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D-3 is an uncompressed composite
digital video Digital video is an electronic representation of moving visual images (video) in the form of encoded digital data. This is in contrast to analog video, which represents moving visual images in the form of analog signals. Digital video comprises ...
videocassette Videotape is magnetic tape used for storing video and usually sound in addition. Information stored can be in the form of either an analog or digital signal. Videotape is used in both video tape recorders (VTRs) and, more commonly, videocasset ...
format invented at NHK and introduced commercially by
Panasonic formerly between 1935 and 2008 and the first incarnation of between 2008 and 2022, is a major Japanese multinational conglomerate corporation, headquartered in Kadoma, Osaka. It was founded by Kōnosuke Matsushita in 1918 as a lightbulb ...
. It was launched in 1991 to compete with
Ampex Ampex is an American electronics company founded in 1944 by Alexander M. Poniatoff as a spin-off of Dalmo-Victor. The name AMPEX is a portmanteau, created by its founder, which stands for Alexander M. Poniatoff Excellence.AbramsoThe Histor ...
's D-2. D-3 uses half-inch
metal particle tape Audio compact cassettes use magnetic tape of three major types which differ in fundamental magnetic properties, the level of bias applied during recording, and the optimal time constant of replay equalization. Specifications of each type were s ...
at 83.88 mm/s (compare to D-2's 19 mm and 131.7 mm/s). Like D-2, the
composite video Composite video is an analog video signal format that carries standard-definition video (typically at 525 lines or 625 lines) as a single channel. Video information is encoded on one channel, unlike the higher-quality S-Video (two chann ...
signal is sampled at four times the color subcarrier frequency, with eight bits per sample. Four channels of 48 kHz 16–20 bit PCM audio, and other ancillary data, are inserted during the
vertical blanking interval In a raster scan display, the vertical blanking interval (VBI), also known as the vertical interval or VBLANK, is the time between the end of the final visible line of a frame or field and the beginning of the first visible line of the next fram ...
. The aggregate net (error corrected) bitrate of the format is 143 Mbit/s, and because the codec is lossless, it has been used in data applications.
Camcorder A camcorder is a self-contained portable electronic device with video and recording as its primary function. It is typically equipped with an articulating screen mounted on the left side, a belt to facilitate holding on the right side, hot-swa ...
s were available which used this format, and are to date the only digital tape camcorders to use a lossless encoding scheme. The D-5 format, introduced in 1993 by Panasonic and marketed as D-5 HD, uses the D-3 transport and tape running at roughly double D-3 speed. The D-3 transport in turn is derived from the MII transport. D-3/D-5 tapes come in small (161 mm × 96 mm × 25 mm), medium (212 mm × 124 mm × 25 mm), and large (296 mm × 167 mm × 25 mm) cassettes, with format-specific recognition holes. Maximum D-3 runtimes (in the Fujifilm lineup) are 50, 126, and 248 minutes. The D-3 format is now regarded as obsolete. In the early 1990s the
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embarked on a massive project to copy its older video tapes onto D-3 for archival, but the D-3 cassettes themselves have become obsolete and are being transferred to modern digital video standards. There is doubt over whether the surviving D-3 machines will last long enough to play the 340,000 tapes which the corporation holds.


See also

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DVCAM DV refers to a family of codecs and videotape, tape formats used for storing digital video, launched in 1995 by a consortium of camcorder, video camera manufacturers led by Sony and Panasonic. In the late 1990s and early 2000s, DV was strongly ...
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DVCPRO DV refers to a family of codecs and videotape, tape formats used for storing digital video, launched in 1995 by a consortium of camcorder, video camera manufacturers led by Sony and Panasonic. In the late 1990s and early 2000s, DV was strongly ...
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D-1 (Sony) D-1 or 4:2:2 Component Digital is an SMPTE digital recording video standard, introduced in 1986 through efforts by SMPTE engineering committees. It started as a Sony and Bosch - BTS product and was the first major professional digital vide ...
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D-2 (video) D-2 is a professional digital videocassette format created by Ampex and introduced in 1988 at the NAB Show as a composite video alternative to the component video D-1 format. It garnered Ampex a technical Emmy in 1989. Like D-1, D-2 stores u ...
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D5 HD D-5 is a professional digital video format introduced by Panasonic in 1994. Like Sony's D-1 (8-bit), it is an uncompressed digital component system (10-bit), but uses the same half-inch tapes as Panasonic's digital composite D-3 format. A 120 ...
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D6 HDTV VTR D6 HDTV VTR is SMPTE videocassette standard. A D6 VTR can record and playback HDTV video uncompressed. The only D6 VTR product is the Philips, now Thomson's Grass Valley's Media Recorder, model DCR 6024, also called the D6 Voodoo VTR. The VT ...


References


External links


Technical Glossary of Common Audiovisual Terms: D3

International Association of Broadcasting Manufacturers Technical Reference on Video Tape Recording Formats, January 2000
{{Video storage formats Video storage Audiovisual introductions in 1991 Television terminology