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Ezra Mir (26 October 1903 – 7 March 1993) (
fl. ''Floruit'' (; abbreviated fl. or occasionally flor.; from Latin for "they flourished") denotes a date or period during which a person was known to have been alive or active. In English, the unabbreviated word may also be used as a noun indicatin ...
1924–1993) was an Indian film-maker, known for his
documentary film A documentary film or documentary is a non-fictional motion-picture intended to "document reality, primarily for the purposes of instruction, education or maintaining a historical record". Bill Nichols has characterized the documentary in term ...
s. Mir changed his Jewish birth name, Edwyn Meyers, to Ezra Mir because he felt his original name "lacked Indianness". After working originally as a stage actor, he moved to New York in 1924 and started working in film, first as an actor and then later as an editor. During this period he also made his first short film, ''The Symbolesque'' (1929). Returning to India, Mir began directing films based on
Hindi theatre Hindi theatre is theatre performed in the Hindi language, including dialects such as Braj Bhasha, Khari Boli and Hindustani. Hindi theatre is produced mainly in North India, and some parts of West India and Central India, which include Mumbai an ...
. He made his first full length film in this genre, ''Noorjehan'', for the Imperial Film Company in 1931, and subsequently ''Zarina'' and other films for the Sagar Movietone. He made a number of films for Madan Theatre Studios in the 1930s, and his most well-known work, ''Rickshawala'', was produced by Ranjit Movietone. He then set up his own studio, Everest Pictures, in 1939. During the 1940s, Mir joined the Film Advisory Board and began making documentary films. The three notable shorts he made for them were ''Making Money'', ''The Road To Victory'' and the ''Voice of Satan'' in 1940. ''The Road To Victory'' was about the proclamation of dictatorship and was effectively directed and narrated by Mir. ''Voice of Satan'' was a two-reeler about the propaganda used by the Germans in their broadcasting methods. Both the war documentaries were a production of Wadia Movietone, a co-operative effort with the Film Advisory Board. When the Advisory Board was replaced by Information Films of India, Mir continued to work for them, producing newsreels such as '' Indian News Parade''. After the war, he continued documentary work, founding the Indian Documentary Producers Association in 1956, and worked on over 700 documentary films. Mir was appointed Chief Producer of the Ministry of Information's Films Division in 1956; under his management, the Division was highly prolific, releasing newsreels at the rate of one per week as well as over 100 documentary films per year. He was awarded the
Padma Shri Padma Shri (IAST: ''padma śrī''), also spelled Padma Shree, is the fourth-highest civilian award of the Republic of India, after the Bharat Ratna, the Padma Vibhushan and the Padma Bhushan. Instituted on 2 January 1954, the award is conferr ...
in 1970.


Death

He died on 7 March 1993, in Mumbai.


Filmography

;As director *''The Symbolesque'' (1929) *''Noorjehan'' (1931) *''Zarina'' (1932) *''Premi Pagal'' (1933) *''Farzande Hind'' (1934)


References

{{DEFAULTSORT:Mir, Ezra 1993 deaths Indian documentary filmmakers Film directors from Mumbai Indian Jews 1903 births Recipients of the Padma Shri in arts 20th-century Indian film directors Indian silent film directors Directors who won the Best Children's Film National Film Award