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is a Noh play of the 16th century by . The play falls into the category of genzai-mono, or present time plays, where the action takes place consecutively, without the (more usual) retrospective flashback.


Historical setting

The play takes place during the youth of the samurai leader Minamoto no Yoshitsune, then known as Ushiwaka or Young Bull, at a time when (following the Hōgen rebellion), the Taira clan were in power in Japan. Ushiwaka was in seclusion at Kurama temple, where he was learning martial arts, supposedly at the hands of a goblin-like Tengu.


Plot

Ushiwaka absconds from the temple to join a merchant caravan; and to disguise himself orders an eboshi, or warrior hat, "folded to the left sin the time of the Minamoto clan". Though warned against this on the grounds that "after the years of Hōgen, The house of Hei airaprevailed, and the whole land was theirs", he persists in his request, and on obtaining the eboshi he offers his sword in payment. The hatmaker and his wife, Minamoto sympathisers, refuse to accept it; and Young Bull retrieves his sword, promising that "If ever I come into the World oweragain, I will not forget". A bandit attack on the merchants sees the sword immediately brought into use, as Young Bull calls upon the secret arts of the Kurama tengu to defeat the robbers, and to slay their leader
Kumasaka ''Kumasaka'' (The Robber) is a Noh play from the 15th century attributed by Arthur Waley to Zenchiku Ujinobu, about the notable Heian period bandit Kumasaka no Chohan. The play takes the form of Noh#Plays, Mugen Noh - supernatural, or dream-time N ...
in single combat.


Later developments

The twenty-first century has seen Simon Starling build on the play as a study in personal reinvention so as to create an exhibition of masks.Simon Starling
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See also

* Benkei on the Bridge *
Hachiman In Japanese religion, ''Yahata'' (八幡神, ancient Shinto pronunciation) formerly in Shinto and later commonly known as Hachiman (八幡神, Japanese Buddhist pronunciation) is the syncretic divinity of archery and war, incorporating elements f ...
* Pointed hat *
Sōjōbō In Japanese folklore and mythology, is the mythical king and god of the ''tengu'', legendary creatures thought to inhabit the mountains and forests of Japan. Sōjōbō is a specific type of ''tengu'' called ''daitengu'' and has the appearance o ...


References

{{Reflist, 2


External links


Eboshi-ori
Noh Noh plays