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' (, ''The Flittermouse'' or ''The Bat'', sometimes called ''The Revenge of the Bat'') is an operetta composed by Johann Strauss II to a German libretto by Karl Haffner and
Richard Genée Franz Friedrich Richard Genée (7 February 1823 – 15 June 1895) was a Prussian born Austrian libretto, librettist, playwright, and composer. Life Genée was born in Gdańsk, Danzig. He died at Baden bei Wien. Works He is most famous for the ...
, which premiered in 1874.


Background

The original literary source for ' was ' (''The Prison''), a farce by German playwright Julius Roderich Benedix that premiered in Berlin in 1851. On 10 September 1872, a three-act French
vaudeville Vaudeville (; ) is a theatrical genre of variety entertainment born in France at the end of the 19th century. A vaudeville was originally a comedy without psychological or moral intentions, based on a comical situation: a dramatic composition ...
play by
Henri Meilhac Henri Meilhac (23 February 1830 – 6 July 1897) was a French dramatist and opera librettist, best known for his collaborations with Ludovic Halévy on Georges Bizet's ''Carmen'' and on the works of Jacques Offenbach, as well as Jules Massenet' ...
and
Ludovic Halévy Ludovic Halévy (1 January 1834 – 7 May 1908) was a French author and playwright, best known for his collaborations with Henri Meilhac on Georges Bizet's '' Carmen'' and on the works of Jacques Offenbach. Biography Ludovic Halévy was born in ...
, ', loosely based on the Benedix farce, opened at the
Théâtre du Palais-Royal The Théâtre du Palais-Royal () is a 750-seat Parisian theatre at 38 rue de Montpensier, located at the northwest corner of the Palais-Royal in the Galerie de Montpensier at its intersection with the Galerie de Beaujolais. Brief history ...
. Meilhac and Halévy had provided several successful libretti for Offenbach and ''Le Réveillon'' later formed the basis for the 1926 silent film '' So This Is Paris'', directed by
Ernst Lubitsch Ernst Lubitsch (; January 29, 1892November 30, 1947) was a German-born American film director, producer, writer, and actor. His urbane comedies of manners gave him the reputation of being Hollywood's most elegant and sophisticated director; as ...
. Meilhac and Halévy's play was soon translated into German by Karl Haffner (1804–1876), at the instigation of
Max Steiner Maximilian Raoul Steiner (May 10, 1888 – December 28, 1971) was an Austrian composer and conductor who emigrated to America and went on to become one of Hollywood's greatest musical composers. Steiner was a child prodigy who conducted ...
, as a non-musical play for production in Vienna. The French custom of a New Year's Eve ''
réveillon A ''réveillon'' () is a long dinner held in the evening preceding Christmas Day and New Year's Eve. Its name descends from the word ''réveil'' (meaning "waking"), because participation involves staying awake until morning, as the meal finishes ...
'', or supper party, was not considered to provide a suitable setting for the Viennese theatre, so it was decided to substitute a ball for the ''réveillon''. Haffner's translation was then passed to the playwright and composer
Richard Genée Franz Friedrich Richard Genée (7 February 1823 – 15 June 1895) was a Prussian born Austrian libretto, librettist, playwright, and composer. Life Genée was born in Gdańsk, Danzig. He died at Baden bei Wien. Works He is most famous for the ...
, Lamb, Andrew. Die Fledermaus. In: ''
The New Grove Dictionary of Opera ''The New Grove Dictionary of Opera'' is an encyclopedia of opera, considered to be one of the best general reference sources on the subject. It is the largest work on opera in English, and in its printed form, amounts to 5,448 pages in four volu ...
''. Macmillan, London and New York, 1997.
who had provided some of the lyrics for Strauss's ''
Der Karneval in Rom ' (''The Carnival in Rome'') —also known as '— is an operetta in three acts composed by Johann Strauss II to a libretto by Josef Braun, Richard Genée and Maximilian Steiner. It was Strauss' second operetta and based on Victorien Sardou's 1 ...
'' the year before, and he completed the libretto.


Performance history

The operetta premiered on 5 April 1874 at the
Theater an der Wien The is a historic theatre in Vienna located on the Left Wienzeile in the Mariahilf district. Completed in 1801, the theatre has hosted the premieres of many celebrated works of theatre, opera, and symphonic music. Since 2006, it has served prima ...
in Vienna and has been part of the regular repertoire ever since. It was performed in New York under
Rudolf Bial Rudolf Bial (26 August 1834 – 23 November 1881) was a German violin The violin, sometimes known as a '' fiddle'', is a wooden chordophone ( string instrument) in the violin family. Most violins have a hollow wooden body. It is the small ...
at the Stadt Theatre on 21 November 1874. The German première took place at Munich's Gärtnerplatztheater in 1875. ''Die Fledermaus'' was sung in English at London's Alhambra Theatre on 18 December 1876, with its score modified by
Hamilton Clarke James Hamilton Siree Clarke (25 January 1840 – 9 July 1912), better known as Hamilton Clarke, was an English conductor, composer and organist. Although Clarke was a prolific composer, he is best remembered as an associate of Arthur Sullivan, ...
.''
The Observer ''The Observer'' is a British newspaper published on Sundays. It is a sister paper to ''The Guardian'' and '' The Guardian Weekly'', whose parent company Guardian Media Group Limited acquired it in 1993. First published in 1791, it is the ...
'', 4 May 1930, p. 14: interview with ROH archivist Richard Northcott in connection with revival of ' conducted by
Bruno Walter Bruno Walter (born Bruno Schlesinger, September 15, 1876February 17, 1962) was a German-born conductor, pianist and composer. Born in Berlin, he escaped Nazi Germany in 1933, was naturalised as a French citizen in 1938, and settled in the U ...
When the operetta came to Paris in 1877 at the
Théâtre de la Renaissance The name Théâtre de la Renaissance has been used successively for three distinct Parisian theatre companies. The first two companies, which were short-lived enterprises in the 19th century, used the Salle Ventadour, now an office building on t ...
, as ''La Tzigane'', with Ismaël and
Zulma Bouffar Zulma Madeleine Boufflar, known as Zulma Bouffar, (24 May 1841 – 20 January 1909), was a French actress and soprano singer, associated with the opéra-bouffe of Paris in the second half of the 19th century who enjoyed a successful career a ...
in the cast, it was not a success;Noel E and Stoullig E. ''
Les Annales du Théâtre et de la Musique ''Les Annales du Théâtre et de la Musique'' ("The Annals of Theatre and Music") was an annual French periodical which covered French dramatic and lyric theatre for 42 years, from 1875 to 1916. The volumes also covered concert series and ne ...
, 3eme édition, 1877.'' G Charpentier et Cie, Paris, 1878, 452–454.
only in 1904, with Meilhac and Halevy's original roles names and the words adapted by
Paul Ferrier Paul Ferrier (29 March 1843 - September 1920) was a French dramatist, who also provided libretti for several composers, especially Varney and Serpette. Ferrier was born in Montpellier. He had already produced several comedies when in 1873 he ...
to the music (with Max Dearly and
Ève Lavallière Ève Lavallière (born Eugénie Marie Pascaline Fenoglio, 1 April 1866 – 10 July 1929) was a French stage actress and later a noteworthy Catholic penitent and member of the Secular Franciscan Order. Biography Ève Lavallière was born at 8 ...
in the cast) did it find success in Paris and enter the repertoire there. The first London performance in German did not take place until 1895. According to the archivist of the
Royal Opera House, Covent Garden The Royal Opera House (ROH) is an opera house and major performing arts venue in Covent Garden, central London. The large building is often referred to as simply Covent Garden, after a previous use of the site. It is the home of The Royal O ...
, "Twenty years after its production as a lyric opera in Vienna, omposer and conductor Gustav
Mahler Gustav Mahler (; 7 July 1860 – 18 May 1911) was an Austro-Bohemian Romantic composer, and one of the leading conductors of his generation. As a composer he acted as a bridge between the 19th-century Austro-German tradition and the modernism ...
raised the artistic status of Strauss's work by producing it at the Hamburg Opera House ..all the leading opera houses in Europe, notably
Vienna en, Viennese , iso_code = AT-9 , registration_plate = W , postal_code_type = Postal code , postal_code = , timezone = CET , utc_offset = +1 , timezone_DST ...
and
Munich Munich ( ; german: München ; bar, Minga ) is the capital and most populous city of the German state of Bavaria. With a population of 1,558,395 inhabitants as of 31 July 2020, it is the third-largest city in Germany, after Berlin and Ha ...
, have brightened their regular repertoire by including it for occasional performance." The role of Eisenstein was originally written for a
tenor A tenor is a type of classical male singing voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is wide ...
but is now frequently sung by a baritone. The role of Orlofsky is a
trouser role A breeches role (also pants role or trouser role, or Hosenrolle) is one in which an actress appears in male clothing. Breeches, tight-fitting knee-length pants, were the standard male garment at the time these roles were introduced. The theatric ...
, usually performed by a mezzo-soprano, sometimes by a countertenor and occasionally – an octave lower – by a
tenor A tenor is a type of classical male singing voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is wide ...
. The party of act 2 allows productions to insert a variety of additional entertainment acts, such as music, comedy, or dance. The lengthy drunken soliloquy by Frosch (a comedy speaking role) in act 3 also permits variety in performance.


Roles


Synopsis


Act 1

''Eisenstein's apartment'' Gabriel von Eisenstein, a Viennese man-about-town, has been sentenced to eight days in prison for insulting an official, partially due to the incompetence of his attorney, Dr. Blind. Adele, Eisenstein's maid, receives a forged letter, allegedly from her sister who is in the company of the ballet, but actually written by Falke, inviting her to Prince Orlofsky's ball. She pretends the letter says that her aunt is very sick, and asks her mistress Rosalinde (Eisenstein's wife) for an evening off ("Da schreibt meine Schwester Ida"/"My sister Ida writes to me"). Falke, Eisenstein's friend, arrives to invite him to the ball (Duet: "Komm mit mir zum Souper"/"Come with me to the souper"). Together, they recall a practical joke which Eisenstein played on Falke a few years ago, for which Falke is secretly planning a light-hearted revenge in kind. Eisenstein bids farewell to Adele and his wife Rosalinde, pretending he is going to prison (Trio: "O Gott, wie rührt mich dies!"/"Oh dear, oh dear, how sorry I am") but really intending to postpone jail for one day and have fun at the ball. After Eisenstein leaves, Rosalinde is visited by her former lover, the singing teacher Alfred, who serenades her ("Täubchen, das entflattert ist"/"Dove that has escaped"). Frank, the governor of the prison, arrives to take Eisenstein to jail, and finds Alfred instead. In order not to compromise Rosalinde, Alfred agrees to pretend to be Eisenstein and to accompany Frank. (Finale, drinking song: "Glücklich ist, wer vergisst"/"Happy is he who forgets" followed by Rosalinde's defence when Frank arrives: "Mit mir so spät im tête-à-tête"/"In tête-à-tête with me so late," and Frank's invitation: "Mein schönes, großes Vogelhaus"/"My beautiful, large bird-cage.")


Act 2

''A summer house in the Villa Orlofsky'' It transpires that Falke, with Prince Orlofsky's permission, is using the ball as a way of getting revenge on Eisenstein. Some time before, after a costume-party, Eisenstein had abandoned Falke, very drunk and dressed in a bat-costume, in the center of town, exposing him to ridicule the next day. As part of his scheme, Falke has invited Frank, Adele, and Rosalinde to come the ball, all concealing their identities as well. Rosalinde pretends to be a masked Hungarian countess, Eisenstein goes by the name "Marquis Renard," Frank is "Chevalier Chagrin," and Adele, who has borrowed one of Rosalinde's dresses without permission, pretends she is an actress. The ball is in progress (Chorus: "Ein Souper heut' uns winkt"/"A souper is before us") and the Prince welcomes his guests ("Ich lade gern mir Gäste ein"/"I love to invite my friends"). Eisenstein is introduced to Adele, but is confused as to who she really is because of her striking resemblance to his maid. ("Mein Herr Marquis"/"My lord marquis," sometimes referred to as " Adele's Laughing Song"). Frank arrives. He and Eisenstein, who are both posing as Frenchmen, attempt to conceal their identities by repeating common French phrases to each other, to Orlofsky's great amusement. Since neither actually knows French, both are fooled. As the party progresses, they both experience alcohol-induced good-feeling and manly camaraderie for each other. Then Falke introduces the masked Rosalinde to the company. She convinces everyone that she is Hungarian by singing the "Czardas", a sentimental dancing-song (" Klänge der Heimat"/"Sounds from home"). During an amorous tête-à-tête, Eisenstein tries unsuccessfully to persuade the mystery-woman to unmask. She succeeds in extracting a valuable watch from her husband's pocket, something which she can use in the future as evidence of his impropriety. (Watch duet: "Dieser Anstand, so manierlich"/"Her bearing, so well-mannered"). In a rousing finale, Orlofsky makes a toast to champagne, and the company celebrates (The Champagne song: "Im Feuerstrom der Reben"/"In the fire stream of the grape"; followed by the canon: "Brüderlein, Brüderlein und Schwesterlein"/"Brothers, brothers and sisters" and the waltz finale, "Ha, welch ein Fest, welche Nacht voll Freud'!"/"Ha, what joy, what a night of delight.") Eisenstein and Frank dash off as the clock strikes six in the morning. (Note: The "Champagne song", which is sung by the entire ensemble, should not be confused with the baritone aria "Fin ch' han dal vino" from '' Don Giovanni'', which is often called the "Champagne aria".)


Act 3

''In the prison offices of Warden Frank'' The next morning they all find themselves at the prison where the confusion increases and is compounded by the jailer, Frosch, who has profited by Warden Frank's absence to become gloriously drunk. Alfred, still in jail in Eisenstein's place, irritates the other prisoners by singing operatic arias. Adele arrives to ask the Chevalier Chagrin (actually Frank) to sponsor her career as an actress, but Frank is not wealthy enough to do this (Melodrama; Couplet of Adele: "Spiel' ich die Unschuld vom Lande"/"If I play the innocent peasant maid"). Meanwhile, Alfred asks Frosch to summon Dr. Blind to help get him released; Frank agrees to allow this and Dr. Blind arrives. Eisenstein enters and says he has come to serve his sentence. He is surprised when Frank tells him that his cell is already occupied by a man who claims to be Eisenstein and whom Frank had arrested in Eisenstein's apartment. Frank further tells Eisenstein that the man he arrested was singing amorous songs to Rosalinde at the time of his arrest, and warmly kissed her goodbye. Enraged, Eisenstein takes Dr. Blind's wig and glasses in order to disguise himself and confront the impersonator Alfred, who Eisenstein now believes has cuckolded him. Rosalinde enters. Eisenstein takes off his disguise and accuses her of being unfaithful to him with Alfred. Eisenstein, Rosalinde, and Alfred sing a trio in which Eisenstein angrily claims the right of vengeance (Trio: "Ja, ich bin's, den ihr betrogen...Ra-ra-ra-ra-Rache will ich!"/"I'm the one who was mistreated....Ve-ve-ve-ve-vengeance is mine!"). However, Rosalinde produces his watch, and he realizes that the Hungarian mystery-woman he tried to seduce at Orlofsky's party was actually Rosalinde in disguise and that he, not she, is at fault. Falke enters with all the guests from the party and explains that the whole thing was payback for Eisenstein's practical joke on him three years before. Eisenstein is delighted by the prank, and he begs Rosalinde to forgive him for his attempted infidelity. Rosalinde refuses at first, and threatens to divorce him, but Eisenstein tells her that his misbehavior was caused by the champagne. She accepts this explanation and immediately forgives him unconditionally. Orlofsky promises to finance Adele's acting career, and the company joyfully reprises the "Champagne song" from act 2.


Recordings


Stage adaptations

Strauss's music has been adopted for at least two musical comedies: *''Nightbirds'' with lyrics by Gladys Unger, opened at the
Lyric Theatre, London The Lyric Theatre is a West End theatre in Shaftesbury Avenue in the City of Westminster. It was built for the producer Henry Leslie, who financed it from the profits of the light opera hit, '' Dorothy'', which he transferred from its origina ...
30 December 1911 *''Gay Rosalinda'', adaptation by
Erich Wolfgang Korngold Erich Wolfgang Korngold (May 29, 1897November 29, 1957) was an Austrian-born American composer and conductor. A child prodigy, he became one of the most important and influential composers in Hollywood history. He was a noted pianist and compo ...
, produced at the
Palace Theatre, London The Palace Theatre is a West End theatre in the City of Westminster in London. Its red-brick facade dominates the west side of Cambridge Circus behind a small plaza near the intersection of Shaftesbury Avenue and Charing Cross Road. The Palace ...
in 1945


Film adaptations

' has been adapted numerous times for the cinema and for TV:


References

Notes Sources
"'"
by Andrew Lamb, in ''
The New Grove Dictionary of Opera ''The New Grove Dictionary of Opera'' is an encyclopedia of opera, considered to be one of the best general reference sources on the subject. It is the largest work on opera in English, and in its printed form, amounts to 5,448 pages in four volu ...
'', edited by Stanley Sadie. *
Warrack, John John Hamilton Warrack (born 1928, in London) is an English music critic, writer on music, and oboist. Warrack is the son of Scottish conductor and composer Guy Warrack. He was educated at Winchester College (1941-6) and then at the Royal College o ...
and West, Ewan (1992), ''The Oxford Dictionary of Opera'', 782 pages,


External links

*
Libretto to ' in the original German with a literal English translation
from Aria-Database.com
English libretto to ''Die Fledermaus''
on archive.org * Gänzl, Kurt
''Die Fledermaus''
entry in ''Encyclopedia of the Musical Theatre'' (includes complete original performance history)
''Die Fledermaus''
IMDb

*



* ,
Carlos Kleiber Carlos Luis Bonifacio Kleiber (3 July 1930 – 13 July 2004) was an Austrian conductor who is widely regarded as among the greatest conductors of all time. Early life Kleiber was born as Karl Ludwig Bonifacius Kleiber in Berlin in 1930, the ...
,
Vienna New Year's Concert The Vienna New Year's Concert () is an annual concert of classical music performed by the Vienna Philharmonic on the morning of New Year's Day in Vienna, Austria. The concert occurs at the Musikverein at 11:15. The orchestra performs the same c ...
1989 * , Enrico Sartori, China New Year's Concert Tour 2021 {{DEFAULTSORT:Fledermaus, Die Operas by Johann Strauss II German-language operettas Operas set in Austria 1874 operas Operas based on plays Operas