them. *

Edgar Allan Poe Edgar Allan Poe (; Edgar Poe; January 19, 1809 – October 7, 1849) was an American writer, poet, editor, and literary critic. Poe is best known for his poetry and short stories, particularly his tales of mystery and the macabre. He is wide ...

's story " The Black Cat", where a murderer is haunted by a black cat; but is it revenge from beyond the grave, or just a cat? There is no clear distinction between the fantastic and magic realism as neither privilege either realistic or supernatural elements. The former, in its hesitation between supernatural and realistic explanations of events, may task the reader with questioning the nature of reality and this may serve to distinguish the Fantastic from Magical Realism (in which magical elements are understood to constitute in part the reality of the protagonists and are not themselves questionable). The fantastic is sometimes erroneously called the Grotesque or

Supernatural fiction Supernatural fiction or supernaturalist fiction is a genre of speculative fiction that exploits or is centered on supernatural themes, often contradicting naturalist assumptions of the real world. Description In its broadest definition, supe ...

, because both the Grotesque and the Supernatural contain fantastic elements, yet they are not the same, as the fantastic is based on an ambiguity of those elements. In

Russian literature Russian literature refers to the literature of Russia and its émigrés and to Russian language, Russian-language literature. The roots of Russian literature can be traced to the Middle Ages, when epics and chronicles in Old East Slavic were c ...

, the "fantastic" (фантастика) encompasses

science fiction Science fiction (sometimes shortened to Sci-Fi or SF) is a genre of speculative fiction which typically deals with imaginative and futuristic concepts such as advanced science and technology, space exploration, time travel, parallel unive ...

(called "science fantastic", научная фантастика),

fantasy Fantasy is a genre of speculative fiction involving Magic (supernatural), magical elements, typically set in a fictional universe and sometimes inspired by mythology and folklore. Its roots are in oral traditions, which then became fantasy ...

, and other non-realistic genres.

Examples

In literary works

*Many of

's short works *

Henry James Henry James ( – ) was an American-British author. He is regarded as a key transitional figure between literary realism and literary modernism, and is considered by many to be among the greatest novelists in the English language. He was the ...

, '' The Turn of the Screw'' – seen by Todorov as one of the few examples of pure FantasticTodorov, Tzvetan, ''The Fantastic: A Structural Approach to a Literary Genre

trans. by Richard Howard (Cleveland: Case Western Reserve University Press, 1973) *

Nikolai Gogol Nikolai Vasilyevich Gogol; uk, link=no, Мико́ла Васи́льович Го́голь, translit=Mykola Vasyliovych Hohol; (russian: Яновский; uk, Яновський, translit=Yanovskyi) ( – ) was a Russian novelist, ...

's "The Nose" *

Mikhail Bulgakov Mikhail Afanasyevich Bulgakov ( rus, links=no, Михаил Афанасьевич Булгаков, p=mʲɪxɐˈil ɐfɐˈnasʲjɪvʲɪtɕ bʊlˈɡakəf; – 10 March 1940) was a Soviet writer, medical doctor, and playwright active in the fir ...

Mircea Eliade Mircea Eliade (; – April 22, 1986) was a Romanians, Romanian History of religion, historian of religion, fiction writer, philosopher, and professor at the University of Chicago. He was a leading interpreter of religious experience, who establ ...

's ''

The Willows The Willows may refer to: Places * The Willows, El Paso, Texas, USA * The Willows, Queensland, a town in Australia * The Willows, Salford, home of Salford Rugby League club in Salford, England, UK * The Willows, Saskatoon, a residential community ...

'' and ''

The Wendigo Wendigo () is a mythological creature or evil spirit originating from the folklore of Plains and Great Lakes Natives as well as some First Nations. It is based in and around the East Coast forests of Canada, the Great Plains region of the Un ...

'' * Sheridan Le Fanu's works in

In a Glass Darkly ''In a Glass Darkly'' is a collection of five stories by Sheridan Le Fanu, first published in 1872, the year before his death. The second and third stories are revised versions of previously published stories. The first three stories are short ...

Mervyn Peake Mervyn Laurence Peake (9 July 1911 – 17 November 1968) was an English writer, artist, poet, and illustrator. He is best known for what are usually referred to as the '' Gormenghast'' books. The four works were part of what Peake conceived ...

's ''

Gormenghast Gormenghast may refer to: * ''Gormenghast'' (series), a trilogy of novels by Mervyn Peake ** ''Gormenghast'' (novel), second in the series * ''Gormenghast'' (opera), an opera based on the books * ''Gormenghast'' (TV serial), a BBC adaptatio ...

'' series *

E.T.A. Hoffmann Ernst Theodor Amadeus Hoffmann (born Ernst Theodor Wilhelm Hoffmann; 24 January 1776 – 25 June 1822) was a German Romantic author of fantasy and Gothic horror, a jurist, composer, music critic and artist. Penrith Goff, "E.T.A. Hoffmann" in E ...

's works, notably "

The Sandman The Sandman is a mythical character in European folklore who puts people to sleep and encourages and inspires beautiful dreams by sprinkling magical sand onto their eyes. Representation in traditional folklore The Sandman is a traditional charact ...

", "The Golden Flower Pot", and "The Nutcracker and the King of Mice" *

Gérard de Nerval Gérard de Nerval (; 22 May 1808 – 26 January 1855) was the pen name of the French writer, poet, and translator Gérard Labrunie, a major figure of French romanticism, best known for his novellas and poems, especially the collection ''Les Fil ...

's "Aurelia" *

Guy de Maupassant Henri René Albert Guy de Maupassant (, ; ; 5 August 1850 – 6 July 1893) was a 19th-century French author, remembered as a master of the short story form, as well as a representative of the Naturalist school, who depicted human lives, destin ...

's "The Horla" *

Ambrose Bierce Ambrose Gwinnett Bierce (June 24, 1842 – ) was an American short story writer, journalist, poet, and American Civil War veteran. His book ''The Devil's Dictionary'' was named as one of "The 100 Greatest Masterpieces of American Literature" by t ...

's The Death of Halpin Frayser * Adolfo Bioy Casares's

The Invention of Morel ''La invención de Morel'' (; 1940) — translated as ''The Invention of Morel'' or ''Morel's Invention'' — is a novel by Argentine writer Adolfo Bioy Casares. It was Bioy Casares' breakthrough effort, for which he won the 1941 First Mu ...

* R.L. Stevenson's ''Strange Case of Dr. Jekyll and Mr. Hyde'' *

Bram Stoker Abraham Stoker (8 November 1847 – 20 April 1912) was an Irish author who is celebrated for his 1897 Gothic horror novel '' Dracula''. During his lifetime, he was better known as the personal assistant of actor Sir Henry Irving and busine ...

's ''

Dracula ''Dracula'' is a novel by Bram Stoker, published in 1897. As an epistolary novel, the narrative is related through letters, diary entries, and newspaper articles. It has no single protagonist, but opens with solicitor Jonathan Harker taking ...

'' * Mary Shelley's ''

Frankenstein ''Frankenstein; or, The Modern Prometheus'' is an 1818 novel written by English author Mary Shelley. ''Frankenstein'' tells the story of Victor Frankenstein, a young scientist who creates a sapient creature in an unorthodox scientific ex ...

'' *

Oscar Wilde Oscar Fingal O'Flahertie Wills Wilde (16 October 185430 November 1900) was an Irish poet and playwright. After writing in different forms throughout the 1880s, he became one of the most popular playwrights in London in the early 1890s. He is ...

's ''

The Picture of Dorian Gray ''The Picture of Dorian Gray'' is a philosophical fiction, philosophical novel by Irish writer Oscar Wilde. A shorter novella-length version was published in the July 1890 issue of the American periodical ''Lippincott's Monthly Magazine''.''Th ...

'' *

Emily Brontë Emily Jane Brontë (, commonly ; 30 July 1818 – 19 December 1848) was an English novelist and poet who is best known for her only novel, ''Wuthering Heights'', now considered a classic of English literature. She also published a book of poet ...

's '' Wuthering Heights'' * Charlotte Brontë's ''

Jane Eyre ''Jane Eyre'' ( ; originally published as ''Jane Eyre: An Autobiography'') is a novel by the English writer Charlotte Brontë. It was published under her pen name "Currer Bell" on 19 October 1847 by Smith, Elder & Co. of London. The first ...

'' *

Franz Kafka Franz Kafka (3 July 1883 – 3 June 1924) was a German-speaking Bohemian novelist and short-story writer, widely regarded as one of the major figures of 20th-century literature. His work fuses elements of realism and the fantastic. It ...

's '' The Metamorphosis'' *

Lewis Carroll Charles Lutwidge Dodgson (; 27 January 1832 – 14 January 1898), better known by his pen name Lewis Carroll, was an English author, poet and mathematician. His most notable works are ''Alice's Adventures in Wonderland'' (1865) and its sequel ...

's ''Alice's Adventures of Wonderland'' and ''Through the Looking Glass'' * Arthur Machen's ''

The Great God Pan ''The Great God Pan'' is a horror and fantasy novella by Welsh writer Arthur Machen. Machen was inspired to write ''The Great God Pan'' by his experiences at the ruins of a pagan temple in Wales. What would become the first chapter of the n ...

'' *

Nathaniel Hawthorne Nathaniel Hawthorne (July 4, 1804 – May 19, 1864) was an American novelist and short story writer. His works often focus on history, morality, and religion. He was born in 1804 in Salem, Massachusetts, from a family long associated with that t ...

's ''

The House of the Seven Gables ''The House of the Seven Gables: A Romance'' is a Gothic novel written beginning in mid-1850 by American author Nathaniel Hawthorne and published in April 1851 by Ticknor and Fields of Boston. The novel follows a New England family and their anc ...

'' and " The Birth-Mark" * H.G. Wells's ''

The Island of Doctor Moreau ''The Island of Doctor Moreau'' is an 1896 science fiction novel by English author H. G. Wells (1866–1946). The text of the novel is the narration of Edward Prendick who is a shipwrecked man rescued by a passing boat. He is left on the islan ...

'' *Short stories in Vernon Lee's '' Hauntings''

In film

''Unbreakable'' (2000)

Definitions

Related genres

Examples

In literary works

In film

See also

Notes

Further reading