Eugene de Salignac (1861–1943) was an American photographer who worked for the Department of Bridges/Plant and Structures in New York City. Born in Boston in 1861 into an eccentric family of exiled French nobility, de Salignac had no formal training in photography. In 1903, at the age of 42, his brother-in-law found him a job as an assistant to the photographer for the Department of Bridges, Joseph Palmer. After 3 years of apprenticeship, Palmer suddenly died, and in October 1906, de Salignac assumed his duties. As the sole photographer for the department from 1906 to 1934 (in 1916 it changed its name to the Department of Plant & Structures), he documented the creation of the city's modern infrastructure—including bridges, major municipal buildings, roads and subways. Most notably, he documented the construction of the

Manhattan Bridge The Manhattan Bridge is a suspension bridge that crosses the East River in New York City, connecting Lower Manhattan at Canal Street with Downtown Brooklyn at the Flatbush Avenue Extension. The main span is long, with the suspension cables be ...

and the

Queensboro Bridge The Queensboro Bridge, officially named the Ed Koch Queensboro Bridge, is a cantilever bridge over the East River in New York City. Completed in 1909, it connects the neighborhood of Long Island City in the borough of Queens with the Upper East ...

, and the Manhattan Municipal Building but his most famous image is that of painters posing nonchalantly on the cables of the

Brooklyn Bridge The Brooklyn Bridge is a hybrid cable-stayed/ suspension bridge in New York City, spanning the East River between the boroughs of Manhattan and Brooklyn. Opened on May 24, 1883, the Brooklyn Bridge was the first fixed crossing of the East River ...

. Using a large-format camera and 8x10 inch glass-plate negatives, he shot over 20,000 images in his career. Most of these negatives and over 15,000 vintage prints are held by the New York City Municipal Archives. Into his 70s de Salignac was still climbing bridges and actively working, but he was forced to retire in 1934 despite a petition to Mayor La Guardia. In his lifetime de Salignac's work was little seen outside of New York City government, and his name was forgotten after his death in 1943. His images were rediscovered in the 1980s, but it was not until 1999 that an archivist realized the collection was mostly the work of one man. In 2007, Aperture published ''New York Rises'', the first monograph of his work, which became a traveling exhibition that opened at the

Museum of the City of New York A museum ( ; plural museums or, rarely, musea) is a building or institution that cares for and displays a collection of artifacts and other objects of artistic, cultural, historical, or scientific importance. Many public museums make these i ...

. Since then, his photographs have been widely reproduced and are part of a growing interest in industrial photography that has been left out of the traditional photography canon.

References

1861 births 1943 deaths Photographers from New York City {{US-photographer-stub