Plot
Set somewhere in Vienna in the 1900s, the film opens with a successful surgeon (Morgan), feeing for the affection of his wife (Bruce). As does his brother, a concert conductor (Owen), for his flirtatious girl (Christians). Both women have something in common: they are in love with a philandering painter (Powell). The surgeon's wife contacts the artist and allows herself to be painted while only dressed in furs, with her face covered by a mask. The painting headlines the newspapers, and the entire city wonders who the mysterious masked lady is. The surgeon recognizes his brother's fiancee's furs in the painting, and is troubled. He is unaware that his own wife has borrowed the fur, though, and feels terribly sorry for his brother. Together, the brothers decide to confront the artist, but he denies having met either of the men's wife. When the brothers challenge him to aCast
*William Powell as Fritz *Luise Rainer as Leopoldine Major *Production
Actress Myrna Loy was initially set to star in the female lead. When she dropped out, Louis B. Mayer finally agreed to give Luise Rainer a chance. He had previously discovered her in Germany, though had not assigned her in her American debut yet. By the time she was cast, half of the film was already shot. During the film's first preview, Rainer ran out of the cinema and later said about the event: "On the screen, I looked so big and full of face, it was awful.""Lady Puck Stirs a Tempest in Filmland" by Edith Dietz, '' The Oakland Tribune'', August 25, 1935, p. 32Reception
Rainer received rave reviews for her performance. In ''The Family Circle'' magazine's August 1935 edition, the following was written of her: "There is no need to tell you about any of the players except Miss Rainer. You are already aware that there is no man on the screen who can top Mr. Powell when it comes to playing the role of a fascinating philanderer. Nor can a word from this observer add anything to the reputations of such artists as Mr. Morgan and Mr. Owen. If either of them ever gave a bad performance, I missed the film. But about Miss Rainer: .Her great charm is her simplicity and directness. Because of her wide-eyed facial expressions, the manner in which she pronounces some words, plus certain tricks of inflection in reading lines, Miss Rainer will be accused of imitating Elisabeth Bergner. .Miss Rainer can get her laughs, as she proves in that delightful bit in the cafe when she becomes a bit tight and tells Mr. Powell that she does not expect him to take her out again. Great stuff. And in a couple of weeping scenes she demonstrates that she is a first class chest-heaver and hysterics-thrower."''The Family Circle'' magazine - August 1935Box office
According to MGM records the film earned $577,000 in the US and Canada and $398,000 elsewhere resulting in a profit of $143,000.References
External links
* * {{Robert Z. Leonard 1935 films 1930s historical comedy films 1935 romantic comedy films American historical comedy films American remakes of foreign films Remakes of Austrian films American black-and-white films Films about fictional painters Films directed by Robert Z. Leonard Films scored by Bronisław Kaper Films set in the 1900s Films set in Vienna Metro-Goldwyn-Mayer films Films with screenplays by Herman J. Mankiewicz American historical romance films American romantic comedy films 1930s historical romance films 1930s American films