Origin
The term was introduced byGilroy and the "Black Atlantic"
Paul Gilroy applied theories of culture and race to the study and construction of African American intellectual history. He is known especially for marking a turning point in the study of the African diasporas.Chivallon, Christine. "Beyond Gilroy's Black Atlantic: The Experience of theFrantz Fanon
Very similarly to Du Bois, Frantz Fanon touched upon the term of double consciousness in his life. In his first book, '' Black Skin, White Masks'', where he expressed his hopelessness at being neither white nor black. Fanon identifies the double consciousness that African Americans face and its source; he claimed the cultural and social confusions of African Americans were caused by European culture. He gave examples of things that he has encountered that demonstrate the double consciousness. He talks about people who preach about completely conforming to being white and says that they are wrong. He also says that the people who believe that complete rejection of whites are also wrong.1925-1961., Fanon, Frantz, (2008). Black skin, white masks (1st ed., New ed.). New York: Grove Press. . OCLC 71286732. He then proceeds to talk about why black people adopt cultures that are so strange to him. He talks about how when a Black Caribbean leaves for Europe, they come back speaking a language different from their own. He also talks about how Africans, mostly the wealthiest, tend to have insecurities of not being European enough because they are African. This manifests in buying European furniture and buying European clothes. In addition to this he talks about the way white men talk to African Americans and how it contributes to this problem of double consciousness. He says that when a white man talks to an African American man he is changing his language to a way in which a stereotypical black man would talk, similarly to how one would talk to a child, with different language sophistication and slang. He says that this angers the African American because he feels as though he has been categorized and imprisoned into a box from which he cannot escape due to this judgement. He gives an example of a film where this stereotype is portrayed and then talks about how African Americans need to be educated to not follow the stereotypes displayed by white culture. Stephen Greenblatt also uses it to describe the peculiar quality of Shakespeare's consciousness in his biography of the bard, ''Will in the World'' (2004).Triple consciousness
In the 21st century, Du Bois's theory of double consciousness has been revisited to develop a more inclusive concept of triple consciousness. This triple consciousness may include another intersecting identity that impacts a person's social experiences. Additional identities that may affect the already present double consciousness experience might include ethnicity, gender, sexual orientation, etc. For example, Juan Flores identified ethnicity as a potential aspect that influences double consciousness by speculating Afro-Latinos in the U.S. experienced an added layer of discrimination that combined skin color with ethnicity and nationality. Anna Julia Cooper similarly references the intersectionality of race and gender within her work ''A Voice from the South'' where she states: "Only the black woman can say 'when and where I enter, in the quiet, undisputed dignity of my womanhood, without violence and without suing or special patronage, then and there the whole ... race enters with me". Finally, Jossianna Arroyo explains that triple consciousness brings "spaces, culture, and skin ... ore-contextualize blackness" in the case of black Puerto Ricans.Experiences of women of color
Just like any other thought in critical race analysis, double consciousness theory cannot be divorced from gender. This is where black feminists have introduced their concept of the triple consciousness. Black women not only have to see themselves through the lens of blackness and whiteness, but also through the lens of patriarchy. Whenever they are in black spaces, women still have to situate themselves in the context of patriarchy. Whenever that they are in fem spaces, they must still situate themselves in the context of their blackness. Deborah Gray White writes, "African American women are confronted with an impossible task. If she is rescued from the myth of the negro, the myth of the woman traps her. If she escapes the myth of the women, the myth of the negro still ensnares her". Among the double burdens that feminists faced was fighting for women's rights as well as rights for people of color. Frances M. Beale wrote that the situation of black women was full of misconceptions and distortions of the truth. In her pamphlet ''Double Jeopardy: To Be Black and Female'', she claimed that capitalism was the direct forebearer of racism because the system was indirectly a way to destroy the humanity of black people. "In any society where men are not yet free, women are less free because we are further enslaved because we frican American womenare enslaved by our sex." Many African American women turned towards feminism in their fight against oppression because "there was an awareness that they were being treated as second-class citizens within the Civil Rights movement of the 60's." Due to this, many women felt that they were being asked to choose between "a Black movement that primarily served the interest of Black male patriarchs, and a women's movement which primarily served the interests of racist white women." The theory of double consciousness is also heavily present for female diasporic artists. These artists are faced with the task of remaining authentic to their roots while still branding themselves in a way to allow international and mainstream popularity. In the music industry, women of color are often stereotyped as being hyper-sexual and aggressive; which in some cases helps their branding, and in other cases, it hurts their branding and the identity they have attempted to create for themselves. Due to this, diasporic female artists are often forced to privilege certain self markers and conceal others depending on the situation; often making them feel as if they can never create one true identity for themselves but must rather change depending on the circumstances present.Black Power
The first portion of Black Power: The Politics of Liberation labeled "White Power" by Kwame Ture (formerly known as Stokely Carmichael) and Charles V. Hamilton provides evidence backing up the ideology of double consciousness in regards to black people in the United States. The book opens up by defining racism as "the predication of decisions and policies on considerations of race for the purpose of subordinating a racial group and maintaining control over that group" (Hamilton & Ture, 3). Therefore, the subordinate group, black people, must think of themselves in terms of the oppressive population, white. Individual racism and institutional racism both contribute to double consciousness. On an individual level, double consciousness is practiced within every day interactions, and on an institutional level, it impacts how black people function throughout society. "Black People are legal citizens of the United States with, for the most part, the same legal rights as other citizens. Yet they stand as colonial subjects in relation to the white society." Therefore, while the Black population in the United States are essentially equal to whites under written law, there remain deeply rooted inequities between the races that reinforce double consciousness. Because these differences are not evident under the U.S. Constitution and the Bill of Rights, they are an experience.In the Afro-German paradigm
Even though the framework of double consciousness can be applied to an African Diaspora and Transnationality, it is important to understand that the nuances of racial dynamics differ from nation to nation. In Germany, for example, the political exigencies enforced by the Third Reich created a more nuanced situation. Tina Campt notes in ''Other Germans: Black Germans and the Politics of Race, Gender, and Memory in the Third Reich,'' the tension for Afro-Germans who "came of age during the totalitarian regime of the Third Reich ... was not necessarily experienced as one of absolute duality or 'twoness.' Rather, it was a contradictory and complexly textured form of identity". Due to the absence of a Black community in Germany, "most Afro-Germans did not have the option of choosing between a Black community or identity and a German identity". They were essentially forced to "occupy a position between a conception of German identity that excluded blackness and a conception of blackness that precluded any identification with Germanness". This means that for Black Germans during the Third Reich, the psychological dilemmas of "two-ness" did not necessarily map onto the double consciousness dynamic W. E. B. Du Bois first identified in 1897. For Black Germans in the early 20th century, there was no stable idea or community of blackness with which they could fully, or even partly, identify.See also
* Cognitive dissonance *References
Further reading
* Gilroy, Paul. ''The Black Atlantic: Modernity and Double Consciousness'' Cambridge, Mass.: Harvard UP, 1993. Print. * Ture, Kwame. "Black Power The Politics of Liberation." New York, New York.: Random House, 1967. Print.External links
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