EVA01

The , also referred to as Evas, are fictional biomechanical humanoid mechas introduced in the anime television series ''Neon Genesis Evangelion'', produced by Gainax studio and directed by Hideaki Anno, and in the manga of the same name written and illustrated by Yoshiyuki Sadamoto. In addition to the original animated series, Evangelions appear in its derivative works, in spin-off manga, video games, visual novels, in the original video animation '' Petit Eva: Evangelion@School'' and in the '' Rebuild of Evangelion'' movies, with considerably different roles and guises.

In the original animated series, the Evangelion are giant humanoids that are studied by a research center called Gehirn and the special agency Nerv to fight beings called Angels. In addition to mechanical components, they have a basic organic structure, derived from two beings named Adam and Lilith; for this reason they have eyes, epidermis, internal organs and nails similar to those of humans and have been classified for this as cyborgs rather than mecha in the traditional sense. Those assigned to pilot an Evangelion are called Children and are chosen by an organization called the Marduk Institute. Their design, inspired by the oni of Japanese folklore, Ultraman, ''Iczer-One'', '' Devilman'' and other sources, caused problems during the production of the animated series, but received a positive reception from critics and has been used for merchandise.

Conception

Hideaki Anno, director and principal screenwriter of ''Neon Genesis Evangelion'', initially sought to create what he called "a simple work featuring robots". He began by focusing on vague images and ideas rather than defined concepts, thinking that other staff members would then contribute adding details. According to King Records' Toshimichi Ōtsuki, producer of the series, at the beginning of production, the idea was to create a series about an Ultraman in armor, the protagonist of the franchise of the same name. The staff took inspiration particularly from an old project by Gainax. For the project, Anno came up with the idea of a female pilot in the wake of the original video animation '' Fight! Iczer One'', starting from the image of a girl in a capsule-shaped cockpit full of liquid – prototypes of the Eva-00 pilot Rei Ayanami and the Entry Plug – but without having a precise plot in mind. Other images became the basis of ''Evangelion'', such as skyscrapers emerging from the top of mountains, robots carrying batteries, people dragging large cables, and a city in the mountains named Tokyo-2 in Nagano Prefecture. During production, moreover, it was decided to have teenagers pilot the mechas and follow the tradition of other robot anime, but Anno did not initially think to give a reason regarding their ages. An explanation came to mind to the character designer of the series, Yoshiyuki Sadamoto. While watching a documentary on the Japanese TV station NHK named the artist learned of the existence of A10 nerves. Sadamoto then pitched new ideas for the anime, such as being able to explain the age of the pilots, who are all teenagers without mothers.From the ''Renewal of Evangelion'' bonus extras. He tried to create something along the lines of ''Space Pirate Captain Harlock'''s ''Arcadia'', a spaceship with a computer that contains the soul of its creator, Tochirō Ōyama. Anno compared the interface system of the Eva to a modern version of Gō Nagai's Mazinger, a giant robot whose cockpit is located in the head of the robot. The staff thus conceived the Evas as custodians of the soul of the pilot's mother, controlled through a psychic link with her son. The Nerv was inspired by the Solo Ship from '' Space Runaway Ideon'', whose crew faces hostile aliens of the Buff Clan and other humans, with mecha that go out of control and communicate only with children.

In a preliminary draft during the early planning stages of the animated series, staff suggested the existence of two ancient prehistoric civilizations that appeared on Earth before humans, both of whom were equipped with advanced technologies. The Evangelions in the original scenario would have been created by the first civilization, known as the First Ancestral Race, and would have rebelled against their creators, causing their extinction. The Second Ancestral Race would have created a weapon known as the Longinus Spear in an attempt to defeat the humanoids, scattering warriors named Angels in a state of hibernation around the globe as a countermeasure in case anyone tried to reactivate the Evangelions. The Eva units were conceived from the beginning as living beings and dangerous androids rather than simple weapons; the scenario was designed to contain elements similar to those in video games or role-playing games, such as the weapons of the units being hidden in the buildings of Tokyo-3. In the last episodes, there should have been a lunar battle against twelve Angels, an idea that was later abandoned and recycled for the clash between Eva-02 and the Eva series, introduced in the 1997 theatrical conclusion. The American continent and the Eva-06 would vanish, while the ancient remains of a ruin named Arqa would be revealed. In the second half of the story, there would be preparations to invade an enemy stronghold along the lines of a role-playing game. One of the preliminary drafts of the twenty-fourth episode, written by screenwriter Akio Satsukawa, also introduced a prototype mini Evangelion, a five-meter mecha named αーTYPEーEVA000 (also known as α Eva). When the α Eva goes berserk, it would have attacked with animal fury the Angel Kaworu Nagisa, who would have dodged his blows in a scene inspired by the legend of the samurai Benkei on the Gojo Bridge; at the end of the fight, the Evangelion would have swallowed the Angel Tabris and Rei Ayanami, to be then violently disemboweled by the Prog-Knife of Shinji Ikari's Eva-01. In another proposal there were two units called 05 and 06, both manufactured in Germany, while the Evangelion after 01 would be equipped with a power system known as a positron engine.

Two years before airing, Gainax published a project presentation document to find backers entitled , which included the initial unit designs. In the ''Proposal,'' the Evangelion were described as humanoids made of artificial metal muscles and replicas of Adam, indicated in the document as an artificial giant left by the First Ancestral Race, which would have left for the globe the enemies of the series, the ''Apostolos''. The document also describes robotic anime on one page as a "compensation for the complexes and various suppressions that children hold, a means of resistance, compensatory behavior". For the main character of the series, Shinji, Anno himself was used as a model, linking the act of piloting the mecha with his work; according to Kazuya Tsurumaki, assistant director of ''Neon Genesis Evangelion'', while "Shinji was summoned by his father to ride a robot, Anno was summoned by Gainax to direct an animation". Moreover, during the development of the series, the director included scenes in which the mecha are mutilated and lose their limbs. The mutilations of the Evas became a product of his personal experience. Anno's father Takuyo injured his left leg in an accident with a power saw and was forced to wear a prosthesis for life; following the accident, Hideaki developed a certain attraction to deformity, believing that he could not love "anything perfect". He also compared this to ''Tetsujin 28-go'', in which a robot loses an arm. In the twentieth episode of the series, he also introduced the concept of cannibalism. He added a scene in which Eva-01 devours an Angel in an attempt to disgust and scare a young viewer; he stated, "What would be ideal is that kids who watch it start to vomit". Cannibalism, according to Yūichirō Oguro, curator of extra contents of ''Evangelion'''s home video editions, would negatively depict the act of eating meat, and could also be influenced by Anno's personal experience, who has been vegetarian since childhood and had already transposed this detail of his life in his fictional works.

Design and inspirations

The design of the Evangelion was conceived and edited by Anno and Ikuto Yamashita, the official mecha designer of the series. The director took inspiration from the demons of Japanese folklore, the ''oni'', and wanted to give them a modern look that differed from other mecha, such as the Gundams of the '' Mobile Suit Gundam'' series, giving them a more human-demonic nature than strictly robotic. He commissioned Yamashita to create "a demon", "a giant barely under the control of humankind". Yamashita thus drew inspiration for the design of the machines from '' Gulliver's Travels'', with the idea of representing an enormous power restrained, a giant that resembled a relief in a wall. Since the delivery of the preparatory sketches, Yamashita's drawings caused such a stir that even ''Neon Genesis Evangelion'''s staff members were divided, causing problems for Gainax. Toshimichi Ōtsuki introduced ''Neon Genesis Evangelion'' to a well-known toy company, but a representative of the company told him that a robot with such a design could never sell, especially because of the lower limbs were considered too skinny. Anno, after the episode, decided to create a different series compared to the other mecha anime, all financed by private toy companies; moreover, to avoid any possible interference from the financial backers, he designed mecha that were difficult to reproduce in toy form to have more artistic freedom and revolutionize the genre, which he said had been stagnant for a long time and caged in a ready-made model.

For the appearance and role of the humanoids, the authors took inspiration from '' Mazinger Z'', ''Shutendoji'', and '' Devilman''. Believing that the power was "something very scary", Anno insisted on the threatening aspect of the units, trying to make the Evangelion look like "an anti-hero, something terrifying". Before deciding on the final design he drew a preliminary draft of the Eva similar to a Devilman. In the sketch the Eva had a curved back, a narrow waist, and a flat, thick chest, which resembled the "demonic" face of the Mazinger. In his original proposal, the Evangelion would have had a dark and gloomy color, except for the eyes, which he left white and circled in red, just like Mazinger Z. The intention was to inspire terror and make children understand how scary real life could be.

Another source of inspiration was a male character in the video game ''Cho Aniki'' named El&Topo, on which Yamashita based Eva-02's appearance. In the design stages, he changed his mind about their appearance several times; for example, in preliminary sketches, he thought about giving 01 a single oblique protrusion on the left side of the head or two frontal horns, which were later abandoned in favor of the final design. Anno and animator Yoh Yoshinari also made some sketches of the Eva-01. Yoshinari tried to animate the units using rulers, as in the case of the second episode, in which he tried to draw almost the entire face and shoulders of 01 in such a way. Sadamoto at first colored it white, creating an image he said was similar to an RX-78 Gundam or an Ingram from '' Patlabor''. While working on the Evas' design, he also worked on a project called ''Suzuka Hachitai'', in which he designed suits similar to the Evangelions' plugsuits.

For the movements, the director asked to recreate "the noise that the bundles of wires would make if they were contracting like muscles", treating them as if they were living beings. For this reason, all the sounds normally used in other mecha anime were avoided; for example, to reproduce the sound of the Prog-Knife, Anno and Toru Noguchi, the sound effects editor, reworked the metallic noise of a real cutter. To give the Eva's cockpit the image of a mother's womb, Anno asked Shiro Sagisu, who was responsible for the series' soundtrack, to compose a melody that would accentuate the feeling of nostalgia.

Characteristics

In the world of ''Neon Genesis Evangelion'', Evangelion, or Evas, multifunction machines represent the most advanced battle tools built by mankind. They are costly weapons that are designed to fight and destroy Angels. Their development, conducted in secret by the special agency Nerv, began after a catastrophe known as Second Impact. From the scientific point of view, their tasks constitute the E project, placed under the direction and responsibility of Dr. Ritsuko Akagi. The Evangelion are giant humanoids clad in thick protective armor. The constitution of an Evangelion unit is identical to a human being's, except for size: each Evangelion is equipped with a nervous system, a skeleton, nails and a circulatory system. In a section of the headquarters of the Nerv called Terminal Dogma, there are skeletons of bodies believed to be precursors to the Eva-00, or the remains of failed experiments that occurred during its creation; the experimental models have two or more optical sensors and a visible spine. The original living bodies are then implanted with mechanical components, which are used to control them or to provide them with greater efficiency and functionality. As in humans the signals of the central nervous system are transmitted by an electrical impulse, the peripheral system and the movements of an Evangelion are transmitted by electric current. For the first three examples, designed in Japan, the traditional Chinese numbering system is adopted, while later prototypes follow Arabic numbering.

The Evas can regenerate their wounds and body parts that have been damaged during the operations. Another ability is represented by the capacity to develop a protective shield known as an AT Field. Their movements are guaranteed by the power provided by an external cable called Umbilical Cable, which give them the electrical energy needed to operate their circuits. In the absence of the cable, the humanoids can operate using the energy stored in a special internal battery, for a time limit ranging from sixty seconds to five minutes. When inactive, the units are housed in giant structures called "cages" and held in place by an anchoring structure, composed of various blocks and groups of safeties. Another characteristic element of the Angels and Evangelions is a red sphere called core, located at the chest of humanoids.

The units have different equipment that varies according to battle needs. The basic one is called type B (Basic), consisting only of a cutter-like weapon named Progressive Knife. Other assets are type D (Dive), specifically for diving; and type F (Fly) for flight. The Evangelion's piloting system synchronizes it with the pilot and via neural connection, such that the two subjects act in sync. The pilot of an Evangelion unit, designated by the English term Child, is housed in a cylindrical capsule named Entry Plug, which is inserted into the area corresponding to the humanoid's spine, at the cervical vertebrae. The cockpit of the Entry Plug is filled with a special liquid called LCL, which promotes the neural connection between the Evangelion and its pilot. The main nerve responsible for synchronizing the two entities is called the A10 nerve. It seems that the subjects suitable to pilot an Evangelion are limited to 14-year-old children orphaned by their mother, and that in Evangelions, originally devoid of a soul, have souls of people. It is also believed that the souls of the mothers of their respective pilots are housed in the mechas. Once the neural connection has been successfully established, the Children can command the humanoid at will, thinking that they are acting with their own body, through a system known as neural interface. However, its maintenance can be jeopardized by the damage suffered by the Evangelion during an operation and the corresponding psychological disorders of the pilot. Moreover, a state commonly referred to as berserk is theorized, during which the humanoid begins to act out in uncontrollable and seemingly instinctual destructive rage. Their height is never specified in the series, though '' Newtype'' magazine provided an estimate of forty meters. According to Hiroyuki Yamaga, a member of Gainax, it was decided to make the units taller than Ultraman, who is forty-five meters tall. In the ''Proposal'' their height is also determined forty meters, while in the '' Rebuild of Evangelion'' saga their height is explicitly around seventy meters, eighty with vertical supports.

Original series

Evangelion Unit-00

, also known as Prototype, is the first Evangelion unit to be made by Nerv. It was not conceived as a machine dedicated to combat, but to the study of feasibility and practical functionality of its basic technology, which is why it lacks equipment characteristic of subsequent units. It is conceived in the headquarters of Tokyo-3 and the biological starting material used for its creation belongs to the first Angel, Adam. The 00 is distinguished from later models by its initial dark yellow coloration, typical of military prototypes, and a less sophisticated external and internal architecture. Its main organ of visual sensory perception is represented by a round-shaped optical lens placed in the center of the unit's face. Its pilot is Rei Ayanami, who joins the organization as the First Child. Due to its function as a prototype, the unit suffers from instability, causing it to act out of control in activation and synchronization experiments. In one of the experiments it destroys the anchor structures and the second experimental room of Nerv, injuring its pilot. Its first effective activation occurs after the simultaneous presence of two Evangelion units is necessary during the Angel Ramiel's attack. In the course of the operation it suffers structural damage so severe that it requires extensive repairs.

Eva-00 is later used in the fight against the Angel Matarael. The repairs to Eva-00 mainly concern its armor and equipment, while its internal structure is essentially unchanged. The repaired Eva-00 has a predominantly blue coloration and is equipped with vertical supports resembling those fitted to Eva-01 and 02. The vertical supports, located at shoulder height, are equipped with a special propulsion system that allows the unit to slow down and cushion falls. Its presence is beneficial to the defense of Tokyo-3 and the elimination of Angels. It is destroyed during the fight against the sixteenth Angel, Armisael, due to Rei using the self-destruct mechanism.

In the ''Rebuild of Evangelion'' saga, the Eva-00 is always orange in color and has a special shield called the Enchanted Shield of Virtue, designed by Yamashita. In the second chapter of the saga, '' Evangelion: 2.0 You Can (Not) Advance'' (2009), it is swallowed by the tenth Angel.

Evangelion Unit-01

, or Test Type, is the experimental model of the Evangelion series and the second specimen to be built in the Nerv headquarters, studied under the direct supervision of Dr. Yui Ikari. It differs from all previous and subsequent specimens, as the biological matter that forms the basis comes from the second Angel, Lilith. In addition to the characteristic predominantly purple coloration, it is characterized by a long horn that extends from the center of the forehead and a binocular viewer. It is the first humanoid to be used in an actual war operation. The 01 acts out of control on several occasions and takes on a decisive role in wartime operations. The living humanoid at the base of Unit 01 is characterized by brown-colored organic tissues and a red-colored, blood-like body fluid. The unit's mouth is normally secured with bolts, and its actual biological body is covered, like the other units, by a special constrictive armor. The unit has positive operational results and the greatest tactical experience of all the units produced by Nerv.

The first activation experiment of Unit 01, carried out in 2004 in the Laboratory for Artificial Evolution, is conducted by a research center called Gehirn. Yui is designated as the test subject of the experiment; during the experiment her synchrony rate reaches 400%, a percentage at which the subject dissolves into the Evangelion. The case is dismissed as an accident, and her soul remains within the unit, although the origin of the accident is never clarified within the series; the result of the procedure, however, may have been the consequence of a precise choice of the pilot. The second activation attempt occurs about ten years later in 2015, the year in which the Third Child, Shinji Ikari, its new pilot, is brought aboard. Shinji, despite the low probability of success and lack of training, manages to achieve a 41.3% sync rate on the first attempt. The success of the procedure might have been determined by Yui's will, who in some situations manages to intervene in defense of her son and move the Eva of her own will.

In the ''Rebuild of Evangelion'' installments, Eva-01 has some aesthetic differences, particularly in the chest and coloring. During the battle against the tenth Angel, the color of its stripes changes from green to orange and it sports a halo of light.

Evangelion Unit-02

, or Production Model, is the first Evangelion specimen researched and designed for eventual mass production and actual combat. Although the conception and construction of the machine takes place in Japan, the assembly and activation experiments, as well as the training of its pilot, the Second Child Asuka Langley Soryu, are performed in Germany. The biological material used for its creation belongs to Adam. A decisive part in the development and activation of the unit is played by Dr. Kyōko Zeppelin Sōryū, a member of the German section of Gehirn. Kyōko offers herself as a guinea pig for the experiment to activate the Evangelion, from which she comes out psychologically distraught. It is speculated that a part of her soul, or her "maternal side", remained locked inside the 02. In contrast to the first two units, it has four eyes, a feature that is abandoned in later models. Additional features that distinguish the 02 concern the color of the internal fluids of the humanoid body, blue instead of red as in the case of previous units, and the presence of new mechanical details.

On the shoulders, it has two vertical supports that differ from the Eva-01. The left contains an improved version of the Progressive Knife, while the right contains the Needle Gun, a firearm capable of firing spikes. The unit is predominantly red and differs from the previous unit in the conformation of the head, shoulder, and chest components. Two of its main features are the capacity to bend its torso and a general greater resemblance to a human being, while there are no substantial differences in terms of performance compared to the Eva-01. In 2015, Asuka and 02 left Wilhelmshaven for Tokyo-3, along with the United Nations fleet. During the transport takes place the first real battle of the Eva-02 in the Pacific Ocean, in which it manages to defeat the Angel Gaghiel. Starting from the fight against the thirteenth Angel, Bardiel, the unit starts to record failures in the operations, hurting Asuka's pride. The Nerv, following a psychic breakdown of the girl, is forced to request the help of a new Child, Kaworu Nagisa, who becomes its new pilot.

In the ''Rebuild of Evangelion'' movies, the Eva-02 has a different design. During the production, the staff decided to change the unit's head, giving it two small horn-like protrusions located on top of the forehead, designed by Takeshi Honda. Throughout the film Eva-02 is piloted by Mari Makinami, who activates a new mode called The Beast. After activating The Beast Mode, the Eva unleashes sticks on its shoulders and back and a jaw with sharp fangs, starting to walk on four legs and emitting a green light from its eyes, like its pilot.

Evangelion Unit-03

is a mass-production model built at the U.S. first division of Nerv. Due to an accident that occurred at the second division with the Eva-04, the command of the 03 passed to Japan as instructed by the U.S. government. Following the government's decision, the unit was airlifted over the Pacific Ocean to the organization's headquarters. The 03 is almost identical in appearance to the Eva-02, except it is predominantly dark blue, and the shape of its head is closer to Unit 01's. 03's face has more brutal features and lacks the characteristic frontal bulge of the Eva-01. Additional details that distinguish it from the other units are its elongated shoulders, slightly forward-leaning posture, and gait. Once it arrives in Japan, preparations are started for its activation experiment. As the place of the experiment is chosen the city of Matsushiro, Nagano Prefecture, where the second site of experimentation of Nerv is located. Once boarded its designated pilot, the Fourth Child Toji Suzuhara, the unit goes out of control, opens its jaws, and destroys the fences containing it when it is infected by Bardiel, a parasitic Angel that takes control of its body during its flight. After the incident, Gendo Ikari, supreme commander of the Nerv, identifies it as the thirteenth Angel and gives the order to annihilate it. Eva-03 faces Units 00 and 02 in combat, defeating them without difficulty. In a second encounter, it fights with the Eva-01, which breaks its limbs and annihilates it. In the ''Rebuild of Evangelion'' saga, Eva-03 is piloted by Asuka instead of Suzuhara.

Evangelion Unit-04

is a Production Model built in the United States at the American Nerv Second Division, located in Nevada. Due to an accident that occurred during a test of experimental insertion of the S² engine, the unit disappears with the second division and all objects within a radius of 89 kilometers. Its appearance was never shown in the original animated series, but is believed to be silver-white. Official action figures have been produced of the unit, designed and conceived by Yamashita. Its basic appearance is identical to Unit 03's.

Mass Production Units (05-13)

The includes units 05 through 13, built at various Nerv branches at the behest of the Seele organization to carry out a plan known as the Human Instrumentality Project. All units are equipped with the S² engine as a power source and a replica of the Lance of Longinus. Their basic structure is identical the Nerv-owned Eva, except for the vertical supports normally placed on the shoulders of the other units. Another different element is the head, which is devoid of optical sensors, and the area in which the cockpit is inserted. Due to the S² element, the units also have strong regenerative capabilities and unlimited uptime. All nine Eva Series possess the same shape and coloring, mostly white, and large folding wings located on the back of the trunk, which allow them to fly. The Production Models do not require pilots; instead they have a Dummy Plug, Entry Plug simulators in which the personality of the Fifth Children, Kaworu Nagisa, is inscribed.

In the movie ''The End of Evangelion'', the Seele sends all nine specimens against Eva-02. The Evas, despite suffering extensive damage from the 02 during the fight and being seemingly defeated, manage to reactivate through the S² engine, scarring the enemy's body and devouring its flesh. During the Human Instrumentality Project, the Mass Production Models merge with the Angel Lilith and stab themselves with their lances. At the end of the feature film, once Instrumentality is rejected by Shinji and Lilith is dismembered, the units turn into stone statues and plummet to Earth. Their design by Takeshi Honda is reminiscent of features commonly associated with angels from the Old Testament.

''Rebuild of Evangelion''

During the production of the ''Rebuild of Evangelion'' installments, Yamashita made changes to the armaments and the colors of Eva-00 and the other Evangelions, based on his old sketches for the original series at Anno's request. In the saga, an international agreement called the Vatican Treaty is also mentioned, which forbids a nation from having more than three Eva units. Throughout the films, in addition to the various units already present in the classic series, other Evangelion units are introduced:
*, whose full name is , is a unit that appeared in ''Evangelion 2.0 You Can (Not) Advance''. It was designed by Yamashita and underwent changes during the production of the film. Unlike the other Evangelions, its walking is not done through two lower limbs, but utilizing a special wheeled system, and it has a spear-shaped arm. The components of the unit were made in computer graphics, except for the close-ups of the head, to avoid errors in movements. In combat it faces the third Angel of the ''Rebuild'', giving signs of berserk; both the Eva and the Angel, at the end of the battle, come out destroyed, annihilating each other.
*The , known as , is an Evangelion unit featured in the film ''Evangelion: 2.0 You Can (Not) Advance''. It is built on the moon base Tabgha, placed under the control of the Seele. During the film, it descends from the moon and is piloted by Kaworu, sporting a halo of light similar to that of 01.
*The Mark.07 is an Evangelion unit that appeared in '' Evangelion: 3.0+1.0 Thrice Upon a Time''. It has beige-colored armor, dark-colored vertical supports, and a head similar to a humanoid skull. During the film, Asuka's Eva-02 and Mari's Eva-08 clash against an army of hundreds of Mark.07s at the epicenter of Second Impact in Antarctica. During the production, Yamashita sketched the units with a different color scheme.
* is an Evangelion unit introduced in the preview of ''Evangelion: 3.0 You Can (Not) Redo'' featured at the end of the credits of ''Evangelion 2.0''. Throughout the film, it is piloted by Mari Illustrious Makinami; it has eight optical sensors. It is predominantly pink, with small inserts of yellow and green. Its full official nomenclature is .
* is an Evangelion unit introduced in the brief preview of '' Evangelion: 3.0+1.0'' present at the end of the ''Evangelion 3.0'' film. Its armor is half red and half pink. This specimen is believed to be the result of a fusion between two previous units, 02 and 08. It does not appear in the film.
*The Mark.09 is an Evangelion unit introduced in ''Evangelion 3.0''. Its armor is predominantly yellow, with small white inserts. Throughout the film, its color scheme changes to black and red. It is piloted by Rei Ayanami and is known by the epithet "Adams' Vassel".
*The is a black, red, and white Evangelion unit that appeared in ''3.0+1.0''. In the course of the film it attacks Mari's Unit 08, which devours its head in the clash. The unit was unveiled by Anno at the 2020 Bonbori Matsuri festival on August 6, 2020.
*The Mark.11 is an Evangelion that appeared in ''3.0+1.0''. It is devoured by Mari's 08 due to the overlapping of its own Eva. The unit is black, blue and white.
*The Mark.12 appeared in ''3.0+1.0''. The unit is mostly black and white, and is devoured by Mari's Eva-08.
* is a unit that appeared in the ''Evangelion 3.0'' film. Its armor is predominantly purple. It has four eyes and four upper limbs. It is piloted by Shinji Ikari and Kaworu Nagisa and can be activated through two Entry Plugs. Since it cannot generate an AT Field, it is equipped with four drones called RS Hoppers.
*The is an Eva presented in an anti-universe by Gendo to Shinji; Shinji's consciousness sees it in the form of a black crucified Lilith, who during Instrumentality breaks free and transforms into a giant Rei Ayanami. Commander Ikari tries to unleash the Additional Impact in this way to carry out the deicide, replace the Angels and transform everyone into Evangelion, rewriting reality and the consciences of humanity.

The Eva units used by Gendo in ''Evangelion 3.0+1.0'' have been compared by the website Otaku Voice to the Four Horsemen of the Apocalypse. ''Rebuild'' also features a mechanical simulator of Evangelion, used by Shinji during a training in the first chapter; its design was compared by Shinji Higuchi of Gainax to the God Warrior of '' Nausicaä of the Valley of the Wind'' (1984) and to the movements of the Destroid Monster, a machine that appeared in '' Superdimensional Fortress Macross''.

Other media

New units are introduced in video games based on ''Neon Genesis Evangelion''. In ''Meitantei Evangelion'', published in 2007 for PlayStation 2, there is an Evangelion unit called that is piloted by Kaworu. It also appears in the video game ''Shin Seiki Evangelion – Battle Orchestra'', in which another Evangelion called is introduced, built at Seele's request. In the '' Neon Genesis Evangelion 2'' video game, the Eva-01 has new equipment, called . It includes the , a special constricting cover that uses new technology for AT Field use; included in the armor is an and a . The equipment also includes a special anti-phase weapon called and the Progressive Dagger. Despite its great attack and defense power, the Type-F equipment weighs thrice than the standard armor, is difficult to maneuver and suffers from instability.

In the spin-off '' Petit Eva: Evangelion@School'', super-deformed versions of Evangelions are shown. The eldest, , similar to Eva-01, is a schoolmate of Shinji and the other characters at the Nerv municipal academy, and its language is understood only by Shinji and the other units; its brother, , who attends the Angel school; , its younger sister, can speak in human language, is initially mostly yellow and then takes on a blue tint; and , the most anthropomorphic, clumsy, and Asuka-like unit who claims to be German but often uses Japanese mixed with English when speaking. Mari and her Provisional Unit 05 also appear on one cover.

''Rebuild'''s Provisional Unit 05 was used in a pachinko game titled , released in 2010, while Eva-04 appeared in another pachinko game called . In '' Neon Genesis Evangelion: Campus Apocalypse'', the Eva are not mecha, but individual wieldable weapons used in combat by Shinji and the other characters; they are the manifestations of the deeper inner self of the protagonists: Rei has a spear, Asuka a whip, Kaworu a sword, and Shinji a gun. On February 6, 2015, Studio Khara, producer of the ''Rebuild of Evangelion'' film tetralogy, released the twelfth short film in the Japan Animator Expo series, ''Evangelion: Another Impact (Confidential)''. It introduces an Evangelion unit called Unit Nul, which breaks free during a secret activation test and goes berserk; the purpose and means of its construction are not clear. Its design was also handled by Atsushi Takeuchi, who had previously worked for the '' Star Wars'' franchise. A transformable train called 500 ''Type Eva'', piloted by Shinji and inspired by the train of the same name dedicated to ''Neon Genesis Evangelion'', also appears in an episode of the 2018 anime '' Shinkansen Henkei Robo Shinkalion''.

''Neon Genesis Evangelion: ANIMA''

Set three years after the events of the concluding film ''The End of Evangelion'', the light novel introduces equipment that never appeared in the original animated series. Among other things, Eva-01 features Type-F and CGB equipment, including new vertical supports and a special sensor placed near the horn on its forehead. A new Evangelion mount called is also introduced, which operates via a secure internal N² technology reactor. Anima also features a further evolution of the Eva-01 called .
*The are yellow and white Evangelions built from the remains of the Eva-00 and Eva Series. The Evangelions are equipped with S² engines and piloted by different clones of Rei Ayanami: Rei Quatre, Rei Cinq and Rei Six.
*The is an evolution of the Eva-02 from the classic series and is predominantly red. The unit's visors and armor are different, given the extensive damage the unit suffered after fighting with the nine serial Eva. The Evangelion is equipped with a special cross-shaped rectenna, located on the back of the torso, which uses microwaves and provides the unit with electricity. Type II is equipped with new mounts that can penetrate Armaros' AT Field, which include a new Pallet Rifle and Magorox blade. The new 02 is equipped with the UX-1 Allegorica, which gives the unit the ability to fly and stability, through which it can also operate on the regolith of the lunar soil.
*The are new Eva models, similar to the Mass Production Models that appeared in ''The End of Evangelion'' to take down Asuka. Unlike the mass units, they do not have a Super-Solenoid engine, but a new energy engine called QR Signum.
*The is a white-colored Eva, similar to the 02, equipped, like the Carriers, with the QR Signum. Its main weapon is a huge cruciform spear. Its name comes from Heurtebise, the angel present in the works of Jean Cocteau and associated with the image of a bright mirror.
* is a giant Evangelion that appears on the Moon. It is accompanied by a pair of units called , known to the Japanese Nerv as . Its name comes from the fallen angel of the same name in religious tradition who is said to have revealed the secret name of God to humans. Its face, similar to that of the Eva-01, features two horns aligned at forehead height, originally envisioned by Yamashita for the design of the 01.
* is a red-colored hybrid of human and Evangelion, and is the result of Asuka merging with her Evangelion-02 Allegorica following the lunar battle against Armaros. It has the mind of an unconscious small child and is unable to communicate.

Cultural references and interpretations

The staff named the mecha after the Greek word ευ-αγγέλιον (''euangelion''), "gospel", "good news", shortened to Eva, to allude to Eve. According to ''Animerica'', the name would be related to their task as protectors of humanity. Similar to the biblical Eve, born from the rib of the first man Adam, the Evangelions were conceived as copies of the first Angel Adam. Anno said in an interview that he chose it because it sounded "complicated". On another occasion, he claimed to have chosen the word "good news" as the title of the series because of the belief that it would bring "blessing" and happiness. Yūichirō Oguro, curator of extra content of the home video editions of the series, linked the name to the last scene of ''Neon Genesis Evangelion: The End of Evangelion'', in which there is a sequence in which Yui Ikari, kept inside the Eva-01, blesses her son Shinji by telling him that "any place can be a paradise". The units are also linked with other religious references. In a conversation in the 23rd episode, Seele claims that eight Eva units have been prepared up to that point and that four more remain; according to the series' filmbooks, the number would refer to the twelve apostles. In the theme song, ''A Cruel Angel's Thesis'', Unit 01 is depicted with twelve wings of light, referring to the iconography of Satan and taking a cue from the manga ''Devilman''. For the image of the out-of-control Unit 01, which in the nineteenth episode walks on four legs and devours the flesh of an Angel, staff took inspiration from the Buddhist figures of the ''preta''. The scene in which Eva-01 is first introduced in the first episode has also been compared to Tadao Nagahama's '' Combattler V'', while for Carl Gustav Horn, editor of the North American edition of the manga, the Eva units can be "possibly connected to the legend of the Golem, a giant artificial man which does its creator's bidding".

Eva's berserk mode has been compared to the berserker, as they both enter a state of fury that make them fierce and insensitive to pain. After the fight against Zeruel, Unit 01 acquires mankind's fruit of knowledge (science and rationality), and the Angel's fruit of life, the S² engine, and becomes a God as a reference to the Book of Genesis. In ''The End of Evangelion'' Eva-01 is also inflicted with stigmata, becomes the tree of life and is defined as an ark that can save mankind, in reference to the story of Noah. Moreover, the Umbilical Bridge, the anchoring structure of an Evangelion unit, took inspiration from a technical term used by NASA to define the service structure, or umbilical tower, that connects the Space Shuttle to the launch pad. Eva's Umbilical Cable has also been similarly likened to a cable intended to connect the main body of the Space Shuttle to the auxiliary engines, the umbilical cord of the fetus and Emperor Neo from '' Nadia: The Secret of Blue Water'', which is powered by a cable that terminates in a similar socket.

Eva's pilots are called Children. According to writers Kazuhisa Fujie and Martin Foster, the choice of the word may refer to the expression " children of God" mentioned in the New Testament. The term remains in the plural even in the case of a single subject in the Japanese version, which for the filmbooks of the series constitutes a reference to the various clones of Rei Ayanami. According to Gualtiero Cannarsi, the choice to keep the term in the plural is an homage to Tomino's ''Ideon'' series. Critics have noted how mecha-related terms such as Umbilical Cable, Children, the name Eva itself, and LCL, similar to amniotic fluid, are related to motherhood. Others, including Oguro, have associated the cockpit with the image of a womb. Critic Mariana Ortega noted how Asuka in the fourteenth episode compares Eve to her mother's womb and breast, and Shinji in the twentieth episode curls up in a fetal position inside the cockpit; according to her, the mother figure in ''Evangelion'' becomes literally and metaphorically cannibalistic.

The , the main synchronization nerve of the Evangelion neural interface system, has been compared by official material to real nerves that are connected to emotions such as anxiety, fear, happiness, and pleasure, and plays an important role in relation to the emotional perception of love. The term ''nerve'' is improper, since it is a simplification used in the operative language of Nerv; the acronym A10 indicates the ventral tegmental area, otherwise called area A10. According to '' Protoculture Addicts'' magazine, "when humans fall in love or feel close to their family, the part of the brain labeled A-10 comes into play. Strangely, the pilots of Evas have to use this part of their brains to merge with their Eva. That makes them warriors of love, with the power of love to protect their loved ones". According to Yoshiyuki Sadamoto, character designer of the series, "the power of love drives this weapon of mass destruction".

Critics have analyzed Evangelion units, noting how they are organic entities and not machines, and classified them as cyborgs instead of robots. Anno said in 1996 that the Evangelions are not really robots, but giants, describing them as modified humans who move via artificial muscles. During an event in 2021, he described ''Evangelion'' as a , surprising Shinji's voice actress Megumi Ogata. American writer Susan J. Napier has interpreted the Angels as a representation of the Other and the Evas as a metaphor for the Self that Shinji is called upon to confront in his own personal growth process. Critics and official publications compared the red core in the center of the chest and the limit of operation of the units to Ultraman. Comic Book Resources's Timothy Donohoo similarly compared the Evangelions to the Ideon from Yoshiyuki Tomino's series of the same name, and noted how both mecha have a divine nature, seemingly unlimited energy sources, and the ability to read the emotions of their pilots, trying to protect them. Carl Gustav Horn traced influences to ''Super Robot 28'' and '' Giant Robo''. The Entry Plug and Type D equipment, used by Asuka in the tenth episode of the series, have also been juxtaposed with the works of Kenji Yanobe. The Evangelion has been interpreted as a metaphor for the series, produced through emotional efforts by Anno during a difficult time in his life; the constant questions of Shinji, the director's alter ego, who continually wonders why to board the Eva-01 and must make himself emotionally independent from the humanoid, have been interpreted as a symbolic representation of the author's relationship with his work. In the last two episodes Shinji wonders what the reason is for piloting the Eva. According to Sadamoto, the episodes would not focus on him, but on Anno, the true protagonist of the episodes, while mangaka Kentaro Takekuma

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