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Emília Cândida (18231908) was a popular 19th century Portuguese actress.


Early life

Emília Cândida Madeira was born in the Portuguese capital of
Lisbon Lisbon (; pt, Lisboa ) is the capital and largest city of Portugal, with an estimated population of 544,851 within its administrative limits in an area of 100.05 km2. Grande Lisboa, Lisbon's urban area extends beyond the city's administr ...
on 18 May 1823, the daughter of poor farmers. Her name was given to her in honour of her baptismal godmother. She first danced on the stage at the ''
Teatro Nacional de São Carlos The ''Teatro Nacional de São Carlos'' () (''National Theatre of Saint Charles'') is an opera house in Lisbon, Portugal. It was opened on June 30, 1793 by Queen Maria I as a replacement for the Tejo Opera House, which was destroyed in the 1755 Li ...
'' in Lisbon, while her debut as an actor was in the city of Beja as part of a company organized by her cousin, the actor António Augusto Xavier de Macedo. Soon making a name for herself, she returned to Lisbon, where she made her acting debut in the capital in November 1845 in a primitive circus shed that was the forerunner of the '' Teatro do Ginásio''. Later, she became part of the ''Teatro do Ginásio'' company and took part in the official opening of that theatre on 16 May 1846, under the direction of the French director, in a cast including the famous Portuguese actor, Actor Taborda. Soon after the opening the theatre was forced to close because of the so-called
Revolution of Maria da Fonte The Revolution of Maria da Fonte, or Revolution of the Minho, is the name given to a popular revolt in the spring of 1846 against the Cartista government of Portugal (presided over by António Bernardo da Costa Cabral, 1st Marquess of Tomar). Th ...
, which were revolts against the prevailing government. Cândida then went on tour to the provinces. She returned to the ''Ginásio'' after it reopened in November 1852, following modernization.


Career

Emília Cândida's career in the ''Ginásio'' was long and acclaimed, playing opposite actors such as Taborda, Amélia Vieira,
Eugênia Câmara Eugênia Infante da Câmara (1837–1874) was a Portuguese actress, poet, author and director of plays, active in both Portugal and Brazil. As well as for her own artistic achievements, she is remembered for her affair with, and influence upon, th ...
, Emília das Neves,
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and
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. In addition to performing in comedies at the ''Ginásio'', Cândida also took part in what were known in Portugal as "magazine" shows or
revue A revue is a type of multi-act popular theatrical entertainment that combines music, dance, and sketches. The revue has its roots in 19th century popular entertainment and melodrama but grew into a substantial cultural presence of its own duri ...
s, performing in the first such show in Lisbon, at the ''Ginásio'', in 1851. Around 1855 she moved to the
D. Maria II National Theatre The Queen Maria II National Theatre ( pt, Teatro Nacional D. Maria II) is a theatre in Lisbon, Portugal. The historic theatre is one of the most prestigious Portuguese venues and is located in the Rossio square, in the centre of the city. Histo ...
, where she stayed for most of the rest of her career, playing major roles as part of the Rosas & Brazão and C. Santos & Pinto theatre companies, among others. In 1880 she formed the Society of Dramatic Artists theatre company, together with Augusto Rosa, João Anastácio Rosa, Eduardo Brazão,
Rosa Damasceno ''Rosa Damasceno'' (18451904) was a 19th-century Portuguese actor. Early life Rosa Angélica Damasceno Rosado Brazão, was born on 23 February 1845 in the parish of São Pedro da Cova in the north of Portugal. She was the daughter of Francisc ...
, Virgínia Dias da Silva and
Joaquim de Almeida Joaquim António Portugal Baptista de Almeida (born 15 March 1957) is a Portuguese actor. Almeida began his acting career in theatre during the 1980s, he started his film career appearing on the 1982 action film '' The Soldier'', and later ach ...
. After successive successes in Portugal, she went with part of the cast to Brazil in 1886. Emília Cândida left the theatre at the beginning of the 20th century. She was becoming blind and ill and, like many actors of the time, was poor as she had no pension. On 2 May 1906, she said goodbye at a benefit and tribute night at the D. Maria II. She died on 11 February 1908. She had never married but did have one child. She is buried at the
Prazeres Cemetery Prazeres Cemetery ( pt, Cemitério dos Prazeres) is one of the largest cemeteries in Lisbon, Portugal; it is located in the ''freguesia'' (civil parish) of Estrela, in western Lisbon (formerly, within the parish of Prazeres). It is considered to ...
in Lisbon.


References

{{DEFAULTSORT:Cândida, Emília Portuguese stage actresses Actresses from Lisbon 19th-century Portuguese actresses 1823 births 1908 deaths