Elisa E Claudio
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''Elisa e Claudio, ossia L'amore protetto dall'amicizia'' (''Elisa and Claudio, or Love Protected by Friendship'') is a two-act
melodramma ''Melodramma'' (plural: ''melodrammi'') is a 17th-century Italian term for a text to be set as an opera, or the opera itself. In the 19th century, it was used in a much narrower sense by English writers to discuss developments in the early Italia ...
semiseria by the 19th Century Italian
composer A composer is a person who writes music. The term is especially used to indicate composers of Western classical music, or those who are composers by occupation. Many composers are, or were, also skilled performers of music. Etymology and Defi ...
Saverio Mercadante Giuseppe Saverio Raffaele Mercadante (baptised 17 September 179517 December 1870) was an Italian composer, particularly of operas. While Mercadante may not have retained the international celebrity of Gaetano Donizetti or Gioachino Rossini beyond ...
from a
libretto A libretto (Italian for "booklet") is the text used in, or intended for, an extended musical work such as an opera, operetta, masque, oratorio, cantata or Musical theatre, musical. The term ''libretto'' is also sometimes used to refer to the t ...
by Luigi Romanelli based on the play, ''Rosella'' by Filipo Casari. It received its premiere performance at
La Scala La Scala (, , ; abbreviation in Italian of the official name ) is a famous opera house in Milan, Italy. The theatre was inaugurated on 3 August 1778 and was originally known as the ' (New Royal-Ducal Theatre alla Scala). The premiere performan ...
in
Milan Milan ( , , Lombard: ; it, Milano ) is a city in northern Italy, capital of Lombardy, and the second-most populous city proper in Italy after Rome. The city proper has a population of about 1.4 million, while its metropolitan city h ...
on 30 October 1821. Mercadante began to compose operas in 1819, and ''Elisa'' was his seventh. It "was his first great success, and his only comedy to maintain its place alongside the serious works of his later years.


Performance history

Initially successful, the opera was given at His Majesty's Theatre in
London London is the capital and largest city of England and the United Kingdom, with a population of just under 9 million. It stands on the River Thames in south-east England at the head of a estuary down to the North Sea, and has been a majo ...
in April 1823, followed a month later at the then-named Théâtre royal Italien in Paris on 22 November. The US premiere occurred on 18 October 1832 in
New York City New York, often called New York City or NYC, is the List of United States cities by population, most populous city in the United States. With a 2020 population of 8,804,190 distributed over , New York City is also the L ...
.Rose 2001, p. 565 ''Elisa'' is the only Mercadante comic opera to have been presented in recent years. In fact, very few revivals of any of the composer's operas have taken place in the 20th century, but those of ''Elisa e Claudio'' include a 1971 presentation at the
Teatro San Carlo The Real Teatro di San Carlo ("Royal Theatre of Saint Charles"), as originally named by the Bourbon monarchy but today known simply as the Teatro (di) San Carlo, is an opera house in Naples, Italy, connected to the Royal Palace and adjacent t ...
in
Naples Naples (; it, Napoli ; nap, Napule ), from grc, Νεάπολις, Neápolis, lit=new city. is the regional capital of Campania and the third-largest city of Italy, after Rome and Milan, with a population of 909,048 within the city's adminis ...
and 1973 performances at the occasional "Festival Mercadantiano" in the composer's home town,
Altamura Altamura (, ; nap, label= Barese, Ialtamùre) is a town and ''comune'' of Apulia, in southern Italy. It is located on one of the hills of the Murge plateau in the Metropolitan City of Bari, southwest of Bari, close to the border with Basilic ...
in Southern Italy, in which
Salvatore Fisichella Salvatore Fisichella (born 15 May 1943 in Catania, Sicily) is an Italian operatic tenor known for his roles in bel canto operas, especially those of Rossini, Donizetti and Bellini. He has been recognized for the ease and vocal brilliance of ...
sang the role of Claudio. The
Wexford Festival Wexford Festival Opera () is an opera festival that takes place in the town of Wexford in south-eastern Ireland during the months of October and November. The festival began in 1951 under Tom Walsh and a group of opera lovers who quickly gener ...
in
Ireland Ireland ( ; ga, Éire ; Ulster Scots dialect, Ulster-Scots: ) is an island in the Atlantic Ocean, North Atlantic Ocean, in Northwestern Europe, north-western Europe. It is separated from Great Britain to its east by the North Channel (Grea ...
has been instrumental in featuring Mercadante's work, and ''Elisa'' was given in October 1988.


Roles


Synopsis

:Place: Tuscany :Time: early nineteenth century


Act 1

''Scene 1: Inside Count Arnoldo's villa'' The Marquis Tricotazio and his daughter Silvia have arrived to visit the Count a day earlier than expected. The Marquis is looking forward to Silvia's marriage with the Count's son Claudio, but Silvia is in love with Celso, a former fellow-student of Claudio who has joined the Marquis's retinue. The Count suspects that Claudio wishes to marry someone else, and has confined him to his room for a year, but Claudio, to the Count's surprise, agrees to the marriage. This is a ruse which allows him to move more freely and, in particular, to visit Elisa, whom he has secretly married. However, the Count's servant, Luca, has discovered the existence of Elisa and the two children that she has borne to Claudio. ''Scene 2: Carlotta's cottage'' Elisa and the children are staying with her friend Carlotta. She is longing to be reunited with Claudio. Carlotta arrives, indignant that Claudio is apparently to marry Silvia. Claudio appears and is reproached by the women, but he convinces them that his consent to the marriage is a pretence. After he has left, Luca and a gang of ruffians arrive and carry off the children, to the great distress of Elisa and Carlotta. ''Scene 3: The gallery in the Count's villa'' Silvia and Celso plan to elope, but suddenly Claudio and Carlotta arrive with the news that the children have been kidnapped. The Marquis appears, but gets angry when no-one tells him what is going on. The arrival of Luca and the servants does not improve his temper. ''Scene 4: The Count's garden'' The bewildered Marquis is taking the air when he is confronted by a furious Elisa, who accuses him of ordering the kidnapping. He has no idea who she is or what she is talking about, and, assuming her to be mad, rushes off, pursued by Elisa. Carlotta arrives, distressed because she has been unable to find Elisa, but the servants cannot help. ''Scene 5: Inside the villa'' Luca and the Count are discussing what to do with the children when the Marquis, still pursued by Elisa, arrives. Silvia, Claudio, Carlotta and Celso now appear, and when the Count orders the servants to throw Elisa out, she realises that he, and not the Marquis, is her enemy. The others plead with the Count, but he is adamant.


Act 2

''Scene 1: The Count's garden'' Luca refuses to tell the servants exactly what is going on and sends them away. The Count reveals that he plans to offer Elisa a dowry if she finds someone to marry. The Marquis tries to persuade the Count to abandon the marriage of Silvia and Claudio, but the Count will not listen. Celso tells Silvia and Carlotta that he has acquired a key to a secret door through which Elisa and Claudio can escape. He has also had an idea about how to find where the children are being kept. Carlotta reflects that love has its sorrows as well as its enchantments. ''Scene 2: Inside the villa'' The Count tries to persuade Elisa to accept the dowry and the husband that he has selected for her. She rejects both. Celso, who had put his own name forward to the Count, offers Luca a share of the dowry if he will reveal the children's whereabouts. Luca has no hesitation in accepting. ''Scene 3: Night-time in the garden'' Elisa, Claudio and Carlotta have escaped through the secret door. They encounter the Marquis and then the Count, who has Luca's armed ruffians with him. The Count and Claudio shout at each other until he gives the order for Elisa to be taken away and locked up. After a scene of general confusion, Claudio meets Celso, who has freed the two children, and they hymn the power of friendship. ''Scene 4: A room in the villa'' Elisa is visited in her prison by Claudio and the children, and is overjoyed at their reunion. Celso, Carlotta and the Marquis join the rejoicing. The Count, still furious, is not impressed by Elisa's pleading with him, nor with the Marquis's support for her. The Marquis is disconcerted to find that Silvia is in love with Celso, a servant, but recovers and agrees to their union. Elisa offers to renounce her claim to Claudio if the Count will forgive his son, and finally the Count gives way and accepts their marriage, to general rejoicing.Synopsis adapted from that by
Julian Budden Julian Medforth Budden (9 April 1924 in Hoylake, Wirral – 28 February 2007 in Florence, Italy) was a British opera scholar, radio producer and broadcaster. He is particularly known for his three volumes on the operas of Giuseppe Verdi (publish ...
in the programme-book for the 1988 Wexford Festival


Recordings


References

Notes Cited sources *Rose, Michael (1998), ''"Elisa e Claudio"'' in
Stanley Sadie Stanley John Sadie (; 30 October 1930 – 21 March 2005) was an influential and prolific British musicologist, music critic, and editor. He was editor of the sixth edition of the '' Grove Dictionary of Music and Musicians'' (1980), which was publ ...
(ed.), ''
The New Grove Dictionary of Opera ''The New Grove Dictionary of Opera'' is an encyclopedia of opera, considered to be one of the best general reference sources on the subject. It is the largest work on opera in English, and in its printed form, amounts to 5,448 pages in four volu ...
'', Vol. Two. London: MacMillan Publishers, Inc. 1998 *Rose, Michael (2001), in Holden, Amanda (ed.), ''The New Penguin Opera Guide'', New York: Penguin Putnam, Inc. {{DEFAULTSORT:Elisa E Claudio Operas by Saverio Mercadante Italian-language operas 1821 operas Operas Opera world premieres at La Scala