Embroidered Binding
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Embroidered binding, also referred to as needlework or textile binding, describes a book bound in textile, decorated with a design on both covers created for the individual book.


History

Embroidered bindings were produced by professional as well as amateur embroiderers or needle workers. Examples of embroidered bookbindings are known throughout England and Europe from the 13th century to the present, and were most popular in England during the first half of the 17th century. These bindings were most often created for prayer books, Bibles, devotional texts, and as presentation copies for clergy or the Royal family.


Designs

Designs include flowers and foliage, sacred emblems or royal portraits, arabesque, heraldic, or figural elements. "The most common designs were Old Testament scenes featuring Adam and Eve, Moses and Aaron, Solomon and the Queen of Sheba, or David playing his harp, and New Testament scenes and figures of the saints. There were also allegorical figures, such as Peace and Plenty or Faith and Hope, flora and fauna, and heraldic subjects. The use of portraits came into fashion in the 17th century. Initials and coats of arms were added to personalize the work."


Materials

Materials utilized to create embroidered bindings included linen, colored silk or metallic thread, pearls and sequins used in decorating canvas, silk, velvet or brocade covers. "The cloth was embroidered separately before it was glued or stitched to the boards of a ready bound book; embroidered covers do not form part of the binding structure."


Image gallery

File:Front covers, V.a.94.jpg, Folger Shakespeare Library's V.a.94. A velvet and embroidered binding by Esther Inglis (?), ca. 1608. Red velvet over pasteboard, decorated with silver thread embroidery and seed pearls. Silver clasp. File:Covers, STC 11317.jpg, Folger Shakespeare Library's STC 11317. An English embroidered silver wire binding, ca. 1613. Woven silver wire over millboards with silk embroidery. File:Covers, STC 2689 copy 1.jpg, Folger Shakespeare Library's STC 2689 copy 1. A binding of embroidered white satin featuring David holding Goliath's head, ca. 1639. White satin over pasteboards, embroidered in colored silks and silver spangles. File:Open covers, STC 2689 copy 2.jpg, Folger Shakespeare Library's STC 2689 copy 2. Mid 17th-century English embroidered binding with floral bee design and gauffered edges. File:Front cover, STC 23082 copy 6.jpg, Folger Shakespeare Library's STC 23082 copy 6. Early 17th century English embroidered binding with initials.


References

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External links



from "Hand Bookbindings: Plain and Simple to Grand and Glorious," exhibited at
Princeton University Princeton University is a private research university in Princeton, New Jersey. Founded in 1746 in Elizabeth as the College of New Jersey, Princeton is the fourth-oldest institution of higher education in the United States and one of the ...
's
Firestone Library Princeton University Library is the main library system of Princeton University. With holdings of more than 7 million books, 6 million microforms, and 48,000 linear feet of manuscripts, it is among the largest libraries in the world by number of ...
, November 10, 2002 through April 20, 2003
Embroidered bindings
from the
Folger Shakespeare Library The Folger Shakespeare Library is an independent research library on Capitol Hill in Washington, D.C., United States. It has the world's largest collection of the printed works of William Shakespeare, and is a primary repository for rare materi ...
's Binding Images Database (mostly 17th century English) Bookbinding Embroidery