''Fantasias for Guitar and Banjo'' is the debut album of the
folk guitarist
Sandy Bull, released in 1963 through
Vanguard Records.
Recording
Bull recorded the album accompanied by
Billy Higgins, a
session jazz drummer who had previously appeared on early
Ornette Coleman
Randolph Denard Ornette Coleman (March 9, 1930 – June 11, 2015) was an American jazz saxophonist, violinist, trumpeter, and composer known as a principal founder of the free jazz genre, a term derived from his 1960 album '' Free Jazz: A Colle ...
records.
[Fellezs, Kevin]
''Birds of Fire: Jazz, Rock, Funk, and the Creation of Fusion''
Duke University Press. 2011. pg. 50. Retrieved August 11, 2012. Together they recorded three original pieces as well as interpretations of
Carmina Burana Fantasy and
Non nobis Domine
''Non nobis'' is the incipit and conventional title of a short Latin Christian hymn used as a prayer of thanksgiving and expression of humility.
The Latin text is from the Vulgate translation of the Book of Psalms, Psalm 113:9 in Vulgate / Gre ...
.
Music
The highlight of ''Fantasias for Guitar and Banjo'' is usually considered to be its opener "Blend", a lengthy improvisational piece.
[Larkin, Colin. ''The Virgin Encyclopedia of Jazz''. Virgin Books. 1999. pg. 135. Retrieved August 11, 2012.] According to Bull, the ideas behind the piece originated from his admiration of
Folkways Records
Folkways Records was a record label founded by Moses Asch that documented folk, world, and children's music. It was acquired by the Smithsonian Institution in 1987 and is now part of Smithsonian Folkways.
History
The Folkways Records & Service ...
, which documented ethnic music from across the world. He also claimed to being particularly inspired from hearing
Ravi Shankar and
Ali Akbar Khan in
New York City.
[Leech, Jeanette]
''Seasons They Change: The Story of Acid and Psychedelic Folk''
Jawbone Press. 2010. pg. 43. Retrieved August 11, 2012. "Blend" has been viewed as a "virtual travelogue of styles done in a then revolutionary modal tuning".
The tuning is in the key of B.
[Williams, Paul]
Hal Leonard Corporation. 2002. pg. 102. Retrieved August 11, 2012.
Release and reception
Matthew Greenwald of
AllMusic describes ''Fantasias for Guitar and Banjo'' as an "incredible debut" and lauds it for being well ahead of its time.
Writing in ''
Crawdaddy'' in December 1966,
Sandy Pearlman recognized the album as a work that presaged pop music's move toward
raga rock. Pearlman said that, with ''Fantasias'', Bull "became a leading innovator in the assimilation of Indian influences into a Western musical context".
[ Available a]
pastemagazine.com
(June 9, 2015). Retrieved July 3, 2017.
Author Kevin Fellezs views the album as a prime example of an "underacknowledged early fusion-world recording that remains musically compelling today".
Track listing
Personnel
*
Sandy Bull –
banjo
The banjo is a stringed instrument with a thin membrane stretched over a frame or cavity to form a resonator. The membrane is typically circular, and usually made of plastic, or occasionally animal skin. Early forms of the instrument were fashi ...
,
guitar
*
Billy Higgins –
drums
A drum kit (also called a drum set, trap set, or simply drums) is a collection of drums, cymbals, and other Percussion instrument, auxiliary percussion instruments set up to be played by one person. The player (drummer) typically holds a pair o ...
External links
*
References
{{Authority control
1963 debut albums
Vanguard Records albums
Sandy Bull albums