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''Fake Accounts'' is the 2021 debut novel by American author and critic Lauren Oyler. It was published on February 2, 2021, by Catapult, and on February 4, 2021, by Fourth Estate. The novel follows a young woman who discovers that her boyfriend is behind a popular
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account which promotes conspiracy theories. It was shortlisted for the 2021 Bollinger Everyman Wodehouse Prize for Comic Fiction.


Plot

In late 2016 the narrator, a blogger, has feelings of ambivalence towards her boyfriend, Felix. She decides to go through his phone where she discovers a secret
Instagram Instagram is a photo and video sharing social networking service owned by American company Meta Platforms. The app allows users to upload media that can be edited with filters and organized by hashtags and geographical tagging. Posts can ...
account where he espouses conspiracy theories, theories which he does not appear to believe in real life. She decides to break up with him. The narrator recounts how she met Felix while on a pub crawl in Berlin and the two began a long-distance relationship with Felix eventually joining her in Brooklyn. Feeling excited about the prospect of ending her relationship with Felix, she nevertheless decides to delay breaking up with him until after the
2017 Women's March The Women's March was a worldwide protest on January 21, 2017, the day after Inauguration of Donald Trump, the inauguration of Donald Trump as US president. It was prompted by Trump's policy positions and rhetoric, which protesters called Misog ...
, which she attends reluctantly. Felix does not text her during the March which angers her. She later receives a call from his mother that reveals Felix was killed while biking. The narrator decides to quit her job and move to Berlin on a whim. Knowing no German (and with no plans to learn) she survives in the English language ex-pat community, taking an under-the-table job babysitting children. Bored, she also begins to aggressively date, making connections through online dating apps and coming up with different personas to try out on the men she is dating. The narrator eventually receives a call from a former friend that reveals that several hours earlier Felix reappeared at a work event with his former colleagues, revealing he faked his death as a piece of performance art and is now living in Berlin. The narrator sends Felix an angry email to which he responds that he assumed she knew he faked his own death. A short while later the narrator runs into Felix on the streets of Berlin. She mentions that in his new
Instagram Instagram is a photo and video sharing social networking service owned by American company Meta Platforms. The app allows users to upload media that can be edited with filters and organized by hashtags and geographical tagging. Posts can ...
page he quoted something she once tweeted. He tells her that was the point.


Form and style

A section in the middle of the book is written in a fragmented narrative style popular in contemporary fiction, which the narrator scorns—she asks, "Why, would I want to make my book like Twitter?" Critics were divided on the merit of this parody—some found it effective and comedic, while others disagreed. The narrator of ''Fake Accounts'' bears obvious resemblances to Oyler, leading several critics to remark on the difficulty of establishing the extent to which the narrator is based on, or parodies, the author. Some critics argued that this was a way for Oyler to push her readers to reflect on the ways they regularly package themselves for consumption—from dating apps to social media, we all engage in reinventions of ourselves. ''Fake Accounts'' employs other
metafiction Metafiction is a form of fiction which emphasises its own narrative structure in a way that continually reminds the audience that they are reading or viewing a fictional work. Metafiction is self-conscious about language, literary form, and story ...
al devices: the narrator addresses the reader and an imagined audience of her ex-boyfriends, and the novel is divided into four sections, titled ''Beginning'', ''Middle (Something Happens)'', ''Middle (Nothing Happens)'', and ''Climax''.


Writing and development

Oyler enjoyed the freedom involved in writing a novel. In the past, she had mostly written for articles for magazines, which involved more constraints and editorial intervention. She has a reputation for unflinching critiques of novels and books, and she has said she has prepared for a negative review, or negative reviews, of ''Fake Accounts''. Several interviewers asked her about the possibility around the time the novel was released. Oyler wrote the novel in part due to a desire to comment on the internet and social interactions on the internet.


Television series

In February 2022, it was reported that the novel will be adapting into a television series. The project will produced by Anonymous Content's AC Studios with Ben Sinclair,
Jen Silverman Jen Silverman is an American playwright, TV writer, and novelist. Silverman grew up living and traveling in Scandinavia, Asia, and Europe as well as the United States. They completed a BA in comparative literature at Brown University and an MF ...
, Julia Garner, Rowan Riley and Oyler as executive producers.


Critical reception

''Fake Accounts'' received generally favourable reviews—though some were ambivalent or negative—with a cumulative "Positive" rating at the review aggregator website Book Marks, based on 30 book reviews from mainstream literary critics. Reviewers frequently described it as funny. In a review in the '' New York Times'', Katie Kitamura called it "invigorating" and "deadly precise," and Kevin Power, writing in the ''Guardian'', said it was "prismatically intelligent." ''
Kirkus Reviews ''Kirkus Reviews'' (or ''Kirkus Media'') is an American book review magazine founded in 1933 by Virginia Kirkus (1893–1980). The magazine is headquartered in New York City. ''Kirkus Reviews'' confers the annual Kirkus Prize to authors of fic ...
'' said it was, "Not bad as social commentary. Not that great as a story." The '' New Statesman'' called it "laboured and pretentious," and boring – "an experiment in sustained snark."
Parul Sehgal Parul Sehgal is an American literary critic based in New York, who publishes primarily in American venues. She is a former senior editor and columnist at ''The New York Times Book Review'', and was one of the team of book critics at ''The New Yo ...
of the '' New York Times'' said that ''Fake Accounts'' is a novel in which social media "feels, finally, fully and thoroughly explored, with style and originality." She considered it a worthwhile read, although she warned that it is "maddening at times, too cautious, regrettably intent on replicating the very voice it critiques." The ''
London Review of Books The ''London Review of Books'' (''LRB'') is a British literary magazine published twice monthly that features articles and essays on fiction and non-fiction subjects, which are usually structured as book reviews. History The ''London Review of ...
'' criticised the novel's tendency towards "aimless" and "half-finished" digressions, but complimented the writing as occasionally "precise, even dazzling." Several reviewers lamented the dearth of sincerity and emotional vulnerability in the novel, with '' Wired'' calling it "bloodless." '' HuffPost'' said of ''Fake Accounts'' that "while successful at capturing the misery of life online, it sometimes feels captured by it." A review in the ''
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'' admitted that the novel's "discomfort with vulnerability, its commitment to self-awareness and self-degradation, ultimately makes for a draining emotional experience," but suggested that this had been Oyler's intention. A number of critics noted thematic similarities to Patricia Lockwood's debut novel '' No One Is Talking About This'', which was published in the same month. Both deal with the internet and its intrusion into day-to-day life.


References

{{reflist 2021 American novels 2021 debut novels Novels set in Berlin Novels set in Brooklyn Novels about the Internet Novels about social media HarperCollins books