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The epigonion ( el, ἐπιγόνιον) was an ancient stringed instrument, possibly a Greek harp mentioned in
Athenaeus Athenaeus of Naucratis (; grc, Ἀθήναιος ὁ Nαυκρατίτης or Nαυκράτιος, ''Athēnaios Naukratitēs'' or ''Naukratios''; la, Athenaeus Naucratita) was a Greek rhetorician and grammarian, flourishing about the end of ...
(183 AD), probably a
psaltery A psaltery ( el, ψαλτήρι) (or sawtry, an archaic form) is a fretboard-less box zither (a simple chordophone) and is considered the archetype of the zither and dulcimer; the harp, virginal, harpsichord and clavichord were also inspired by ...
.


Description

The epigonion was invented, or at least introduced into
Greece Greece,, or , romanized: ', officially the Hellenic Republic, is a country in Southeast Europe. It is situated on the southern tip of the Balkans, and is located at the crossroads of Europe, Asia, and Africa. Greece shares land borders wi ...
, by
Epigonus of Ambracia Epigonus of Ambracia ( grc-gre, Ἐπίγονος Ἀμβρακιώτης; fl. 6th century BC) was a Greek musician from Ambracia in South Epirus, who was admitted to a citizenship at Sicyon, where he lived, performed and taught. The epigonion (stri ...
, a Greek musician of
Ambracia Ambracia (; grc-gre, Ἀμβρακία, occasionally , ''Ampracia'') was a city of ancient Greece on the site of modern Arta. It was captured by the Corinthians in 625 BC and was situated about from the Ambracian Gulf, on a bend of the navigabl ...
in
Epirus sq, Epiri rup, Epiru , native_name_lang = , settlement_type = Historical region , image_map = Epirus antiquus tabula.jpg , map_alt = , map_caption = Map of ancient Epirus by Heinri ...
, who was admitted to citizenship at
Sicyon Sicyon (; el, Σικυών; ''gen''.: Σικυῶνος) or Sikyon was an ancient Greek city state situated in the northern Peloponnesus between Corinth and Achaea on the territory of the present-day regional unit of Corinthia. An ancient mon ...
as a recognition of his great musical ability and of his having been the first to pluck the strings with his fingers, instead of using the
plectrum A plectrum is a small flat tool used for plucking or strumming of a stringed instrument. For hand-held instruments such as guitars and mandolins, the plectrum is often called a pick and is held as a separate tool in the player's hand. In har ...
. The instrument, which Epigonus named after himself, had forty strings. It was undoubtedly a kind of
harp The harp is a stringed musical instrument that has a number of individual strings running at an angle to its soundboard; the strings are plucked with the fingers. Harps can be made and played in various ways, standing or sitting, and in orc ...
or psaltery, since in an instrument of so many strings some must have been of different lengths, for tension and thickness only could hardly have produced forty different sounds, or even twenty, supposing that they were arranged in pairs of unisons. Strings of varying lengths require a frame like that of the harp, or of the
Egypt Egypt ( ar, مصر , ), officially the Arab Republic of Egypt, is a List of transcontinental countries, transcontinental country spanning the North Africa, northeast corner of Africa and Western Asia, southwest corner of Asia via a land bridg ...
ian
cithara The kithara (or Latinized cithara) ( el, κιθάρα, translit=kithāra, lat, cithara) was an ancient Greek musical instrument in the yoke lutes family. In modern Greek the word ''kithara'' has come to mean "guitar", a word which etymolog ...
which had one of the arms supporting the cross bar or zugon shorter than the other, or else strings stretched over harp-shaped bridges on a sound-board in the case of a psaltery.
Juba II Juba II or Juba of Mauretania (Latin: ''Gaius Iulius Iuba''; grc, Ἰóβας, Ἰóβα or ;Roller, Duane W. (2003) ''The World of Juba II and Kleopatra Selene'' "Routledge (UK)". pp. 1–3. . c. 48 BC – AD 23) was the son of Juba I and client ...
, king of
Mauretania Mauretania (; ) is the Latin name for a region in the ancient Maghreb. It stretched from central present-day Algeria westwards to the Atlantic, covering northern present-day Morocco, and southward to the Atlas Mountains. Its native inhabitants ...
, who reigned from 30 BC, said that Epigonus brought the instrument from
Alexandria Alexandria ( or ; ar, ٱلْإِسْكَنْدَرِيَّةُ ; grc-gre, Αλεξάνδρεια, Alexándria) is the second largest city in Egypt, and the largest city on the Mediterranean coast. Founded in by Alexander the Great, Alexandri ...
and played upon it with the fingers of both hands, not only using it as an accompaniment to the voice, but introducing chromatic passages, and a chorus of other stringed instruments, probably citharas, to accompany the voice. Epigonus was also a skilled citharist and played with his bare hands without plectrum. Unfortunately, we have no record of when Epigonus lived.
Vincenzo Galilei Vincenzo Galilei (born 3 April 1520, Santa Maria a Monte, Italy died 2 July 1591, Florence, Italy) was an Italian lutenist, composer, and music theorist. His children included the astronomer and physicist Galileo Galilei and the lute virtuoso and ...
has given us a description of the epigonion accompanied by an illustration, representing his conception of the ancient instrument, an upright psaltery with the outline of the
clavicytherium A clavicytherium is a harpsichord in which the soundboard and strings are mounted vertically facing the player. The primary purpose of making a harpsichord vertical is the same as in the later upright piano, namely to save floor space. In a clavicy ...
(but no keyboard).


Virtual epigonion

In 2008, members of the Ancient Instruments Sound/Timbre Reconstruction Application (ASTRA) project used
physical modeling synthesis Physical may refer to: *Physical examination In a physical examination, medical examination, or clinical examination, a medical practitioner examines a patient for any possible medical signs or symptoms of a medical condition. It generally co ...
to simulate the epigonion. The instrument was simulated using historical records and its audio output (music) was rendered digitally. The first digital audio rendering of the Epigonion, released by ASTRA, has a duration of one minute and 57 seconds and took about four hours to render. Due to the complexity of this process, the ASTRA project uses grid computing, to model sounds on hundreds of computers simultaneously. The epigonion is part of the Lost Sounds Orchestra, alongside other ancient instruments which ASTRA has recreated the sounds for, including the
salpinx A salpinx (; plural salpinges ; Greek σαλπιγξ) was a trumpet-like instrument of the ancient Greeks. Construction The salpinx consisted of a straight, narrow bronze tube with a mouthpiece of bone and a bell (also constructed of bronze) of ...
, the
aulos An ''aulos'' ( grc, αὐλός, plural , ''auloi'') or ''tibia'' (Latin) was an ancient Greek wind instrument, depicted often in art and also attested by archaeology. Though ''aulos'' is often translated as "flute" or " double flute", it was u ...
, the
barbiton The barbiton, or barbitos ( Gr: βάρβιτον or βάρβιτος; Lat. ''barbitus''), is an ancient stringed instrument related to the lyre known from Greek and Roman classics. The Greek instrument was a bass version of the kithara, an ...
, and the
syrinx In classical Greek mythology, Syrinx ( Greek Σύριγξ) was a nymph and a follower of Artemis, known for her chastity. Pursued by the amorous god Pan, she ran to a river's edge and asked for assistance from the river nymphs. In answer, ...
.


Recordings

ASTRA describes the sound of their modelled epigonion as "metallic, crisp and bright, with a quite different timbre in the low and high range". Recordings ASTRA's reconstructed epigonion:
Dufay recordingScarlatti Sonata in D Minor recordingScarlatti Sonata in G Major recording


Notes


References

* {{Greek musical instruments Ancient Greek musical instruments Harps Zithers