Djamila (singer)
   HOME

TheInfoList



OR:

Djamila or Jamila () (7th-century – d. 720) was a Medinan
Qiyan ''Qiyān'' ( ar, قِيان, ; singular ''qayna'', ar, قَينة, ) were a social class of women, trained as entertainers, which existed in the pre-modern Islamic world. The term has been used for both non-free women and free, including some ...
-courtesan musician, singer and poet. She was a ''
mawla Mawlā ( ar, مَوْلَى, plural ''mawālī'' ()), is a polysemous Arabic word, whose meaning varied in different periods and contexts.A.J. Wensinck, Encyclopedia of Islam 2nd ed, Brill. "Mawlā", vol. 6, p. 874. Before the Islamic prophet ...
'' of Banu Sulaym tribe, which mean she was a freedwoman-client who converted to Islam, which was the usual background for free professional musical artists in the Caliphate. She and her colleague Azza al-Mayla (d. 705) was one of only two free female musicians known to have managed their own '' majlis'', which was a form of entertainment sessions or salon which was at this time still acceptable for women and men to attend together, as Arabian upper-class women was not yet fully subjected to
gender segregation Sex segregation, sex separation, gender segregation or gender separation is the physical, legal, or cultural separation of people according to their biological sex. Sex segregation can refer simply to the physical and spatial separation by sex w ...
. The madjlis played a big role in the lively musical life of
Medina Medina,, ', "the radiant city"; or , ', (), "the city" officially Al Madinah Al Munawwarah (, , Turkish: Medine-i Münevvere) and also commonly simplified as Madīnah or Madinah (, ), is the second-holiest city in Islam, and the capital of the ...
, in which the musicians performed and attracted patrons and students. She was renowned for her high artistic achievements as well as for her acts as an educator of celebrated male musicians. One of her students was the musician Ma'bad (d. 743), the son of an enslaved African, said of her "in the art of music Djamila is the tree and we are the branches". Djamila performed a pilgrimage from Medina to Mecca, which was a musical event which attracted great attention and extensively commented on by contemporary accounts. Her cortege included all the principal musicians of the time, as well as 50 singing girls, was detained because of the attention from the onlookers, and her return was the occasion of three days of musical feasts.Shiloah, Arnnon. Music in the world of Islam: a socio-cultural study I. Title 306.4840917671


References

{{DEFAULTSORT:Azza al-Mayla 8th-century women musicians 8th-century musicians Arabian slaves and freedmen Medieval singers Qiyan 720 deaths 7th-century musicians Women poets from the Umayyad Caliphate Slaves from the Umayyad Caliphate People from Medina Medieval Arabic singers