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The Ebell of Los Angeles is a women-led and women-centered nonprofit housed in an historic campus in the Mid-Wilshire, Los Angeles, California, Mid-Wilshire section of Los Angeles, California. It includes numerous performance spaces, meeting rooms, classrooms and the 1,238-seat Wilshire Ebell Theatre. The Ebell works to uplift the Los Angeles community through arts, learning and service.
The campus has been owned and operated since 1927 by the Ebell of Los Angeles women's organization, which was formed in Los Angeles in 1894. Since 1927, the Wilshire Ebell Theatre has hosted musical performances and lectures by world leaders and top artists. Among other events, the Ebell was the site of aviator Amelia Earhart's last public appearance before attempting the 1937 around-the-world flight during which she disappeared. It is also the place where Judy Garland was discovered while performing as Baby Frances Gumm in the 1930s.
August 16, 1919, accessed June 3, 2012.
In 1923, the group announced plans to build a new clubhouse and theater west of downtown on Wilshire Boulevard. Before construction began, the lot at Wilshire Boulevard and Shatto Place had appreciated in value and was sold for a profit; a new lot at the corner of Wilshire Boulevard and Lucerne was purchased in 1925.
The group commissioned architect Sumner P. Hunt of Hunt & Silas Reese Burns, Burns to design the new facility, which was designed in an Italianate architecture, Italian style with plaster facing and Roof tile, Italian clay tile roofing. The new facilities consisted of multiple structures covering a site , surrounding a patio area. The new facilities included a new 1,300-seat auditorium at the rear of the property facing 8th Street. The two-story structure facing Wilshire Boulevard houses the group's clubhouse, including a large lounge, art salon, and dining room. The dining room opens to a tile-roofed colonnade walkway and fountain.
The clubhouse opened with a musicale tea in October 1927, and the Wilshire Ebell Theater, originally known as the Windsor Square Playhouse, opened to the public in December 1927 with the west coast premiere of Sigmund Romberg's musical ''The Desert Song''. When the buildings opened, the group's president wrote in the club's newsletter:
In more than eighty years of productions, the Wilshire Ebell has witnessed performances by many stars and celebrities, but some stand out from the rest.
* Young Judy Garland, then known as Baby Frances Gumm, first auditioned on the Wilshire Ebell Theater stage, and was discovered while performing there. MGM producer George Sidney later described Garland's first audition this way: "I had made Judy's first screen test. There was a theater here in Los Angeles called the Wilshire-Ebell. ... [T]hey used to put on vaudeville acts on certain nights of the week. This little girl came out with her two sisters and her mother playing the piano. She did a little number with a baseball bat. We took her out to the studio and made a test on a soundstage..." And in his biography of Garland, Gerold Frank described an early performance on the Wilshire Ebell stage, witnessed by another MGM producer, Joseph L. Mankiewicz: "Judy sang. And in his seat, Joe Mankiewicz, who was to win half a dozen Oscars as a screenwriter and director, underwent a memorable experience. He sat transfixed. Not only the power, but something electric ..." Mankewicz met the 13-year-old Garland backstage at the Ebell and determined to bring her name to the studio's attention.
* In 1937, Amelia Earhart made her last public appearance and speech at the Ebell before leaving for her ill-fated around-the-world flight.
*On February 2, 1938, Korean dancer Choi Seung-hee performed a costumed "recital of peasant, court and war dances" on the Ebell stage as part of a United States tour which included the August Wilson Theatre, Guild Theatre in New York City.
* On April 10, 1964, Glenn Gould gave his final public performance at the Ebell. Among the pieces he performed that night were Beethoven's Piano Sonata No. 30 (Beethoven), Piano Sonata No. 30, selections from Bach's ''The Art of Fugue'', and the Piano Sonata No. 3, Op. 92 No. 4 by Ernst Krenek. A recording exists in which Gould says the event took place in Chicago.
* Two years before his assassination of Benigno Aquino, Jr., assassination, Philippines, Filipino Opposition (politics), opposition leader and Ferdinand Marcos critic Benigno Aquino Jr., Benigno S. Aquino Jr. held a freedom rally speech at the theater on February 15, 1981; sharing his life and struggle under the martial law dictatorship for the jam-packed crowd of Filipino and United States, American audience.
The Ebell of Los Angeles website
The Ebell Theater of Los Angeles RBN
PreserveLA.com
{{Authority control Clubhouses in California Women's club buildings in California Mid-City, Los Angeles Theatres in Los Angeles Clubs and societies in California Organizations based in Los Angeles Women's clubs in the United States Women's organizations based in the United States History of women in California Los Angeles Historic-Cultural Monuments Clubhouses on the National Register of Historic Places in Los Angeles Organizations established in 1894 Organizations established in 1897 Event venues established in 1927 Buildings and structures completed in 1927 1920s architecture in the United States Sumner Hunt buildings Renaissance Revival architecture in California
Formation and early years
Ebell of Los Angeles was formed as a women's club in 1894, based on the principles and teachings of Adrian John Ebell, Adrian Ebell, a pioneer in women's education and organizing women's societies in the late 19th century. Harriet Williams Russell Strong was a founder of the club, serving as its president for three consecutive terms. The minutes of the first meeting of Ebell of Los Angeles identified its purpose "to interest women in the study of all branches of literature, art and science and the advancement of women in every branch of culture." The club adopted as its motto, "I will find a way or make one -- I serve." Over the years, the group has conducted classes, and hosted lectures and seminars, on topics including psychology, parliamentary law, travel, literature, music, gardening and science. Even before moving to its current quarters, it actively promoted the arts, as when from May 23 to July 25, 1919 it sponsored a marathon ten-week series of chamber music recitals by the Zoellner Quartet.University of Iowa Libraries, Iowa Digital Library, advertisement for Zoellner Quartet from ''Musical America''August 16, 1919, accessed June 3, 2012.
New building on Wilshire Boulevard
In 1923, the group announced plans to build a new clubhouse and theater west of downtown on Wilshire Boulevard. Before construction began, the lot at Wilshire Boulevard and Shatto Place had appreciated in value and was sold for a profit; a new lot at the corner of Wilshire Boulevard and Lucerne was purchased in 1925.
The group commissioned architect Sumner P. Hunt of Hunt & Silas Reese Burns, Burns to design the new facility, which was designed in an Italianate architecture, Italian style with plaster facing and Roof tile, Italian clay tile roofing. The new facilities consisted of multiple structures covering a site , surrounding a patio area. The new facilities included a new 1,300-seat auditorium at the rear of the property facing 8th Street. The two-story structure facing Wilshire Boulevard houses the group's clubhouse, including a large lounge, art salon, and dining room. The dining room opens to a tile-roofed colonnade walkway and fountain.
The clubhouse opened with a musicale tea in October 1927, and the Wilshire Ebell Theater, originally known as the Windsor Square Playhouse, opened to the public in December 1927 with the west coast premiere of Sigmund Romberg's musical ''The Desert Song''. When the buildings opened, the group's president wrote in the club's newsletter:The result of their tireless and unceasing labor may be seen at 4400 Wilshire Boulevard where a stately group of buildings now adorns a sightly eminence. The separated units have been so carefully designed as to form a magnificent mass, a colossal edifice, severely simple, classically correct, pleasing in its very ruggedness, elegant in its ornate adornment, suited to the purpose for which it was built.The total cost was $200,000 for the site, $650,000 for the entire structure, and $120,000 for the furnishings. Another writer observed: "Nowhere in America is there a more magnificent women's club house than the new home of Ebell. ... Every modern convenience and appliance, together with furnishings of the finest quality, are within its walls. It is lavish, but not flamboyantly so. It is practical and it has beauty and inspiring charm." The 1,300-seat theater is known for its acoustics and its Barton Organ Company, Barton pipe organ. The ''Los Angeles Times'' in 2003 described the theater as "the grande dame of genteel grace," "a cultural centerpiece for Los Angeles," and "one of the area's most striking" auditoriums.
Notable performances
In more than eighty years of productions, the Wilshire Ebell has witnessed performances by many stars and celebrities, but some stand out from the rest.
* Young Judy Garland, then known as Baby Frances Gumm, first auditioned on the Wilshire Ebell Theater stage, and was discovered while performing there. MGM producer George Sidney later described Garland's first audition this way: "I had made Judy's first screen test. There was a theater here in Los Angeles called the Wilshire-Ebell. ... [T]hey used to put on vaudeville acts on certain nights of the week. This little girl came out with her two sisters and her mother playing the piano. She did a little number with a baseball bat. We took her out to the studio and made a test on a soundstage..." And in his biography of Garland, Gerold Frank described an early performance on the Wilshire Ebell stage, witnessed by another MGM producer, Joseph L. Mankiewicz: "Judy sang. And in his seat, Joe Mankiewicz, who was to win half a dozen Oscars as a screenwriter and director, underwent a memorable experience. He sat transfixed. Not only the power, but something electric ..." Mankewicz met the 13-year-old Garland backstage at the Ebell and determined to bring her name to the studio's attention.
* In 1937, Amelia Earhart made her last public appearance and speech at the Ebell before leaving for her ill-fated around-the-world flight.
*On February 2, 1938, Korean dancer Choi Seung-hee performed a costumed "recital of peasant, court and war dances" on the Ebell stage as part of a United States tour which included the August Wilson Theatre, Guild Theatre in New York City.
* On April 10, 1964, Glenn Gould gave his final public performance at the Ebell. Among the pieces he performed that night were Beethoven's Piano Sonata No. 30 (Beethoven), Piano Sonata No. 30, selections from Bach's ''The Art of Fugue'', and the Piano Sonata No. 3, Op. 92 No. 4 by Ernst Krenek. A recording exists in which Gould says the event took place in Chicago.
* Two years before his assassination of Benigno Aquino, Jr., assassination, Philippines, Filipino Opposition (politics), opposition leader and Ferdinand Marcos critic Benigno Aquino Jr., Benigno S. Aquino Jr. held a freedom rally speech at the theater on February 15, 1981; sharing his life and struggle under the martial law dictatorship for the jam-packed crowd of Filipino and United States, American audience.
Renovation and historic designation
A major restoration of the Ebell complex commenced in 1989. The theater's seats were re-covered, the stage refitted, and new sound and lighting systems installed. Renovation work also extended to the main dining room (also known as the Concert Hall), the Grand Salon and Lounge, the Galleria, and the Art Salon. In recent years, the events held at the Wilshire Ebell Theater have reflected the ethnic diversity of the neighborhood, with shows staged in Persian language, Persian, Korean language, Korean, and Russian language, Russian. It has also been the site of annual "Divas Simply Singing" benefits for AIDS, featuring singers Nancy Wilson (jazz singer), Nancy Wilson, Roberta Flack, Rita Moreno, and Toni Tennille. The building has been designated as a historic structure at the local, state and national levels, including the following recognition: * The Ebell was declared a Los Angeles Cultural Historic Monument in 1982. * It was added to the National Register of Historic Places in 1994. * It has also been designated an Official American Treasure by the National Trust for Historic Preservation.Notable Members
* Lillie Stella Acer Ballagh * Ida I. Bellows, president from 1910 to 1912 * Pearlretta DuPuy, charter member * Mabel Barnett Gates, first vice-president * Betty Gilmore * Mabel D. Mullin * Dora A. StearnsSee also
* Ebell Club of Santa Paula, California * Ebell Society * National Register of Historic Places listings in Los Angeles * List of Los Angeles Historic-Cultural Monuments in the Wilshire and Westlake areasReferences
External links
The Ebell of Los Angeles website
The Ebell Theater of Los Angeles RBN
PreserveLA.com
{{Authority control Clubhouses in California Women's club buildings in California Mid-City, Los Angeles Theatres in Los Angeles Clubs and societies in California Organizations based in Los Angeles Women's clubs in the United States Women's organizations based in the United States History of women in California Los Angeles Historic-Cultural Monuments Clubhouses on the National Register of Historic Places in Los Angeles Organizations established in 1894 Organizations established in 1897 Event venues established in 1927 Buildings and structures completed in 1927 1920s architecture in the United States Sumner Hunt buildings Renaissance Revival architecture in California