Jean-Auguste-Dominique_Ingres_-_Luigi_Cherubini_-_Google_Art_Project

''Démophoon'' (sometimes spelt ''Démophon'') is an opera by the composer

Luigi Cherubini Luigi Cherubini ( ; ; 8 or 14 SeptemberWillis, in Sadie (Ed.), p. 833 1760 – 15 March 1842) was an Italian Classical and Romantic composer. His most significant compositions are operas and sacred music. Beethoven regarded Cherubini as the gre ...

, first performed at the Académie Royale de Musique (the

Paris Opera The Paris Opera (, ) is the primary opera and ballet company of France. It was founded in 1669 by Louis XIV as the , and shortly thereafter was placed under the leadership of Jean-Baptiste Lully and officially renamed the , but continued to be ...

) on 2 December 1788. It takes the form of a ''

tragédie lyrique This is a glossary list of opera genres, giving alternative names. "Opera" is an Italian word (short for "opera in musica"); it was not at first ''commonly'' used in Italy (or in other countries) to refer to the genre of particular works. Most c ...

'' in three acts. The libretto, by

Jean-François Marmontel Jean-François Marmontel (11 July 1723 – 31 December 1799) was a French historian, writer and a member of the Encyclopédistes movement. Biography He was born of poor parents at Bort, Limousin (today in Corrèze). After studying with th ...

, is based on ''

Demofoonte ''Demofonte'' (also ''Demofoonte''; ''Il Demofoonte''; ''Demofoonte, ré di Tracia'' ing of Thrace ''Démophon''; ''Demophontes''; or ''Dirce, L'usurpatore innocente'' irce, the Innocent Usurper is an opera seria libretto by Metastasio. The lib ...

'' by

Metastasio Pietro Antonio Domenico Trapassi (3 January 1698 – 12 April 1782), better known by his pseudonym of Pietro Metastasio (), was an Italian poet and librettist, considered the most important writer of ''opera seria'' libretti. Early life Me ...

Performance history and reception

''Démophoon'' was Cherubini's first French opera after his move from London to Paris. It was not a success and was soon eclipsed by Johann Christoph Vogel's opera on the same subject, which premiered the following year. The musicologist Basil Deane writes: "In retrospect it is easy to see that failure was inevitable. Marmontel based his French libretto on Metastasio, but sacrificed his predecessor's directness by introducing a superfluous sub-plot. Diffuse in structure, his text is pompously banal in language." The Italian Cherubini also had difficulty setting French and there are numerous examples of false accentuation. He was also only partially successful at changing his musical style from that of

opera seria ''Opera seria'' (; plural: ''opere serie''; usually called ''dramma per musica'' or ''melodramma serio'') is an Italian musical term which refers to the noble and "serious" style of Italian opera that predominated in Europe from the 1710s to abo ...

to one influenced by

Christoph Willibald Gluck Christoph Willibald (Ritter von) Gluck (; 2 July 1714 – 15 November 1787) was a composer of Italian and French opera in the early classical period. Born in the Upper Palatinate and raised in Bohemia, both part of the Holy Roman Empire, he g ...

, who was then fashionable in France. Some later critics have been much more enthusiastic about the score. E. J. Dent wrote, "Cherubini produced a French opera, ''Démophoon'', which in its technical accomplishment is as masterly as anything of

Mozart Wolfgang Amadeus Mozart (27 January 17565 December 1791), baptised as Joannes Chrysostomus Wolfgangus Theophilus Mozart, was a prolific and influential composer of the Classical period (music), Classical period. Despite his short life, his ra ...

's. If any work ever deserved the epithet 'classical', it is ''Démophoon''."Dent, p. 49

Roles

References

Sources

Original libretto on Google Books
* Basil Deane, ''Cherubini'', Oxford University Press, 1965 * Edward Joseph Dent ''The Rise of Romantic Opera'' (Cambridge University Press, 1979 edition) * {{DEFAULTSORT:Demophoon Operas Operas by Luigi Cherubini French-language operas 1788 operas