Donato Conte de' Bardi (Active 1426– died 1450/1451) was an Italian painter of the
Quattrocento period. He was born in
Pavia. He is cited as a painter in
Genoa in 1426. In 1433, he painted an altarpiece of the ''Crucifixion with the Magdalen and Saints'' for the Cathedral. Another ''Crucifixion with Saints'' was painted for the Ospedale di San Paolo in
Savona
Savona (; lij, Sann-a ) is a seaport and ''comune'' in the west part of the northern Italy, Italian region of Liguria, capital of the Province of Savona, in the Riviera di Ponente on the Mediterranean Sea.
Savona used to be one of the chie ...
. A Maesta was completed after his death by Giovanni Giorgio in 1451. His work shows some Flemish influences. His brother Boniforte was also a painter.
Italian Paintings: A Catalogue of the Metropolitan Museum of Art
by Federico Zeri and Elizabeth E. Gardner, page 1.
Biography
He trained in the workshops of international Gothic in Lombardy
Lombardy ( it, Lombardia, Lombard language, Lombard: ''Lombardia'' or ''Lumbardia' '') is an administrative regions of Italy, region of Italy that covers ; it is located in the northern-central part of the country and has a population of about 10 ...
, with the first works related to the style of Giusto de' Menabuoi or Michelino da Besozzo. His early contacts with Flemish culture helped him develop a more personal and unique style. Some have suggested that he made a visit to Flanders, but his presence in Genoa, the center of Provençal and Flemish painting in Italy, would be enough to explain his knowledge.
Among the first works by Donato de 'Bardi that recorded the change in style there were a ''Madonna of Humility with Saints Philip'' and ''Agnes'' (1440), now at the Metropolitan Museum in New York, from 1445 to 1451 four tablets are known of a dismembered altarpiece (''St. Jerome'' at the Brooklyn Museum in New York, ''St. John the Baptist'' in the Pinacoteca di Brera, ''St. Stephen and St. Ambrose'' in a private collection in Milan) and a ''Crucifixion'' (1448) to the civic Art Gallery of Savona.
A document dated 1450 discovered by Federico Zeri in the seventies shows how his brother Boniforte ask a reduction in taxes by the Republic of Genoa because of their status as refugees, exiled from their native town for political reasons. This document also mentions Brother Donato, who exercised the art "only for the pleasure of the spirit", as a testimony to their high social status.
References
External links
''Italian Paintings: North Italian School''
a collection catalog containing information about de' Bardi and his works (see index; plate 8).
Year of birth unknown
1450s deaths
Artists from Pavia
15th-century Italian painters
Italian male painters
1426 births
{{Italy-painter-17thC-stub