Duck Soup (1933 film)

''Duck Soup'' is a 1933 American pre-Code musical black comedy film written by Bert Kalmar and Harry Ruby and Nat Perrin, directed by Leo McCarey. Released theatrically by Paramount Pictures on November 17, 1933, it starred the Marx Brothers ( Groucho, Harpo, Chico, and Zeppo in his final Marx Brothers’ movie) and also featured Margaret Dumont, Louis Calhern, Raquel Torres and Edgar Kennedy. It was the last of five Marx Brothers movies released by Paramount Pictures. Groucho plays the newly installed president of the mythical country of Freedonia. Zeppo is his secretary, while Harpo and Chico are Sylvanian spies. Relations between Groucho and the Sylvanian ambassador deteriorate during the film, and they go to war at the conclusion.

Compared to the Marx Brothers' previous films, ''Duck Soup'' was a box office disappointment, though not entirely a "flop" as is sometimes reported. The film opened to mixed reviews, although this by itself did not end the group's association with Paramount. Bitter contract disputes, including a threatened boycott by the Marxes soured their negotiations with Paramount just as ''Duck Soup'' went into production. After the film fulfilled their five-picture obligation to the studio, the Marxes and Paramount agreed to part ways.

While contemporaneous critics of ''Duck Soup'' felt it did not quite rise to the level of its predecessors, critical opinion has evolved and the film has since achieved the status of a classic. ''Duck Soup'' is now widely considered among many critics and fans to be a masterpiece of comedy as well as the Marx Brothers' finest film.

In 1990, the United States Library of Congress deemed ''Duck Soup'' "culturally, historically, or aesthetically significant" and selected it for preservation in the National Film Registry.

Plot

The wealthy Mrs. Teasdale insists that Rufus T. Firefly be appointed leader of the small, financially struggling nation of Freedonia before she will continue to provide much-needed financial aid. Meanwhile, the neighboring country of Sylvania is scheming to annex Freedonia. Sylvanian ambassador Trentino tries to foment a revolution and court Mrs. Teasdale as he tries to dig up dirt on Firefly by sending in spies Chicolini and Pinky.

After failing to collect any useful information against Firefly, Chicolini and Pinky are able to infiltrate the government when Chicolini is appointed Secretary of War after Firefly notices him selling peanuts outside his window. A short time later, Firefly's secretary, Bob Roland, tells Firefly he suspects Trentino's motives and he advises him to get rid of the thin-skinned Trentino by insulting him. Firefly agrees to the plan, but after a series of personal insults exchanged between Firefly and Trentino, the plan backfires when Firefly slaps Trentino instead of being slapped by him. As a result, the two countries come to the brink of war. Adding to the international friction is the fact that Firefly is also wooing Mrs. Teasdale, and, like Trentino, hoping to get his hands on her late husband's wealth.

Trentino learns from sexy spy Vera Marcal that Freedonia's plans of war are in Mrs. Teasdale's safe and he tells her to assist Chicolini and Pinky in stealing them. Chicolini is eventually caught by Firefly and put on trial, during which war is officially declared, and everyone is overcome by war frenzy, breaking into song and dance. Chicolini and Pinky join Firefly and Bob Roland in anarchic battle, resulting in general mayhem.

After a fierce battle, the end of the film finds Trentino caught in a makeshift pillory, with the Brothers pelting him with fruit. Trentino surrenders, but Firefly tells him to wait until they run out of fruit. Mrs. Teasdale begins singing the Freedonia national anthem in her operatic voice and the Brothers begin hurling fruit at ''her'' instead.

Cast

Cast notes

Comparing the original scripts with the finished film, most of the characters' initial scripted names were later changed. Only the names of Chicolini and Mrs. Teasdale were kept. Groucho's character—originally named "Rufus T. ''Firestone''"—eventually became Rufus T. Firefly, while the name of Harpo's character—named Pinky in the final product—was given in the Paramount pressbook as "Brownie". "Ambassador Frankenstein of Amnesia" was quickly changed to Ambassador Trentino of Sylvania. Zeppo's character remained Firefly's son until very late in production, finally becoming Bob Roland, his secretary; also, Mrs Teasdale's niece "June Parker" transformed into Vera Marcal, first introduced as Trentino's "niece" before ultimately becoming his companion.

Production notes

Development

The Marx Brothers' previous film, ''Horse Feathers'', had been Paramount's highest-grossing film of 1932. Encouraged by this success, the studio suggested on August 2, 1932, that they rush out a follow-up. Already at this early stage, the story (provisionally entitled ''Oo La La'') was set in a mythical kingdom. On August 11, 1932, the ''Los Angeles Times'' reported that production would commence in five weeks with the famed Ernst Lubitsch directing.

This was a turbulent time in the Marx Brothers' career. The Great Depression was raging and Paramount Pictures was attempting to stave off bankruptcy. A reorganization of the studio brought fears that money due the Marxes would never be paid; as a result, the Brothers threatened to leave Paramount and form their own company, Marx Bros., Inc. Their first planned independent production was a film adaptation of the Pulitzer Prize-winning Broadway musical ''Of Thee I Sing'', with Norman McLeod leaving Paramount to direct. During late 1932 and early 1933, Groucho and Chico were also working on ''Flywheel, Shyster, and Flywheel'', a radio show written by Nat Perrin and Arthur Sheekman; there was even, at one time, talk of casting the two as their radio characters for the new film (an idea that was eventually used by Perrin in the 1941 Marx Brothers film ''The Big Store'').

By October 4, 1932, Arthur Sheekman, Harry Ruby began writing the screenplay for the next Paramount film, which was now called ''Firecrackers''. Herman Mankiewicz was to supervise production, beginning in January 1933. By December 1932, ''Firecrackers'' had become ''Cracked Ice''.The different scripts for ''Duck Soup'' – Marxology.com
/ref> Grover Jones was also reported to have contributed to the first draft by Ruby and Kalmar. In ''The Marx Brothers Encyclopedia'', Glenn Mitchell says that "the first script's content is difficult to determine".

On January 18, 1933, Harry Ruby, Bert Kalmar and Grover Jones submitted to Paramount their "Second Temporary Script" for ''Cracked Ice'', and Paramount announced that shooting would commence on February 15. This script shows that the basic plot of ''Duck Soup'' was in place. In February, Paramount announced that the title had been changed to ''Grasshoppers'' ("because animal stories are so popular"), and that filming was set back to February 20.

However, on May 11, 1933, the Marx Brothers' father Sam "Frenchie" Marx died in Los Angeles, and shortly afterward the contract dispute with Paramount was settled. The ''New York Post'' reported on May 17 that the Brothers would make a new comedy for Paramount, called ''Duck Soup''. Leo McCarey was set for direction of the film. Three days later ''The New York Sun'' reported that ''Duck Soup'' would start filming in June. ''Duck Soup''s script was completed by July 11. The script was a continuation of Ruby and Kalmar's ''Firecrackers''/''Cracked Ice'' drafts, but contained more elements. Many of the film's clever gags and routines were lifted from ''Flywheel, Shyster, and Flywheel'', giving Perrin and Sheekman an "additional dialogue" credit.

Title

Director McCarey reportedly came up with the title for the film, having previously used it for an earlier directorial effort with Laurel and Hardy. This continued the "animal" titles of the Brothers' previous three films, ''Animal Crackers'', '' Monkey Business'' and ''Horse Feathers''."The Making of ''Duck Soup''" – Marxology.com
/ref>

"Duck soup" was American English slang at that time; it meant something easy to do. Conversely, "to duck something" meant to avoid it. When Groucho was asked for an explanation of the title, he quipped, "Take two turkeys, one goose, four cabbages, but no duck, and mix them together. After one taste, you'll duck soup for the rest of your life."

McCarey also thought up "the very Laurel & Hardy-like sequence in which Harpo and Chico stage a break-in at Mrs Teasdale's house." Another McCarey contribution was the "mirror scene", a revival of an old Marx Brothers vaudeville act.

Mirror scene

In the "mirror scene", Pinky, dressed as Firefly, pretends to be Firefly's reflection in a missing mirror, matching his every move—including absurd ones that begin out of sight—to near perfection. In one particularly surreal moment, the two men swap positions, introducing the question of which is the reflection. Eventually, and to their misfortune, Chicolini, also disguised as Firefly, enters the frame and collides with both of them.

Although its appearance in ''Duck Soup'' is the best known instance, the concept of the mirror scene did not originate in this film. Harold Lloyd used essentially the same routine in his short '' The Marathon'' (1919). Max Linder included it in '' Seven Years Bad Luck'' (1921), where a man's servants have accidentally broken a mirror and attempt to hide the fact by imitating his actions in the mirror's frame.James Steffe
"Seven Years Bad Luck" (TCM article)
/ref> Charlie Chaplin used a similar joke in ''The Floorwalker'' (1916), though it did not involve a mirror.

This scene has been imitated many times; for instance, in the Bugs Bunny cartoon '' Hare Tonic'', the Mickey Mouse cartoon ''Lonesome Ghosts'', ''The Square Peg'' (1959), ''The Pink Panther'' (1963), the Tom and Jerry cartoon '' Cat and Dupli-cat'' (1967), ''Big Business'' (1988), X-Files episode "Dreamland" (1998), '' Garfield: A Tail of Two Kitties'' (2006) and the Family Guy episode "Road to Germany". Harpo himself did a reprise of this scene, dressed in his usual costume, with Lucille Ball also donning the fright wig and trench coat, in the ''I Love Lucy'' episode "Lucy and Harpo Marx".

Other scenes and jokes

The climactic production number ridicules war by comparing nationalism to a minstrel show. One segment is a variant on the old Negro spiritual " All God's Chillun Got Wings" (and was reportedly considered for deletion for the film's DVD release, for fear of offending African Americans):

They got guns,
We got guns,
All God's chillun got guns!
I'm gonna walk all over the battlefield,
'Cause all God's chillun got guns!

Another repeated gag involved Harpo, who drives a motorcycle with a sidecar, as a chauffeur, to transport Groucho. Twice, after Groucho gives the orders to Harpo, Harpo rides his motorcycle away, leaving Groucho stranded in the sidecar. Later, Groucho has Harpo sit in the sidecar, while Groucho gets on the motorcycle, the sidecar, with Harpo in it, rides off away, again, leaving Groucho stranded.

Shortly after, during the final battle scenes, "rightfully ..called the funniest of all of cinema", Firefly can be seen wearing a different costume in almost every sequence until the end of the film, including American Civil War uniforms (first Union and then Confederate), a British palace guard uniform, a Boy Scout Scoutmaster's uniform, and even a Davy Crockett coonskin cap. Meanwhile, the exterior view of the building they are occupying changes appearance from a bunker to an old fort, etc. Firefly assures his generals that he has "a man out combing the countryside for volunteers." Sure enough, Pinky is wandering out on the front lines wearing a sandwich board sign reading, "Join the Army and see the Navy." Later, Chicolini volunteers Pinky to carry a message through enemy lines; Firefly tells him, " ..and remember, while you're out there risking life and limb through shot and shell, we'll be in here thinking what a sucker ''you'' are." Thomas Doherty has described this line as "sumingup the Great War cynicism towards all things patriotic".Doherty, p. 194

The melodramatic exclamation "This means war!" certainly did not originate with ''Duck Soup'', but it is used several times in the film—at least twice by Trentino and once by Firefly—and was repeated by Groucho in '' A Night at the Opera'' and '' A Day at the Races''. Variations of this phrase later became a frequently used catch-phrase for Daffy Duck and Bugs Bunny in Warner Bros. cartoons.

In another scene, the film pokes fun at the Hays Code. Due to the code, a man and woman could not be shown in bed together. The camera begins the scene in a woman's bedroom, panning across the foot of the bed. A pair of men's shoes are shown on the floor, then a pair of women's shoes and then four horseshoes. The camera cuts to a shot of the entire room: Pinky is sleeping in one bed with the horse, while the woman is in another bed.

The film's writers recycled a joke used in ''Horse Feathers'' in this dialogue with Chico:

Prosecutor: Chicolini, isn't it true you sold Freedonia's secret war code and plans?
Chicolini: Sure! I sold a code and two pairs o' plans!

The street vendor confrontations are also well-remembered pieces of physical comedy: Chico and Harpo harass a lemonade seller (comedy film veteran Edgar Kennedy), egged on by his irritation that they have stolen his pitch.

First, there is a scene involving the knocking off, dropping, picking up and exchanging of hats. Later, Kennedy (a much larger man) steals bags of Harpo's peanuts, and Harpo responds by burning Kennedy's new straw boater hat; in return, Kennedy pushes over their peanut wagon. Harpo responds by stepping knee-deep into Kennedy's lemonade tank, where he imitates a stereotypical Italian grape-crushing peasant; this drives off Kennedy's waiting line of customers.

Just before the Mirror Scene is the Radio Scene. Harpo tries the combination to the safe on a box which proves to be a radio, and it starts blaring the break-up strain of John Philip Sousa's "Stars and Stripes Forever". The music continues despite frantic efforts to silence, and finally destroy, the radio, by throwing it out the window, shattering the glass.

Harpo often doffed his hat on-screen, but Chico very rarely removed his Tyrolean hat, even when indoors. For a few seconds on-screen in the earlier scene, Chico's head is uncovered, revealing a wavy wig. Chico had already started going bald when the brothers appeared in their first Broadway production, ''I'll Say She Is'', in 1924. All of the Brothers' natural receding-hairline patterns were similar, but Harpo and Chico covered theirs with wigs (Groucho later sported an obvious toupee in the films ''At The Circus'' and '' Go West'').

Soundtrack

Breaking with their usual pattern, neither Harpo's harp nor Chico's piano is used in the film, although Harpo briefly pretends to play harp on the strings of a piano, strumming chords in accompaniment to a duck-shaped music box that is playing.

The musical introduction to Groucho's character is similar to those in ''Animal Crackers'' and ''Horse Feathers'' but it did not become closely associated with him as did "Hooray for Captain Spaulding" from ''Animal Crackers''.

Zeppo, playing according to James Agee "a peerlessly cheesy improvement on the traditional straight man", sings with the group, including soloing the first few lines of the first song, "When the Clock on the Wall Strikes 10". He also sings with the others in "Freedonia's Going to War", filling out the four-cornered symmetry as the Brothers sing and dance in pairs during the number.

Original songs by Kalmar and Ruby

The "Freedonia National Anthem" is used frequently throughout the film, both as vocal and instrumental; the entire song seems to consist of "Hail, Hail, Freedonia, land of the brave and free", contrasting with the final line of ''The Star-Spangled Banner''. The "Sylvania theme", which sounds vaguely like "Rule, Britannia!", is also used several times. "When The Clock On The Wall Strikes 10", the first musical number in the film, is part of the same scene as "Just Wait 'Til I Get Through With It", Groucho's song about the laws of his administration. "This Country's Going To War" is the final musical ensemble in the film. Technically it is the only musical number in the Marx Brothers' films to feature all four of the brothers. However, in '' Monkey Business'', Chico briefly bangs on the piano while the other three play saxophones while eluding their pursuers on an ocean liner.

The introductory scene, showing ducks swimming in a kettle and quacking merrily, is scored with an instrumental medley of the aforementioned songs, and it is also the only scene in the film that has to do with ducks and soup.

Non-original music

* '' Military Polonaise'' ( Chopin) – played over newspaper headline of Firefly's appointment as president of Freedonia
* " Sailor's Hornpipe"; "Dixie" – short segments embedded in "These Are the Laws of My Administration"
* "Who's Afraid of the Big Bad Wolf" – music box, accompanied by Harpo on (simulated) harp, briefly; a few minutes later, in another scene, Groucho says "I'll huff and I'll puff and I'll blow your door in" after he is locked in a closet. Walt Disney filed a lawsuit against Paramount Pictures, for using the song without permission, resulting in Disney winning the financial damages in a settlement.
* "Stars and Stripes Forever" ( Sousa) – on radio, turned on (loudly) by Harpo, who mistakes it for a safe
* "American Patrol" ( Frank W. Meacham) – three of the Brothers playing soldiers' helmets like a xylophone as they march by, while Harpo clips off the decorative tassels (part of a running gag in the film)
* "All God's Chillun Got Guns" (parody of "All God's Chillun Got Wings"); "Oh Freedonia" (parody of "Oh! Susanna"); "Turkey in the Straw" (instrumental) – embedded in "Freedonia's Going to War"
* '' Light Cavalry Overture'' (Franz von Suppé) – Harpo galloping on horseback a la Paul Revere
* "Ain't She Sweet" (Milton Ager/Jack Yellen) – Harpo watching girl in window
* " Goodnight, Sweetheart" (Ray Noble) – Harpo and same girl (Edgar Kennedy's character's wife)
*Generic cavalry charge – Harpo with horn, in bathtub with Edgar Kennedy
* " One Hour With You" ( Oscar Straus/Richard A. Whiting) – Harpo with another girl and his horse — segué into a bit of " The Old Gray Mare"
* "El manisero" (Moisés Simons

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