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Dhenuka (pronounced dhēnukā) is a
rāga A ''raga'' or ''raag'' (; also ''raaga'' or ''ragam''; ) is a melodic framework for improvisation in Indian classical music akin to a melodic mode. The ''rāga'' is a unique and central feature of the classical Indian music tradition, and as ...
m (musical scale) in
Carnatic music Carnatic music, known as or in the Dravidian languages, South Indian languages, is a system of music commonly associated with South India, including the modern Indian states of Karnataka, Andhra Pradesh, Telangana, Kerala and Tamil Nadu, an ...
. It is the 9th
Melakarta Mēḷakartā is a collection of fundamental musical scales ( ragas) in Carnatic music (South Indian classical music). ''Mēḷakartā'' ragas are parent ragas (hence known as ''janaka'' ragas) from which other ragas may be generated. A ''melak ...
rāgam in the 72 melakarta rāgam system of Carnatic music. It is called Dhunibinnashadjam''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras in
Muthuswami Dikshitar Muthuswami Dikshitar (Mudduswamy Dikshitar)(, 24 March 1776 – 21 October 1835), mononymously Dikshitar, was a South Indian poet, singer and veena player, and a legendary composer of Indian classical music, who is considered one of the musical ...
school of Carnatic music.


Structure and Lakshana

It is the 3rd rāgam in the 2nd chakra ''Netra''. The mnemonic name is ''Netra-Go''. The mnemonic phrase is ''sa ra gi ma pa dha nu''. Its structure (ascending and descending scale) is as follows (see '' swaras in Carnatic music'' for details on below notation and terms): * : * : (Suddha Rishabham, Sadharana Gandharam, Suddha Madhyamam, Suddha Dhaivatham, Kakali Nishadham) As it is a melakarta rāgam, by definition it is a sampoorna rāgam (has all seven notes in ascending and descending scale). It is the Suddha madhyamam equivalent of
Shubhapantuvarali Shubhapantuvarali (pronounced , meaning ''the auspicious moon'') is a rāgam in Carnatic music (musical scale of South Indian classical music). It is the 45th '' melakarta'' rāgam in the 72 ''melakarta'' rāgam system of Carnatic music. It is ...
, which is the 45th melakarta.


Asampurna Melakarta

Dhunibinnashadjam is the 9th ''Melakarta'' in the original list compiled by
Venkatamakhin Venkatamakhin (; ) or Venkatamakhi, was an Indian poet, musician, and musicologist of Carnatic music. He is renowned for his '' Chaturdandiprakashika'' in which he explicates the melakarta system of classifying ragas. Venkatamakhin composed ...
. The notes used in the scale are the same as ''Dhenuka''.Shree Muthuswami Dikshitar Keerthanaigal, by A Sundaram Iyer, Music Book Publishers, Mylapore, Chennai


Janya Rāgams

Dhenuka has a few
janya ''Janya'' is a term meaning "derive". In Carnatic (South Indian) music a ''janya raga'' is one derived from one of the 72 ''melakarta'' ragas (fundamental melodic structures). ''Janya'' ragas are classified into various types based on a varie ...
rāgams (derived scales) associated with it. See '' List of Janya Rāgams'' for full list of rāgams associated with Dhenuka.


Compositions

*''TeliyalEru rAmA'' composed by
Tyagaraja Thyagaraja (Telugu: త్యాగరాజ) (4 May 1767 – 6 January 1847), also known as Thyāgayya and in full as Kakarla Thyagabrahmam, was a composer and vocalist of Carnatic music, a form of Indian classical music. Tyagaraja and his ...
is one of the most often rendered in concerts. *''Raavayya Rama'' composed by Dr. M. Balamuralikrishna


Film Songs


Language:

Tamil Tamil may refer to: * Tamils, an ethnic group native to India and some other parts of Asia **Sri Lankan Tamils, Tamil people native to Sri Lanka also called ilankai tamils **Tamil Malaysians, Tamil people native to Malaysia * Tamil language, nativ ...


Related rāgams

This section covers the theoretical and scientific aspect of this rāgam. Dhenuka's notes when shifted using
Graha bhedam ''Graha Bhedam'' in Carnatic music is the process (or result of the process) of shifting the Tonic note (''śruti'') to another note in the rāgam and arriving at a different rāgam. Its equivalent in Hindustani classical music is called a ''mur ...
, yields 3 other Melakarta rāgams, namely, ''
Shanmukhapriya Shanmukhapriya is a ragam in Carnatic music (musical scale of South Indian classical music). It is the 56th ''melakarta'' rāgam (parent scale) in the 72 ''melakarta'' rāgam system of Carnatic music. It is called Chāmaram in Muthuswami Diksh ...
'', ''
Chitrambari Chitrambari (pronounced ''chitrāmbari'') is a ragam in Carnatic music (musical scale of South Indian classical music). It is the 66th '' Melakarta'' rāgam in the 72 ''melakarta'' rāgam system of Carnatic music. It is called Chaturangini''Sri ...
'' and ''
Shoolini Shulini (pronounced shūlini) is a ragam in Carnatic music (musical scale of South Indian classical music). It is the 35th ''melakarta'' rāgam in the 72 ''melakarta'' rāgam system of Carnatic music. It is also spelled as ''Sulini'', ''Shoolin ...
''. Graha bhedam is the step taken in keeping the relative note frequencies same, while shifting the Shadjam to the next note in the rāgam.


Notes


References

{{Janya, state=collapsed Melakarta ragas