"Every Day I Have the Blues" is a

blues Blues is a music genre and musical form which originated in the Deep South of the United States around the 1860s. Blues incorporated spirituals, work songs, field hollers, shouts, chants, and rhymed simple narrative ballads from the Afr ...

song that has been performed in a variety of styles. An early version of the song is attributed to

Pinetop Sparks Aaron "Pinetop" Sparks (born Aaron Gant, May 22, 1910 – November 5, 1935) was an American blues pianist active in St. Louis in the early 1930s. He died in his twenties from either poisoning or exhaustion. Career Aaron and his twin brother, Mari ...

and his brother Milton. It was first performed in the taverns of St. Louis by the Sparks brothers and was recorded July 28, 1935 by Pinetop with

Henry Townsend Henry Townsend may refer to: * Henry Townsend (Norwich) (1626–1695), early American colonist born in Norwich, Norfolk, England * Henry Townsend (Oyster Bay) (1649–1703), American colonist born in Oyster Bay * Henry Townsend (missionary) (1815� ...

on guitar. The song is a

twelve-bar blues The 12-bar blues (or blues changes) is one of the most prominent chord progressions in popular music. The blues progression has a distinctive form in lyrics, phrase, chord structure, and duration. In its basic form, it is predominantly based on ...

that features Pinetop's piano and

falsetto ''Falsetto'' (, ; Italian diminutive of , "false") is the vocal register occupying the frequency range just above the modal voice register and overlapping with it by approximately one octave. It is produced by the vibration of the ligamentous ed ...

vocal. The opening verse includes the line "Every day, every day I have the blues". After a reworking of the song by

Memphis Slim John Len Chatman (September 3, 1915 – February 24, 1988), known professionally as Memphis Slim, was an American blues pianist, singer, and composer. He led a series of bands that, reflecting the popular appeal of jump blues, included saxopho ...

in 1949, it became a

blues standard Blues standards are blues songs that have attained a high level of recognition due to having been widely performed and recorded. They represent the best known and most interpreted blues songs that are seen as standing the test of time. Blues ...

with renditions recorded by numerous artists. Four different versions of "Every Day I Have the Blues" have reached the Top Ten of the

Billboard R&B chart The Hot R&B/Hip-Hop Songs chart ranks the most popular R&B and hip hop songs in the United States and is published weekly by ''Billboard''. Rankings are based on a measure of radio airplay, sales data, and streaming activity. The chart had 100 p ...

and two—one by the

Count Basie Orchestra The Count Basie Orchestra is a 16 to 18 piece big band, one of the most prominent jazz performing groups of the swing era, founded by Count Basie in 1935 and recording regularly from 1936. Despite a brief disbandment at the beginning of the 195 ...

with Joe Williams and one by

B.B. King Riley B. King (September 16, 1925 – May 14, 2015), known professionally as B.B. King, was an American blues singer-songwriter, guitarist, and record producer. He introduced a sophisticated style of soloing based on fluid string bending, shi ...

—have received

Grammy Hall of Fame Award The Grammy Hall of Fame is a hall of fame to honor musical recordings of lasting qualitative or historical significance. Inductees are selected annually by a special member committee of eminent and knowledgeable professionals from all branches of ...

s. In 2019, the latter version was inducted into the

Blues Foundation The Blues Foundation is an American nonprofit corporation, headquartered in Memphis, Tennessee, that is affiliated with more than 175 blues organizations from various parts of the world. Founded in 1980, a 25-person board of directors governs the ...

Hall of Fame as a "Classic of Blues Recording".

Post-war versions

In 1949, Memphis Slim recorded the reworked song as "Nobody Loves Me". Although he used the Sparks brothers' opening verse, he rewrote the remainder of the lyrics, and sang the melody in a normal vocal range: "Nobody Love Me" was released as the B-side to Memphis Slim's "Angel Child" single. Although "Angel Child" became a hit (number six

), "Nobody Loves Me" did not enter the charts. However, when

Lowell Fulson Lowell Fulson (March 31, 1921March 7, 1999) was an American blues guitarist and songwriter, in the West Coast blues tradition. He also recorded for contractual reasons as Lowell Fullsom and Lowell Fulsom. After T-Bone Walker, he was the most imp ...

with

Lloyd Glenn Lloyd Colquitt Glenn (November 21, 1909 – May 23, 1985) was an American R&B pianist, bandleader and arranger, who was a pioneer of the "West Coast" blues style. Career Born in San Antonio, Texas, from the late 1920s, Glenn played with vari ...

adapted Memphis Slim's arrangement, but used Sparks' earlier title, it became a hit and spent twenty-three weeks in the R&B chart, reaching number three in 1950. Fulson's "slow grooving" version, with sax and guitar solos, influenced B.B. King's later rendition of the song. Jazz singer Joe Williams had hits with two different recordings of the song. The first version, recorded with the

King Kolax King Kolax (born William Little, November 6, 1912 – December 18, 1991) was an American jazz trumpeter and bandleader. Biography William Little was born in Kansas City, Missouri in 1912; he misleadingly claimed he was born in 1918 in later ...

Orchestra in 1952, reached number eight in the R&B chart (Checker 762). In 1955 in New York, he recorded a second and perhaps the most famous version of the song with the

Count Basie William James "Count" Basie (; August 21, 1904 – April 26, 1984) was an American jazz pianist, organist, bandleader, and composer. In 1935, he formed the Count Basie Orchestra, and in 1936 took them to Chicago for a long engagement and the ...

Orchestra, titled "Every Day". It featured a big-band arrangement and spent twenty weeks in the R&B chart, reaching number two. Despite Sparks' earlier song, most versions of "Every Day I Have the Blues" are credited to Memphis Slim (to his real name, John Chatman, or to his pseudonym, Peter Chatman). Because of their success, Memphis Slim's composer royalties from the later hits by other artists "were sufficient to buy a Rolls Royce with which to squire himself around Paris," according to writer

Colin Escott Colin Escott (born August 31, 1949) is a British music historian and author specializing in early U.S. rock and roll and country music. His works include a biography of Hank Williams, histories of Sun Records and The Grand Ole Opry, liner notes ...

B.B. King versions

Also in 1955, B.B. King recorded "Every Day I Have the Blues". King attributed the song's appeal to arranger

Maxwell Davis Thomas Maxwell Davis, Jr. (January 14, 1916 – September 18, 1970), was an American rhythm and blues saxophonist, arranger, bandleader and record producer. Biography Davis was born in Independence, Kansas in 1916. In 1937, he moved to Lo ...

: "He

avis Avis is Latin for bird and may refer to: Aviation *Auster Avis, a 1940s four-seat light aircraft developed from the Auster Autocrat (abandoned project) *Avro Avis, a two-seat biplane *Scottish Aeroplane Syndicate Avis, an early aircraft built by ...

wrote a chart of 'Every Day I Have the Blues' with a crisp and relaxed sound I'd never heard before. I liked it so well, I made it my theme... Maxwell Davis didn't write majestically he wrote naturally, which was my bag. He created an atmosphere that let me relax." The song was recorded at

Capitol Records Capitol Records, LLC (known legally as Capitol Records, Inc. until 2007) is an American record label distributed by Universal Music Group through its Capitol Music Group imprint. It was founded as the first West Coast-based record label of note ...

' old studio on Melrose Avenue in Hollywood which, according to RPM Records part-owner

Joe Bihari The Bihari brothers, Lester, Jules, Saul and Joe, were American businessmen of Hungarian Jewish origins. They were the founders of Modern Records in Los Angeles and its subsidiaries, such as Meteor Records, based in Memphis. The Bihari brothers we ...

, had "a better sound" than the new studio in the company's new tower. Bihari commented on a technique which bypassed the then normal method of using a microphone on an instrumentalist's amplifier: "We jacked B.B.'s guitar straight into the board, so it sounded a little different." RPM issued the song as a single, backed with "Sneakin' Around", which reached number eight on the R&B chart. It appears on several King albums, including his first, ''

Singin' the Blues ''Singin' the Blues'' is the first LP album by American bluesman B.B. King, released in 1957 by the Bihari brothers on their Crown budget label. It is a compilation album whose songs were issued between 1951 and 1956 on singles by RPM Records a ...

'' (1957). In 1959, King re-recorded the song as a guest vocalist with members of Basie's orchestra with Davis conducting.

Kent Records Kent Records was a Los Angeles-based record label, launched in 1958 by the Bihari brothers. It was subsidiary of Crown Records Corporation. Kent was a follow-up to Modern Records which ceased operations in 1958. The label reissued Modern's singles, ...

released it as a single, backed with "Time to Say Goodbye". The remake is included on the 1959 album ''Compositions of Count Basie and Others'' and as a bonus track on a 2003 Ace Records reissue of King's 1959 album ''B.B. King Wails''. The song became an important piece in King's repertoire and live recordings are included on ''

Live at the Regal ''Live at the Regal'' is a 1965 live album by American blues guitarist and singer B.B. King. It was recorded on November 21, 1964, at the Regal Theater in Chicago. The album is widely heralded as one of the greatest blues albums ever recorded a ...

'' (1965) and ''

Live in Cook County Jail ''Live in Cook County Jail'' is a 1971 live album by American blues musician B.B. King, recorded on September 10, 1970, in Cook County Jail in Chicago. Agreeing to a request by jail warden Winston Moore, King and his band performed for an audie ...

'' (1971).

Recognition and influence

"Every Day I Have the Blues" received two Grammy Hall of Fame Awards: Count Basie with Joe Williams' 1955 version "Every Day (I Have the Blues)" in 1992; and B.B. King's 1955 version "Every Day I Have the Blues" in 2004. Subsequently, a variety of artists have recorded the song. In 2019, the

inducted "Every Day I Have the Blues" into the Blues Hall of Fame as a "Classic of Blues Recording". The induction statement includes:

Notes

Footnotes Citations References * * * * * * * * {{authority control Songs about blues 1935 songs Memphis Slim songs 1949 singles Lowell Fulson songs 1950 singles 1952 singles 1955 singles B.B. King songs Blues songs RPM Records (United States) singles Grammy Hall of Fame Award recipients