Evelyn Faltis
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Evelyn Faltis (20 February 1887 – 13 May 1937) was a
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n composer.


Life

Evelyn Faltis was born in
Trautenau Trutnov (; german: Trautenau) is a town in the Hradec Králové Region of the Czech Republic. It has about 29,000 inhabitants. The town centre is well preserved and is protected by law as an urban monument zone. Administrative parts Trutnov is ...
,
Bohemia Bohemia ( ; cs, Čechy ; ; hsb, Čěska; szl, Czechy) is the westernmost and largest historical region of the Czech Republic. Bohemia can also refer to a wider area consisting of the historical Lands of the Bohemian Crown ruled by the Bohem ...
, in 1887, the second of three daughters of Carl Johann and Maria Anna Cecilia Magdalena Faltis (born Wiesenburg) who were Viennese bourgeoisie. She began her music studies at the Assomption convent in
Paris Paris () is the capital and most populous city of France, with an estimated population of 2,165,423 residents in 2019 in an area of more than 105 km² (41 sq mi), making it the 30th most densely populated city in the world in 2020. S ...
and later studied at the
Vienna en, Viennese , iso_code = AT-9 , registration_plate = W , postal_code_type = Postal code , postal_code = , timezone = CET , utc_offset = +1 , timezone_DST ...
Music Academy with
Robert Fuchs Robert Fuchs (15 February 1847 – 19 February 1927) was an Austrian composer and music teacher. As Professor of music theory at the Vienna Conservatory, Fuchs taught many notable composers, while he was himself a highly regarded composer in hi ...
and Eusebius Mandyczewski. She also studied at the
Dresden Dresden (, ; Upper Saxon: ''Dräsdn''; wen, label=Upper Sorbian, Drježdźany) is the capital city of the German state of Saxony and its second most populous city, after Leipzig. It is the 12th most populous city of Germany, the fourth larg ...
Conservatory with Felix Draeseke and Eduard Reus, and in
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with
Sophie Menter Sophie Menter (29 July 1846 – 23 February 1918) was a German pianist and composer who became the favorite female student of Franz Liszt.Schonberg, 262. She was called ''l'incarnation de Liszt'' in Paris because of her robust, electrifying playing ...
. After completing her studies she moved to
Berlin Berlin ( , ) is the capital and largest city of Germany by both area and population. Its 3.7 million inhabitants make it the European Union's most populous city, according to population within city limits. One of Germany's sixteen constitue ...
, but settled in
Vienna en, Viennese , iso_code = AT-9 , registration_plate = W , postal_code_type = Postal code , postal_code = , timezone = CET , utc_offset = +1 , timezone_DST ...
in 1933. She became the first woman coach at
Bayreuth Bayreuth (, ; bar, Bareid) is a town in northern Bavaria, Germany, on the Red Main river in a valley between the Franconian Jura and the Fichtelgebirge Mountains. The town's roots date back to 1194. In the 21st century, it is the capital of U ...
and worked as accompanist at the
Nuremberg Nuremberg ( ; german: link=no, Nürnberg ; in the local East Franconian dialect: ''Nämberch'' ) is the second-largest city of the German state of Bavaria after its capital Munich, and its 518,370 (2019) inhabitants make it the 14th-largest ...
Stadttheater am Ring and the
Darmstadt Darmstadt () is a city in the States of Germany, state of Hesse in Germany, located in the southern part of the Frankfurt Rhine Main Area, Rhine-Main-Area (Frankfurt Metropolitan Region). Darmstadt has around 160,000 inhabitants, making it th ...
Hoftheater, and after 1924 at the
Berlin Berlin ( , ) is the capital and largest city of Germany by both area and population. Its 3.7 million inhabitants make it the European Union's most populous city, according to population within city limits. One of Germany's sixteen constitue ...
Städtische Oper. She died in Vienna of pneumonia.


Works

Faltis composed for orchestra, chamber ensemble, instruments and chorus. *''Sonata in B minor'' for piano (no Op., about 1909) *''Piano Trio in D minor'', Op. 1 *''Fantastic symphony'' for orchestra, Op. 2a *''Hamlet'' symphonic poem, Op. 2b *''Piano Concerto'', Op. 3 *''Piano Trio in G minor'', Op. 4 *''Andante and Slavic Dance'', Op 5. (Op. 5 was counted twice) *''Adagio'' for Violin and Piano, Op. 5 (Op. 5 was counted twice) *''Sonata in D minor'' for Violin and Piano, Op. 6 *''Three songs'' for voice and piano, Op. 7 (1921) **1. ''Träume'' (Dreams) - 2. ''Litanei'' (Litany) - 3. ''Nepomuk'' *''Seven Songs'' for Voice and Piano, Op. 8 (1921) **1. ''Volksweise'' (Folksong) - 2. ''Golka'' - 3. ''Rosentage'' (Days of Roses) - 4. ''Lied der Tänzerin'' (Song of the Dancer) - 5. ''Liebeslied'' (Love Song) - 6. ''Vigilie'' (Vigil) - 7. ''Nebel'' (Fog) *''Anrufung: Welche Wege soll ich schreiten'' (Invocation: Which way should I proceed) for eight-part mixed chorus a capella, Text: Hans Ossenbach, Op. 9 (publ. 1929) *''Six Songs'' for Voice and Piano, Op. 10 (publ. 1921) **1. ''Warum'' (Why) - 2. ''Komm heim'' (Come home) - 3. ''Hymne'' (Hymn) - 4. ''Libussa'' - 5. ''Die Ratlose'' (The Baffled One) - 6. ''An den Mond'' (To the Moon) *''Two sacred songs'', Op. 11 *''Fantasy and Double Fugue with "Dies Irae" for organ'', Op. 12 (publ. 1922) *''Six Gypsy Songs'', Op. 13 (publ. 1921) **1. ''Auftrag'' (Order) - 2. ''Die Verliebten'' (The Lovers) - 3. ''Abschied'' (Farewell) - 4. ''Kolednika'' - 5. ''Bräutchens Garten'' (Bride Garden) - 6. ''Die Verlassene'' (The Abandoned) *''String Quartet'', Op. 13a *''Mass with organ'', Op. 13b *''Two songs'' for voice and piano, Op. 14 (publ. 1931) **1. ''Traum'' (Dream) - 2. ''Der Kirschbaum'' (The Cherry Tree) *''String Quartet'', Op. 15 *''Lieder fernen Gedenkens'' (Songs of distant memory) for voice and piano, Op. post. (publ. 1939) **1. ''Unklarheit'' (Obscurity) - 2. ''Zeig mir dein wahres Bild'' (Show Me Your True Image) - 3. ''Sprich'' (Say) - 4. ''Heimkehr'' (Homecoming)


References


External links

* {{DEFAULTSORT:Faltis, Evelyn 1887 births 1937 deaths 20th-century classical composers Czech classical composers Czech music educators People from Trutnov Women classical composers Women music educators 20th-century women composers